Bill Edwards

According to Laura Wagner in her article on Bill in the Winter 2013/2014 issue of Films of the Golden Age, he became a semi-heartthrob in WWII films despite the fact that his acting was rather staid and he was often unable to deliver the simplest of lines.

Bill also returned to occasional acting in the 1970s and 1980s, notably the film Tora! Tora! Tora! (1970) and the TV movies Pearl (1978) and Gidget's Summer Reunion (1985).

They divorced in the mid 1970s after nearly 30 years of marriage and Bill married Beryl Hunter in the ensuing years. Following their divorce, he remarried first wife Hazel, who survived him.

Once owned a scuba and dive shop in Reseda in the 1960s.

He received his one and only star status in the western The Fighting Stallion (1950) for the Jack Schwarz Productions. It would have seemed Bill could have continued on as a cowboy star but his acting proved wooden and following a few more years in films and TV guest spots ("Bonanza," "Dragnet," etc. ), abandoned his career and returned to his first joy -- art. He later became a familiar name in California as an exhibited oil and acrylic painter of the Old West and as an illustrator. A well-known scuba diver and instructor in the Southern California area, he at one time owned a diving and scuba gear shop.

Freelancing by 1947, Bill found himself cast in primarily "Poverty Row" programmers.

He was billed third behind Jane Withers and Robert Lowery in the Pine Thomas production Danger Street (1947) and made use of his cowboy-raised upbringing with the westerns, again third billed in Home in San Antone (1949) starring Roy Acuff, Panorama from a Moving Train on White Pass & Yukon Railway, Alaska (1905) starring Kirby Grant and Border Outlaws (1950) starring cowboy singer Spade Cooley.

Long married to Hazel Allen in 1946, the couple had one daughter, Linda.

Unable to rise above these small parts, he moved to Paramount where he earned his first featured part as Forrest Noble, the mayor's son who is engaged to Ella Raines in the Preston Sturges classic Hail the Conquering Hero (1944).

He then went on play Diana Lynn's hunky love interest in Our Hearts Were Young and Gay (1944) and its sequel Our Hearts Were Growing Up (1946) but couldn't do better than being billed sixth and eighth in the films Miss Susie Slagle's (1946) with Veronica Lake and The Virginian (1946) with Joel McCrea, respectively.

Despite his complete lack of experience, Warner Brothers saw promise in Bill's blond-haired, blue-eyed good looks and solid-oak build and placed him under contract in 1942.

For the first two years he appeared in a number of unbilled parts as reporter and military types in such films as Murder in the Big House (1942), Yankee Doodle Dandy (1942), Escape from Crime (1942), Air Force (1943) and Princess O'Rourke (1943).

Was a championship rodeo rider before becoming an actor in the 1940s.

Handsome, strapping, wavy-haired, New Jersey-born Bill Edwards started out to be an artist but sidetracked somewhat successfully into acting during WWII. Born on September 14, 1918, he was raised in Wyoming country and rode on the rodeo circuit for a couple of years until a number of broken bones forced him to rethink his life's direction. He traveled to New York to pursue art and studied at the Art Students League. To supplement his tuition he worked as a 6'5", 215 lb. Conover model. A talent agent saw his pictures and encouraged him to try acting.