Age, Biography and Wiki
Bernhard Lang was born on 24 February, 1957. Discover Bernhard Lang's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 67 years old?
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67 years old |
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24 February 1957 |
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24 February |
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We recommend you to check the complete list of Famous People born on 24 February.
He is a member of famous with the age 67 years old group.
Bernhard Lang Height, Weight & Measurements
At 67 years old, Bernhard Lang height not available right now. We will update Bernhard Lang's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Bernhard Lang Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Bernhard Lang worth at the age of 67 years old? Bernhard Lang’s income source is mostly from being a successful . He is from . We have estimated
Bernhard Lang's net worth
, money, salary, income, and assets.
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$1 Million - $5 Million |
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Bernhard Lang Social Network
Timeline
Lang frequently collaborates with artists form other genres including choreographers, electronic musicians, video artists and DJs. He is particularly known for the provocatively titled opera I Hate Mozart, with libretto by Michael Sturminger, composed for the Viennese Mozart year festival in 2006. Das Theater der Wiederholungen, based on the writings of the Marquis de Sade and William S. Burroughs and choreographed by Xavier Le Roy, was premiered at the Graz in 2003. His Monadology II was given its British premiere at the Edinburgh International Festival in September 2008, broadcast on BBC Radio 3. Monadology uses a concept Lang calls "musical-cellular processing", which Lang says is derived from Leibniz's Monadology.
Bernhard Lang came to prominence with his work cycle Differenz/Wiederholung (Difference/Repetition), composed between 1998 and 2013, in which he illuminated and examined the themes of reproductive and DJ cultures based on the philosophic work of Gilles Deleuze. Sociocultural and societally critical questions, as in Das Theater der Wiederholungen/The Theatre of Repetitions (2003) are as closely examined as intrinsic musical and music-cultural problems ("I hate Mozart", 2006). Another focus is the "recycling" of historic music, which Lang performs using self-programmed patches, applying filter and mutation processes (as in the "Monadologie" cycle).
Bernhard Lang studied at the Brucknerkonservatorium in Linz (Austria). In 1975, he moved to Graz to study philosophy and German philology, jazz theory (D. Glawischnig), piano (H. Neuwirth), counterpoint (Hermann Markus Pressl), harmonics and composition (A. Dobrowolski). From 1977 to 1981, he worked with various jazz ensembles as composer, arranger and piano player. At the Institute of Electronic Music (IEM) in Graz, he started to confront electronic music and computer-based composition systems. From 1984 to 1989 he worked at the Conservatory in Graz while continuing his studies with G. F. Haas and G. Neuwirth. In 1987 he co-founded the composer's club "die andere saite" (loosely "the alternate string", a German-language pun referring also to "the other side"). Together with W. Ritsch he developed the software CADMUS in C++. In 1989 he began teaching at the Graz University of the Arts. In 1999 he moved to Vienna as a freelance composer.
Bernhard Lang (born 24 February 1957 Linz, Austria) is an Austrian composer, improvisationalist and programmer of musical patches and applications. His work can be described as modern contemporary music, with roots, however, in various genres such as 20th-century avant-garde, European classical music, jazz, free jazz, rock, punk, techno, EDM, electronica, electronic music and computer-generated music. His works are performed on all relevant festivals of modern music and range from solo pieces and chamber music to large ensemble pieces and works for orchestra and musical theatre. Besides music for concert halls, Lang designs sound and music for theatre, dance, film and sound installations.