Age, Biography and Wiki
Beatriz da Costa was born on 11 June, 1974 in Berlin, Germany. Discover Beatriz da Costa's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 46 years old?
Popular As |
N/A |
Occupation |
N/A |
Age |
38 years old |
Zodiac Sign |
Gemini |
Born |
11 June 1974 |
Birthday |
11 June |
Birthplace |
Berlin, Germany |
Date of death |
December 27, 2012 |
Died Place |
New York City, U.S.A. |
Nationality |
Germany |
We recommend you to check the complete list of Famous People born on 11 June.
She is a member of famous with the age 38 years old group.
Beatriz da Costa Height, Weight & Measurements
At 38 years old, Beatriz da Costa height not available right now. We will update Beatriz da Costa's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
Family |
Parents |
Not Available |
Husband |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Beatriz da Costa Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Beatriz da Costa worth at the age of 38 years old? Beatriz da Costa’s income source is mostly from being a successful . She is from Germany. We have estimated
Beatriz da Costa's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
|
Beatriz da Costa Social Network
Timeline
Da Costa battled cancer several times during her life, first at the age of 14 and then again when her cancer recurred at 19 and 21. In 2009, Da Costa was diagnosed with stage IV metastatic breast cancer, which she fought until dying on December 27, 2012.
In September 2012, Da Costa contributed to dOCUMENTA (13)'s "The Worldly House," a collaborative piece recognizing the work of Donna Haraway.
Writing was also an important part of her practice, and she co-edited the 2008 MIT Press anthology Tactical Biopolitics: Art, Activism, and Technoscience with UC Irvine professor of history Kavita Philip.
Da Costa was brought to UC Irvine as a founding member of the Arts Computation, Engineering (ACE) graduate program, an interdisciplinary program housed between the schools of engineering, computer science, and arts. She was also affiliate faculty in the Informatics Department, as well as in the Culture and Theory Ph.D. program. In 2007, after receiving tenure at UC Irvine, she began work on a Ph.D. in the History of Consciousness program at UC Santa Cruz, where the feminist scholar Donna Haraway was her chief mentor.
After graduating in 2001, she taught briefly at Chatham College and as a visiting assistant professor at the State University of New York in Buffalo. In 2003 she took a joint appointment as assistant professor in the Department of Studio Art and the Department of Electrical Engineering and Computer Science at the University of California, Irvine.
Laura Gabriela Beatriz Noronha da Costa (Beatriz da Costa) was born in Berlin, Germany. Raised and educated in Ahrensburg in northern Germany, da Costa moved to southern France in 1995 to study art at the École supérieure d’art, Aix-en-Provence, and in 1999 came to the United States, where she became a graduate student at Carnegie Mellon University. While at CMU, da Costa served as both an associate researcher and courtesy faculty.
Beatriz da Costa (June 11, 1974 – December 27, 2012) was an interdisciplinary artist known for her work at the intersection of contemporary art, science, engineering, and politics. Her projects took the form of public interventions and workshops, conceptual tool building, and critical writing.