Aurand Harris

The Orphan Train, Anchorage Press (1998). Premiered at Northwestern University in Evanston, Illinois.

- Aurand Harris Memorial Playwrighting Award, New England Theatre Conference This playwrighting award was created in 1997 by the New England Theatre Conference to honor the late Aurand Harris (1915-1996) for his lifetime dedication to all aspects of professional theatre for young audiences.

Aurand Harris (1915–1996) is the most produced playwright for young audiences in the United States. Over six decades he wrote more than 50 plays, many of which became classics in the children's play repertory. His play, "Androcles and the Lion", is said to be the single most-produced play in the field, surpassing even "Peter Pan" and "The Wind in the Willows." First staged Off-Broadway in 1963, the play remains Anchorage Press' top seller and it was estimated at the time of his death in 1996 to have been performed on over 30,000 occasions. The plays of Aurand Harris have been produced and applauded in thousands of productions around the world for nearly a half-century. Harris was a prodigious dramatist, writing a newly published play each season. He was a tireless experimenter of forms, themes, and subjects. This modest man of irrepressible imagination and energy carried a vast array of honors and accolades. He was the first recipient of a National Endowment of the Arts Creative Writing Fellowship in Children's Theatre. He received an honorary doctorate from Indiana University and was inducted into the College of Fellows of the American Theatre. He was the first playwright to receive the Medallion of the Children's Theatre Foundation of America. Aurand Harris died on May 6, 1996, in Manhattan, New York. He is buried in the family plot in Jamesport, Missouri.

1996: Recipient of the Distinguished Play Award, American Alliance for Theatre and Education (AATE), for The Prince and the Pauper, Adapted for the Stage by Aurand Harris, published by Anchorage Press

The Prince and the Pauper, Anchorage Press (1995). Playscript adapted by Aurand Harris based on the stories from Mark Twain. Music by Steve Wheaton. Winner of the 1996 AATE Distinguished Play Award.

Peter Rabbit and Me, Anchorage Press (1994). A dramatization of Beatrix Potter's beloved The Tale of Peter Rabbit.

1993: Medallion, Children's Theatre Foundation of America (now called the Orlin Corey Medallion)

1993: Recipient of the Distinguished Play Award, American Alliance for Theatre and Education (AATE), for The Pinballs, Adapted by Aurand Harris from the award-winning novel by Betsy Byar, published by Anchorage Press

The Second Shepherd's Play, Anchorage Press (1993). Adapted by Aurand Harris based on the medieval play Secunda Pastorum.

The Pinballs, Anchorage Press (1992). Adapted by Aurand Harris from the award-winning novel by Betsy Cromer Byars. Premiere Production: Premiered at Northwestern University Department of Drama. Winner of the 1993 AATE Distinguished Play Award.

Steal Away Home, Anchorage Press (1992). Adapted by Aurand Harris from the novel by Jane Kristof, music by Carolyn Geer.

He also co-edited several anthologies of plays for children and adolescents. They include Short Plays of Theatre Classics, selected and edited by Aurand Harris. New Orleans, Louisiana: Anchorage Press, 1991; Six Plays for Children by Aurand Harris, including, Biography and Play Analyses. Edited by Coleman A. Jennings. Austin: University of Texas Press, 1977; and Plays Children Love: A Treasury of Contemporary and Classic Plays for Children. Edited by Coleman A. Jennings and Aurand Harris. New York: Doubleday & Co., 1981.

1991: Recipient of the Distinguished Play Award, American Alliance for Theatre and Education (AATE), for Monkey Magic: Chinese Story Theatre, by Aurand Harris, published by Anchorage Press

1991: Honorary Doctorate of Letters, Indiana University, Indianapolis, May 12, 1991

The Importance of Being Earnest, Anchorage Press (1991). Adapted by Aurand Harris from the play by Oscar Wilde.

The Tricks of Scipan, Anchorage Press (1991). Adapted by Aurand Harris from the play by Molière.

She Stoops to Conquer, Anchorage Press, (1991). Adapted by Aurand Harris from the play by Oliver Goldsmith.

