Ari Marcopoulos

Marcopoulos’s best known hip-hop collaboration was shooting the cover photo for American rapper Jay-Z’s twelfth studio album, Magna Carta Holy Grail in 2013. The cover photo features the marble statue of Alpheus and Arethusa by Florentine sculptor Battista Loenzi.

He has frequently collaborated with the skateboarding fashion label, Supreme. The brand has created several collections of hooded sweatshirts, t-shirts, Vans sneakers, and hats that have featured Marcopoulos’s photography.

Marcopoulos has published over 200 books and limited edition zines as well as books in collaboration with artists like Fumes with Matthew Barney, an in-depth look at Barney’s studio process captured through photographs shot over the course of four years and "the Ecstasy of St. Kara" with Kara Walker.

In 2019, Marcopoulos continued his collaboration with Gucci with his book Dapper Dan's Harlem, which featured original photography of the neighborhood, as well as portraits of friends of Gucci and Dapper Dan, including director and designer Trevor Andrew, artist and author Cleo Wade, restaurateur and chef Marcus Samuelsson, and businessman and author Steve Stoute.

Marcopoulos’s first mid-career survey in 2009 was curated by Stephanie Cannizzo for the Berkeley Art Museum and Pacific Film Archive in Berkeley, California.

In 2017, Marcopoulos collaborated with Adidas Skateboarding to release a limited footwear and apparel collection featuring his photographs from the ‘90s.

Marcopoulos has been in a relationship with American contemporary artist Kara Walker since 2015.

Marcopoulos has been a featured artist in the 2002 and 2010 Whitney Biennial.

In 1995, Marcopoulos was contacted by Burton Snowboards to shoot their new snowboarding catalogue. Despite not knowing how to ski or snowboard, the photographer agreed to the project and taught himself how to snowboard. The artist stated his experience, “I didn’t approach [snowboarding] as a sport, I approached it as a lifestyle,” he says. “That’s what I liked about snowboarding – a bunch of kids travelling around the world in their own community. They were just living their own life without their parents around – a community of people living and working together and seeing each other in different places.”

His photo documentation of the Beastie Boys touring and recording between their albums, Check Your Head and III Communication can be found in his book, Pass The Mic: Beastie Boys 1991-1996.

In the early 1990s, Marcopulos met and befriended skaters cycling at the legendary local spot dubbed “The Banks” found underneath the Brooklyn Bridge. He shot portraits of New York skate icons Harold Hunter and Justin Pierce, both featured in Larry Clark’s 1995 coming-of-age film Kids.

Marcopoulos moved to New York City in 1980 when he was 23 years old. There, he was first exposed to the burgeoning hip-hop and downtown art scenes of 1980s New York. His reasoning behind the move was due to cultural frustrations in his home country of Holland, Marcopoulos recalls, "...in Holland, things were pretty stale for me. Even though there were a lot of good influences and a certain openness to music and art and literature, I just wanted to go somewhere less familiar–somewhere bigger. Holland is a fairly small country, and in a weird way, somewhat conservative...There isn't much flexibility in changing people's perspectives."[1]

Once Marcopoulos moved to New York City, he began to photograph the locals he encountered in the street, which exposed him to the up-and-coming downtown artist and hip-hop scenes of the 1980s. There he met and photographed portraits of pioneering rap icons including The Fat Boys, the Beastie Boys, Rakim, Public Enemy, Ratking and LL Cool J.

Marcopoulos was born in Amsterdam, The Netherlands, in 1957. His father was from Greek origin and was born in Egypt. He was a pilot and moved to The Netherlands to work for KLM. In The Netherlands, he met a young Dutch model, Marcopoulos's mother. His parents had three sons, including Ari, and one daughter.