Alicia Luna

She also wrote scripts for advertising and for several television series. Her latest works have been the TV movie 22 Angeles (2016) directed by Miguel Bardem for TVE34 and the coordination of the scripts for the TV series Central 5 produced by El Deseo in 2018.

In 2014, she collaborated again with Iciar Bollain in a number of socially-oriented campaigns, and together they wrote the documentary En tierra extraña (In Foreign Land)

In the field of documentaries, she collaborated with Mabel Lozano in the script of two films about the world of prostitution, Chicas nuevas 24 horas (New Girls 24/7) and El proxeneta. Paso corto, mala leche (The pimp. Small step, bad mood), both directed by Mabel Lozano. Moreover she participated in the feminist collective film project Yo decido: El tren de la libertad (2014).

In 2013 her satirical monologue about the lack of social commitment, La Voz de Doris Day, premiered in theaters. The same year, Se arreglan bicis for the series Mentes desordenadas was presented at La Casa Encendida. In 2017, the socially committed cabaret For Sale, a comedy on the life of Maria Cumplido in times of crisis, premiered at Luchana Theater.

In 2010, she wrote the films La vida empieza hoy (Life begins today) directed by Laura Mañá, and Sin ti, directed by Raimon Masllorens.

She is a founding member and president of the Lydia Cacho Foundation created in 2008, a foundation that helps people threatened by human rights violations. She is also a member of CIMA, the Spanish Association of Women in Film and Media. Since 2014 she has been a member of the board of directors of the Spanish Academy of Cinematographic Arts and Sciences.

In 1999, in collaboration with Clara Pérez Escrivá and José Antonio Quirós, she co-authored her first script for the film Pídele Cuentas al Rey, which won the Best Script Award at the Peñíscola Comedy Festival. Her friendship with Iciar Bollain has led to a host of collaborations. They wrote the script of the fake documentary Amores que matan, directed by Bollain, and then the script of Te doy mis ojos, that won the 2004 Goya Award for Best Screenplay and the Award for Best European Screenplay.

Luna alternates screenwriting with her teaching activity. She is the co-director of the Master's degree in screenwriting and dramaturgy at the Universidad Autónoma de Madrid / Escuela de Guion de Madrid. She offered workshops at the Fundación Carolina, at the Laboratorio de Oaxaca (Mexico) sponsored by Sundance, in Colombia, and in Brazil. She taught for the Master's degree in screenwriting at the Universidad Carlos III de Madrid, and she is the director and founder of the Escuela de Guion de Madrid. She has also published two books on how to teach screenwriting: Matad al guionista y acabaréis con el cine (1999) and Nunca mientas a un idiota. Póker para guionistas y demás escribientes (2012).

As a result of a trip to Lima in 1987 for the documentary on César Vallejo Acaba de pasar el que vendrá, she started to be interested in screenwriting. She took courses taught by José Luis Borau, Manuel Matji, Lola Salvador, Joaquín Jordá y Agustín Díaz Yanes, and in 1997 she studied screenwriting at the Universidad Politécnica de Cataluña.

Alicia Luna (born December 2, 1963) is a Spanish screenwriter, film director, and professor. She has received awards such as the Audience Award at the Seminci of Valladolid Film Festival for the film Pídele cuentas al rey (1999), the Goya Award for Best Original Screenplay, and the Best European Screenplay Award for Te doy mis ojos (Take My Eyes) (2004), and the Malaga Film Festival Critics Award for La vida empieza hoy (Life Begins Today). She has also co-written the documentaries Chicas nuevas 24 horas (New Girls 24/7) and El proxeneta. Paso corto, mala leche (The pimp. Small step, bad mood). She is president of the Lydia Cacho Foundation, created in 2008 to help people threatened by human rights violations.