Age, Biography and Wiki
Boo Junfeng was born on 4 December, 1983 in Singapore, is a Singaporean filmmaker. Discover Boo Junfeng's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 40 years old?
Popular As |
N/A |
Occupation |
Filmmaker |
Age |
40 years old |
Zodiac Sign |
Sagittarius |
Born |
4 December 1983 |
Birthday |
4 December |
Birthplace |
Singapore |
Nationality |
Singapore |
We recommend you to check the complete list of Famous People born on 4 December.
He is a member of famous Filmmaker with the age 40 years old group.
Boo Junfeng Height, Weight & Measurements
At 40 years old, Boo Junfeng height not available right now. We will update Boo Junfeng's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Boo Junfeng Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Boo Junfeng worth at the age of 40 years old? Boo Junfeng’s income source is mostly from being a successful Filmmaker. He is from Singapore. We have estimated
Boo Junfeng's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Filmmaker |
Boo Junfeng Social Network
Timeline
In 2018, Boo was selected as the creative director of the Singapore National Day Parade.
In 2016, Boo received the relatively new and coveted Rising Director award at the 21st Busan International Film Festival's Asia Star Awards 2016.
In 2014, Boo announced that he will begin shooting his second film within the year. Executive produced by filmmaker Eric Khoo, Apprentice is a psychological drama about a young Malay correctional officer who is transferred to Singapore's top prison where he befriends its soon-to-retire chief executioner. The film is released in 2016, where it was selected to screen at the Un Certain Regard section of the 2016 Cannes Film Festival..
In 2013, Boo won the President’s Young Talents Credit Suisse Artist Commissioning Award for a video art piece, Mirror. Later that year, he participated at the Singapore Biennale with Happy and Free, a video installation that depicted a Singapore that remained a part of Malaysia in 2013 and was celebrating the 50th anniversary of the territories' merger. Boo's short film, "Parting" was released as part of the omnibus titled 7 Letters (2015) to commemorate Singapore's 50th year of independence.
His films, many of which show a preoccupation with places and historical and personal memory, have won prizes and acclaim and have been shown in film festivals around the world. Boo's debut feature film Sandcastle (2010) was the first Singaporean film to be invited to the International Critics' Week at Cannes Film Festival. Notable short films include Un Retrato De Familia (2004), Katong Fugue (2007), Keluar Baris (2008) and Tanjong Rhu (2009).
Boo is an ethnic Hokkien. He graduated from the School of Film & Media Studies at Ngee Ann Polytechnic in 2003, and from the Puttnam School of Film, LASALLE College of the Arts, in 2009, where he was accorded the McNally Award for Excellence in the Arts – the valedictorian honour of the college.
Boo Junfeng (Chinese: 巫俊锋; pinyin: wū jùn fēng; born 4 December 1983) is a Singaporean filmmaker. Boo's films have been nominated at the Cannes Film Festival on multiple occasions, beginning with his debut, Sandcastle (2010), which was an International Critics' Week nominee.