Alex Berger

Le Bureau des Légendes/The Bureau is both a critical and commercial success: Federation Entertainment has indicated that Le Bureau des Légendes was sold in over 100 markets as of 2019 becoming one of France's all-time leading exports in scripted drama. Le Bureau des Légendes is still one of the leading franchise series on Canal+ in France.

The success of this show is twofold: one the creative talent of Eric Rochant and the way he reinvented the spy genre with an ultra-realistic take. Two, as TOP implemented a very distinctive and unique method of development and production for France. To produce a season of 10x52’ every 12 to 15 months Alex Berger and Eric Rochant adapted US development and production methods as implemented by the WGA for decades to the French environment of droit d’auteur (authors rights and collective management system as well as to the French labor laws). Eric Rochant is, therefore, the showrunner under this industrial system that is detailed below and in the report that Alex Berger delivered to the CNC in April 2019.

Alex Berger was asked to write a report for the CNC (Centre National du Cinéma et de l’Image Animée- French National Center for Cinema and Animation) on a new organisation of scripted drama in France. The report was commissioned by the CNC to show what and how should be changed in the French market to meet the standards as well as needs in this golden age of scripted drama. The report puts in perspective the changes that need to be made within paradigm shift with the rise of the digital platforms, and how this affects the way of developing, producing and distributing TV series, taking Le Bureau des Légendes/The Bureau as an example.

Scripted drama with Is Harry on the Boat? and documentaries Fortean TV, Channel Hopping, ‘Dying to be beautiful’, Unpeeled, Gérard Depardieu: the ugly frog that became a prince, Brigitte Bardot: the reluctant goddess, and Serge Gainsbourg: France's secret vice, Naked City, Graham Norton's Rock Babylon...).

The company name came from the first TV series they developed together, The Oligarchs. TOP-The Oligarchs Productions is the production company behind Le Bureau des Légendes/The Bureau, a show created by Eric Rochant. The Bureau is distributed by Federation Entertainment and diffused by Canal + in France. In 2018, The Bureau was one of the most exported French TV shows.

Globe de cristal 2017 : Best TV Show or TV Movie

French Film and Television French guild award 2015: Best TV Show;

Press international jury award – Best performance for Mathieu Kassovitz;

Press international award nominee – Best French TV Show;

TV Series critics association award (ACS): Best actor – Mathieu Kassovitz;

Alex Berger & Eric Rochant are partners in The Oligarchs Productions since 2008. TOP is a production company based in Paris, developing scripted drama series in French as well as in English.

Alex Berger left his position of CEO of Content Participations in June 2006 when the company was taken over by EBR Finances Groupe Edmond de Rothschild.

Alex Berger was member of the both strategic committees of Canal+ and Vivendi. At the beginning of 2000, following the announcement of the merger between AOL and Time Warner, Alex Berger understood the necessity of having an offensive strategy to counter the US studio strategy of directly linking content with end users, therefore, disintermediating Canal+ and Vivendi groups as local distributors.

Once approved by [[Jean Marie Messier]] and Pierre Lescure, Alex Berger initiated the discussions with Universal. With the help of Terry Semel, former CEO of Warner Brothers, they approached Edgar Bronfman Jr. CEO of Seagram, owned by Universal. This strategy led to Vivendi, Universal and Canal+ to merge in June 2000.

After the merger was finalised in June 2000, Alex Berger was at a strategic position between Vivendi-Universal CEO Jean-Marie Messier and Canal+ Group CEO Pierre Lescure, head of content and digital. Internal politics and infighting raging, Alex Berger decided to leave Canal+ group in September 2000.

At the end of 2000, Alex Berger decided to go back to his entrepreneur beginnings and founded two companies: Content Participations et MM&I. Content Participations invested in companies that produced and owned content and helped in crystallizing their strategy and accelerate their growth: TV, films, web, music publishing, print and online publishing, gaming... Content Participations was both investor and advisor for these companies:

In 1998, Alex Berger founded and became the first CEO of CanalNumedia · . CanalNumedia all the gaming activities of the group (2nd worldwide) and football, cinema and photography sites... In 1999 he founded and became the co-CEO of Vivendi Universal Net (VivendiNet) along with Franck Boulben. VivendiNet regrouped all digital contents of:

In 1997, Alex Berger invents the multi-access web portal Vizzavi, which consists of enabling premium content to travel seamlessly between all of the subscribers and their services and devices ( Canal+ pay TV and CanalSatellite pay channels, AOL Europe subscribers, SFR mobile subscribers, Numéricâble subscribers.)... This system named Vizzavi, was co-owned by Vodafone under the name Vodafone Live. service.

