Amelia Lapeña-Bonifacio

She died on the early morning of 29 December 2020 at the age of 90.

On 24 October 2018, Amelia Lapeña-Bonifacio was formally declared by the government as a National Artist of the Philippines, the highest distinction and honor conferred by the republic to Filipino artists. At the time, she had written 44 plays, 28 of these for children; 136 short stories, mostly for children and young adults; and 26 books, including a 2014 novel for young readers about World War II, In Binondo, Once Upon a War, written from the point of view of an 11-year-old child. She also wrote essays, speeches, poems and songs. In a 2019 interview, she hinted of a possible collaboration with fellow National Artist Ryan Cayabyab, to whom she had "already sent" an original script for him to make a musical from, adding, "I hope he's writing it now."

In 2017, she received the City of Manila Outstanding Citizen Award and the Quezon City Most Outstanding Citizen Award in 2013.

Lapeña-Bonifacio was the daughter of Gregorio Lapeña y Bañez and Paz Lirag y Mercado. She was married to Manuel Flores Bonifacio, a professor of sociology. They had a daughter, Amihan Bonifacio-Ramolete, who became the leader of Teatrong Mulat in 2012 and later the Dean of the College of Arts and Letters at the University of the Philippines.

In February 2010, the University of the Philippines’ Department of Speech Communication and Theatre Arts conferred on her the title “Mother of Philippine Puppetry” to recognize Lapeña-Bonifacio's efforts in promoting Philippine stories and Asian puppetry and eventually creating a Philippine puppet tradition.

A memorable recognition of her work occurred in Bangkok, Thailand, in 2009 at the International Puppetry Festival. A journalist noted that during a break in the performance of The Ramayana, "the performers approached her (she had been placed in the front row), clasped their palms, bowed and kissed her on both cheeks. When, misty-eyed, she kissed them back, the audience rose to their feet."

In 2006, a house near the University of the Philippines, which served as Mulat's 100-seat base, was rebuilt and reopened as the Amelia Lapeña-Bonifacio Teatro Papet Museo (Puppet Museum) through government funding and grants from former presidents Fidel V. Ramos and Joseph E. Estrada.

Lapeña-Bonifacio's theatre company presented Sita & Rama: Papet Ramayana in 2004 which interpreted the Indian epic Ramayana through shadow and rod puppetry with music by Joey Ayala and Cynthia Alexander and directed by Lapeña-Bonifacio's daughter, Amihan Bonifacio-Ramolete.

Lapeña-Bonifacio retired from the University of the Philippines in 1995, after thirty-six years teaching at the university; she was appointed a Professor Emeritus.

In 1995, she received the Carlos Palanca Memorial Award in Literature for One Act Play for Dalawang Bayani.

The 1991 Mount Pinatubo eruption which devastated numerous provinces in the Philippines highly influenced Lapeña-Bonifacio's craft. Through the University of the Philippines College of Medicine's advice, the Teatrong Mulat showed Pinatubo's traumatized children their plays to help the children in coping with the horrors caused by the eruption. In the next few years, Mulat performed in 30 refugee or relocation sites in Pampanga and Zambales. Each site would have approximately 100 children.

Land, Sea and Sky, a 1991 play, was re-launched by the theatre company in 2012 to raise awareness of various environmental concerns that the country is facing.

In 1985, Lapeña-Bonifacio's Papet Pasyon (Puppet Passion Play) was staged for the first time. The play translates the Filipino tradition of reciting the death and resurrection of Jesus into a puppet version for children, and has been staged annually since 1985. It was initially performed at the Cultural Center of the Philippines and was later staged at the University of the Philippines, Intramuros, and other provinces.

Lapeña-Bonifacio released Sepang Loca & Others, a first volume of works in English, in January 1981. Half of the collection is made up of five plays, while the rest consists of ten stories, several poems and essays.

Mulat, the theatre company, was invited to the International Workshop On Living Children’s Theatre in Asia (1978), where performances in eighteen sites in Japan gained media attention. At the International Puppet Festival in Tashkent, former USSR (1979), Mulat premiered The Trial to acclaim. In 1980, with Tokyo-based Ohanashi Caravan, Mulat toured Metro Manila and provinces, and the group participated in International Workshops On Living Children’s Theatre in the Philippines (1983), Malaysia (1985), Thailand (1987), and Indonesia (1989).

In 1977, Lapeña-Bonifacio wrote and directed her first children's play: Abadeja: Ang Ating Sinderela, a puppet play based on a Visayan folktale about the Cinderella-like Abadeja. It was performed in cooperation with Dulaang UP, the theater group of the University of the Philippines Speech and Drama Department, and was favorably reviewed in the press. With the enthusiasm of the cast's continued visits to her office and her long-standing dream of forming a children's theater group, Lapeña-Bonifacio founded the children's theater troupe Teatrong Mulat ng Pilipinas (Mulat; Aware Theatre of the Philippines), the official theater company and puppetry troupe of the University of the Philippines.

In 1976, Lapeña-Bonifacio published Anim na Dulang Pilipino Para Sa Mga Bata, with her six-year-old daughter supplying illustrations.

As a young faculty member, she helped establish the Speech and Drama Department of the University of the Philippines - Diliman in 1959 and taught subjects such as History of the Theatre and Fundamentals of Speech in the early 1960s until she moved to the Department of English and Comparative Literature.

Lapeña-Bonifacio, known as Tita Amel to her students, was born in Binondo, Manila and attended Arellano North High School. In 1953, she completed her first degree, a bachelor's degree at the University of the Philippines in literature with an interest in set design. In 1956, she became a Fulbright scholar and obtained her Master of Arts degree in speech and theatre arts at the University of Wisconsin-Madison in 1958. She wrote her first play, Sepang Loca, in 1957 and followed this up with Rooms the following year. Both works won awards in the Wisconsin Playwrighting Competition and were staged at the University of Wisconsin Play Circle Theater, with the author herself designing Sepang Loca. The two plays were later published in literary journals in the United States.

Amelia Lirag Lapeña-Bonifacio (4 April 1930 – 29 December 2020) was a Filipino playwright, puppeteer, and educator known as the "Grande Dame of Southeast Asian Children's Theatre". In 1977, she founded a children's theater troupe, Teatrong Mulat ng Pilipinas (Mulat Theater), the official theater company and puppetry troupe of the University of the Philippines. Lapeña-Bonifacio served as the President of the International Association of Theatre for Children and Young People-Philippines (ASSITEJ-Philippines) and Union Internationale de la Marionnette-Philippines (UNIMA-Philippines). She was recognized in 2018 as a National Artist of the Philippines for Theater.