Monkey Magic: Chinese Story Theater, Anchorage Press (1990). Winner of the 1991 AATE Distinguished Play Award.

Huck Finn's Story, Anchorage Press (1987). Adapted by Aurand Harris based on selected scenes from Mark Twain's classic, The Adventures of Huckleberry Finn.

Ride a Blue Horse, Anchorage Press (1986). From the life and works of James Whitcomb Riley.

1985: Charlotte B. Chorpenning Playwright Award, American Alliance for Theatre and Education (AATE)

1985: Inducted into the College of Fellows of the American Theatre, presented at the Kennedy Center, Washington, D.C.

The Magician's Nephew: A Musical for the Young, Dramatic Publishing (1984). Adapted from the book by C.S. Lewis.

Treasure Island, Anchorage Press (1983), Adapted from the novel by Robert Louis Stevenson.

Arkansaw Bear, Anchorage Press (1980). The first premiere of the play was March 20–29, 1980, at the University of Texas, Austin.

Ralph Roister Doister (One-Act Play), Baker's Plays, Samuel French, Inc. (1979). Adapted by Aurand Harris based on the 16th Century Play by Nicholas Udall.

Edmond Rostand's Cyrano de Bergerac(One-Act Play), Baker's Plays, Samuel French, Inc. (1979). Adapted and abridged as a one-act play by Aurand Harris based on the novel written by Edmund Rostand.

The Romancers (One-Act Play), Baker's Plays, Samuel French, Inc. (1979) Adapted and abridged as a one-act play by Aurand Harris based on the work written by Edmund Rostand.

Fashion (A Play in One-Act), Baker's Plays, Samuel French, Inc. (1979) Adapted and abridged as a one-act play by Aurand Harris based on the novel written by Anna Cora Mowatt.

George Bernard Shaw's Classic Candida: a Pleasant Play (One-Act Play), Baker's Plays, Samuel French, Inc. (1979). Adapted and abridged as a one-act by Aurand Harris based on the play by George Bernard Shaw.

1976: First Recipient of the National Endowment for the Arts Creative Writing Fellowship in Children's Theatre

Robin Goodfellow, Anchorage Press (1976). Adapted from English Folk tales and Shakespeare's "A Midsummer Night's Dream." First produced at the Harwich Junior Theater, West Harwich, Massachusetts, Summer 1975 and directed by Aurand Harris.

Yankee Doodle Dandies, Anchorage Press (1976). Three Scenes from Yankee Doodle Dandy.

Star-Spangled Salute: A Patriotic Musical with Traditional American Songs, Anchorage Press (1974). First premiered at the Harwich Junior Theater, West Harwich, Massachusetts, Summer, 1974.

Ming Lee and the Magic Tree, Samuel French, Inc (1973)

Peck's Bad Boys, Anchorage Press (1974). Adapted by Aurand Harris based on stories by George Wilbur Peck. The premiere performance of Peck's Bad Boy was presented by the Harwich Junior Theater, West Harwich, Massachusetts, 24 July 1973 and directed by Aurand Harris.

Just So Stories, Anchorage Press, (1971). Adapted by Aurand Harris from three of Rudyard Kipling's Just So Stories.

Punch and Judy: The Musical, Anchorage Press (1970)

A Doctor In Spite of Himself, Anchorage Press (1968). Adapted by Aurand Harris from Moliere.

1967: Charlotte B. Chorpenning Playwright Award, American Alliance for Theatre and Education

Pinocchio and the Fire-Eater, McGraw-Hill (1967). This play premiered on the stage Gary, Indiana Public School, Indiana 1940. Directed by Aurand Harris.

Rags to Riches, Anchorage Press (1966). Playscript developed by Aurand Harris from stories by Horatio Alger. Musical score by Glenn Mack.

In 1964, Aurand Harris wrote Androcles and the Lion, his best-known work. His play educates the audience about commedia dell'arte while providing entertainment. The play is funny and joyful, with an essential message about freedom and love. It was translated into ten languages and was, for a time, the most produced play of any American playwright for children. In 1976 he became the first children's playwright to receive a National Endowment for the Arts Creative Writing Fellowship. In 1985 he was inducted into the College of Fellows of the American Theater; the ceremony took place at the Kennedy Center in Washington. In 1988 he directed one of his plays at Shanghai Children's Art Theater. It was the first time a western children's play had been performed for Chinese children.