It that position and as a member of the strategic and executive committees that he was directly involved in the strategy of every major development of the group between 1994 and 2000, such as

In 1993, he was working with Michel Thoulouze of Groupe Canal+, first as a producer for the show Le Meilleur du Pire presented by Pascal Bataille and Laurent Fontaine, then as a strategic development advisor for the international channel French luxury Voilà. As an advisor to the Chairman and CEO he participated in the creation of MultiThématiques S.A. that held the initial cable channels Planète (documentaries), Jimmy (series and lifestyle), CinéCinéma, Cinéfil (the classic and second run movie channels). With Michel Thoulouze he elaborated the strategy and negotiated with TCI International to sell the US cable giant (now Liberty Media) to take a 34% stake and fund the international expansion of the core 4 French channels into 40 international services. November the 4th 1994, he was nominated Executive Vice President and special advisor to the CEO of the Groupe Canal+, Pierre Lescure.

In 1992, he interpreted the character of Jean-Robert Günther in L'Émission impossible on TF1, the first show of d'Arthur on television. In 1994, he made an appearance on Canal+ in the very last sketch of the show in Nulle part ailleurs [fr] of Antoine de Caunes and José Garcia. With the humoristic group Les Nuls as a guest on the set, he made a parody of one of them, Dominique Farrugia

In 1989, capitalising the notorious success of the shows produced in France by NBdC, Alex Berger and his partners created Rapido TV in Great Britain. Rapido TV was a 50/50 joint venture with Richard Branson / Virgin Communications, managed by the prolific producer Peter Stuart. Rapido TV quickly became a successful provider of TV shows, also aimed towards the niche young adult segment created through NBdC. As for NBdC in France and elsewhere in Europe, Rapido TV established a distinctive tone, rythme and style that turned TV shows into brands.

Rapido had three broadcast lives: first on TF1 as a weekly 52-minute show, then on Canal + in a 26-minute format, and in 14 other versions internationally. The show had been noticed by Jane Porter and Alan Yentob who decided to buy the format with Antoine de Caunes as its star host on BBC1 between 1988 and 19911

18 months later, in 1986, he returned to Paris, France and founded NBdC with partners Tim Newman and Antoine de Caunes. NBdC rapidly became one of the leading independent production companies in France specialised in young adult television shows. NBdC notably produced:

He left Monaco in 1984 and founded his first production company, Real to Reel Filmworks, Inc. in Los Angeles with the Baron Edmond de Rothschild & his son Benjamin de Rothschild. This company produced short programs for the rising cable industry in the US. Reel to Real participated in one of the first American animation shows based on a toy line (Robotech) for Revell Toys (the American subsidiary of La Compagnie industrielle du jouet - CEJI owned then by the Rothschilds). The animation series Robotech was syndicated throughout the US and sold worldwide. Robotech was produced by Harmony Gold USA.

His career started in 1982 at TMC TMC owned at the time by the Principality of Monaco. Michel Lacroix, head of programming and general manager hired him as an intern. After a few months and after coordinating the international feed for the funeral of late Princess Grace of Monaco, Jean-Claude Heberlé then CEO of RMC-TMC appointed him producer of the RMC-TMC evening news flash, at 21. Alex Berger worked on several innovative productions at TMC. It was while working at TMC that he met Alain Chabat ( a radio host on RMC at the time).

Alex Berger (born (1962-03-22 ) March 22, 1962) is a producer, creator, consultant and entrepreneur in the media field. During his professional life, he created or participated in numerous, films Astérix: Mission Cléopâtre, TV shows (Rapido, Burger Quiz...), digital (invented the multi-access portal for Vivendi-Vodafone) and founded or accelerated the growth of several companies (NBdC, Chez Wam, Canal+, TOP-The Oligarchs Productions...) by holding various key positions such as senior Vice President and head of strategy to Pierre Lescure at Canal+ , CEO of CanalNumedia, co-CEO at VivendiNet (Groupe Vivendi-Universal), President of MM&I (consulting) as co-founder, President and CEO of TOG-The Oligarchs Group and TOP-The Oligarchs Productions.

He was born March 22, 1962 in Philadelphia in the USA. He is the son of Francine Dreyfus-Berger, a French painter and Dr. Joseph Berger, PhD. In 1972, he moved to France with his parents and his sister Sylvie Berger. After a French schooling, he briefly studied at the University of Pennsylvania, then lived between the US and Europe. He currently lives in Paris, with his wife Florence Servan-Schreiber and their three children.