André Cayatte

The film, starring Michelle Morgan, was later remade by Barbara Streisand as "The Mirror Has Two Faces" (1996). Cayatte published six novels before entering the film industry. The opus of his French work, in particular his socially conscious films, can be summed up as a sincere moral plea for a more humane form of justice in the face of rigid and difficult systems of laws and regulations.

"Mourir D'Aimer" (1971) was based on the real life Gabrielle Russier affair and in an highly emotional manner depicted the forbidden love of a teacher for one of her students. The film would introduce actress Annie Girardot, who was to become a French star and his favorite actress. "Il N'y A Pas De Fumée Sans Feu" and "La Raison D'Etat" were both political thrillers. "A Chacun Son Enfer" was in particular a highly disturbing and provocative criminal thriller, focusing on the unbearable suffering of the mother (Annie Girardot) of a kidnapped daughter, and is considered Cayatte 's most terrifying work.

In 1967 "Les Risques Du Métier" starring famed Belgian singer Jacques Brel dealt with the tragedy of a school teacher,accused of abusing his pupils.

"Piège Pour Cendrillon" (1965) (remade in the UK as "The Cinderella Trap") was a tense thriller based on a Sebastien Japrisot novel.

"The Mirror Has Two Faces" (1958) was one of the forerunners of movies dealing with the consequences of plastic surgery, namely the emotional and psychological repercussions on the relationship between a husband and a wife.

"We Are All Murderers" was one of the first strong indictments against the death penalty; it focused on a bleak vision of prisoners who were waiting to be executed and received a special award at the 1952 Cannes Film Festival.

His film "Justice is Done" (1950) won the Golden Lion at the Venice Film Festival and was one of the first films to deal with the moral acceptability of euthanasia.

Highlights of his career: "The Lovers of Verona" (1949), with dialogue by poet Jacques Prévert, is considered by many to be Cayatte's towering achievement, a first international success, a story loosely based on William Shakespeare's "Romeo and Juliet".

He was known in France from the 1940s to the 1970s for uncompromising films examining the complex ethical and political dimensions of crime and justice in the French judicial system. He saw film as a stimulus for reform, advocating social concerns, and in this way was much a seminal forerunner to Costa-Gavras. Cayatte wrote or co-wrote the scripts for all of his films (his collaborators often including Charles Spaak). He was largely considered the 'Sidney Lumet of France'.

Gave up a career in law and journalism in 1938 to pursue film making. Perhaps unsurprisingly, a number of the films he later directed have had a preoccupation with the French judicial system.

André Cayatte (b. 1909 in Carcassonne, Aude, France) was a lawyer turned novelist and journalist, then screenwriter in 1938, after which he became a film director in 1942.

Biography in: John Wakeman, editor. "World Film Directors, Volume One, 1890-1945". Pages 113-115. New York: The H.W. Wilson Company, 1987.