'Pocahontas, Anchorage Press (1961). Playscript developed from history by Aurand Harris.

The Brave Little Tailor, Anchorage Press (1961). A Dramatization by Aurand Harris based on the Brothers Grimm Fairy Tale.

Circus in the Wind (revised edition of Circus Days), Samuel Franch, Inc. (1960)

The Flying Prince, Anchorage Press (1958). Based on stories told by Vikramaditya of Ujjain, a Hero of India.

The Plain Princess, Anchorage Press, (1955). Adapted by Aurand Harris from the book by Phyllis McGinley.

We Were Young That Year (A Play), Samuel French, Inc. (1954).

Buffalo Bill, Anchorage Press (1954). Adapted by Aurand Harris. Premiered in Seattle, Washington, 1953.

Simple Simon (or Simon Big-Ears), Children's Theatre Press (now Anchorage Press) (1953) Adapted by Aurand Harris. Premiered in Washington, D.C., in 1952.

Aurand Harris's first play was Once Upon a Clothesline. The first production of Once Upon a Clothesline was performed by the Campus Players of William Woods College, under the direction of the author, Aurand Harris.Once Upon a Clothesline was a prize-winning play in the Second Annual Seattle Junior Programs Playwriting Contest. This production featured the intermediate group of sixth, seventh and eighth-grade students from the 1951 Seattle Summer Theatre Workshop, performing in the Recital Hall at the Palisades Building in Balboa Park. This play would later go on tour at playgrounds throughout the city. Later, the play was performed on July 27–28, 1951, at the San Diego Junior Theater, directed by Signe Culbertson and assisted by James Sams.

Pinocchio and the Indians, Samuel French, Inc. (1950). A dramatization suggested by Pinocchio in Africa by Cherubini.

And Never Been Kissed, Samuel French, Inc. (1950). A musical play based on a 1949 novel by Sylvia Dee (pen name for songwriter Josephine Moore Proffitt), which was adapted by Aurand Harris into a comic television drama for the Philco Television Playhouse and stage play the following year.

Circus Day: A Play in Four Scenes, Samuel French, Inc. (1949)

Junket (No Dogs Allowed), Children's Theatre Press (now Anchorage Press) (1949). A play adapted by Aurand Harris from the novel by Anne H. White.

Once Upon a Clothesline, Row-Peterson & Company, now Samuel French, Inc. (1945). The premiere performance of Once Upon a Clothesline was presented by the College Players, of William Woods College, Fulton, Missouri, December 1943 and directed by Aurand Harris.

Ladies of the Mop, Baker's Plays, Samuel French, Inc. (1945).

He commenced his teaching career in September 1939 at Horace Mann High School Gary, Indiana, as a studio teacher for dramatics. He taught there for two years. In September 1941, he served as the Head of the Drama Department at William Woods College, in Fulton, Missouri. In 1946, he relocated to New York City to study writing for the theater. Simultaneously, he commenced a teaching position at Grace Episcopal Church School in Manhattan. He remained in this position for 33 years.

In 1936 he obtained Bachelor of Arts from the University Kansas City. In 1939, he obtained a Master of Arts from Northwestern University in Evanston, Illinois, where he worked with Winifred Ward, a pioneer in children's theatre. Then he made postgraduate studies at Columbia University (1947). In 1991 he obtained his Doctor of Humane Letters (honorary) from Indiana University. Thomas Ehrlich, the 15th President of the Indiana University, presented the honorary degree.

"James Aurand Harris, the only child of Myrtle Sebastian and Dr. George Dowe Harris, was born on July 4, 1915, in Jamesport, Missouri. His father was a physician; his mother, a graduate of Northwestern University, was trained in theater and speech, and was also an active and well-know director, teacher, and amateur actress who maintained her own studio. From an early age, Aurand Harris was drawn to things theatrical, no doubt in part due to his mother's influence, but also because of the variety and high quality of the theater with which she surrounded him.