Brent Mydland

His high, gravelly vocal harmonies and emotional leads added to the band's singing strength, and he even occasionally incorporated scat singing into his solos. Monty Byrom, guitarist of Mydland's unreleased solo album said of him "“Brent was one of the most talented guys I’ve ever met. I’ve never seen anybody that could sing with those kind of notes, night after night. He was a cross between Gregg Allman and Howlin’ Wolf. It was crazy. And that was my introduction to the music business.” Mydland's vocals added color to old favorites such as "Cassidy," "Mississippi Half-Step Uptown Toodeloo," "Ramble on Rose," the Band's "The Weight", and he even wrote his own verse for Willie Dixon's "Little Red Rooster." He sang lead on many covers, including Traffic's "Dear Mr. Fantasy," the Beatles' "Hey Jude", and the Meters' "Hey Pocky Way."

He is perhaps best known for his use of the Hammond organ, and had a B-3 with ten modified Leslie speakers in his setup for his entire tenure. He blended a variety of styles to add color to his organ playing. Along with regularly adjusting the drawbars and Leslies for more expressive phrasing, he also frequently added percussive effects by either slapping/sliding his left hand on the keyboard, or flicking the thumb on his right hand. His frequent use of dissonant chords provided a creative counterpoint to the melodic playing style of Jerry Garcia. The Grateful Dead purchased three B-3 organs for his use when he joined the band, and he personally owned several B-3 organs at the time of his death. The B-3 he played for the majority of his tenure with the Grateful Dead, known for once being covered with stickers, is currently used by keyboardist Jeff Chimenti during live performances. It was present at the 50th anniversary "Fare Thee Well" concerts in July 2015. Outlines from where the stickers once were are still visible on the back of the organ.

Brent had a love for Harley Davidson motorcycles, and was an avid rider. A Harley which was owned by Mydland was featured on a 2013 episode of Pawn Stars.

In 1994, he was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead.

After a tour in the early summer 1990, Mydland died of an accidental drug overdose.

Mydland's last show with the Grateful Dead was on July 23, 1990 at the World Music Theater, in Tinley Park, Illinois. The last song he sang that day was "The Weight". His last solo verse ended with the line, "I've got to go, but my friends can stick around."

Brent Mydland died at his home on "My Road" in Lafayette, California, on July 26, 1990, shortly after completing the Grateful Dead's summer tour. An autopsy conducted by the Contra Costa Coroner's office revealed that Mydland had died of acute cocaine and narcotic intoxication. Richard Rainey, Contra Costa County coroner, stated that "Toxicology tests reveal lethal levels of morphine and cocaine in the blood" a mixture "commonly referred to as a 'speedball'." He was the third Dead keyboardist to die (after founding member Ron "Pigpen" McKernan in 1973 and Keith Godchaux in 1980); Garcia said Mydland's death was "crushing" and it abruptly closed a chapter of the band's career.

Built to Last (1989) featured several more of Mydland's songs: the moody "Just a Little Light", the environmental song "We Can Run," the live-performance-driven "Blow Away" and the poignant "I Will Take You Home," a lullaby written with Barlow for Mydland's two daughters.

In 1988, he performed at the Bay Area Music Awards, sharing an organ with Merl Saunders and performing alongside Jerry Garcia, Bob Weir, John Fogerty, and others.

While Keith Godchaux had preferred to play only piano at concerts, Mydland was keen to experiment with different sounds during live performances. He frequently changed his setup to add new sounds. He played several different electric pianos and synthesizers throughout his tenure. His early piano sounds came from a Fender Rhodes, followed by a Yamaha CP-70. During this time he also used analog synthesizers including a Minimoog, and a Sequential Circuits Prophet-5. He subsequently used the Yamaha GS-1 digital synthesizer, to replace the old analog equipment. In the mid-eighties, he also added an E-mu Emulator II to his arsenal. In mid 1987, Mydland's setup changed once again. Bob Bralove had been hired by the Grateful Dead to program and maintain new MIDI systems. The GS-1 and Emulator II were replaced by a new Kurzweil Midiboard MIDI controller, connected to a Roland MKS-20 piano synthesizer, as well as other controllers with custom voices edited and mixed by Bralove and Mydland. During this time, Mydland became very adept at layering sounds (such as piano and strings, etc.), and he was always subtly changing his sound throughout songs.

In 1986, Mydland formed Go Ahead with several San Francisco Bay area musicians, including Bill Kreutzmann, also former Santana members Alex Ligertwood on vocals and David Margen on bass, as well as guitarist Jerry Cortez. The band toured during the time Jerry Garcia was recovering from a diabetic coma, and also briefly reunited in 1988.

In the summer of 1985, he performed with Dead drummer Bill Kreutzmann in their band Kokomo along with 707's Kevin Russell and Santana's David Margen.

In 1985, he performed at the Haight Street Fair with Weir, John Cipollina, and Merl Saunders, among others.

In 1982, he recorded and mastered a solo studio album, but it was never released.

Mydland quickly became an integral part of the Dead owing to his vocal and songwriting skills as much as his keyboard playing. He quickly combined his tenor singing with founding members Weir and Jerry Garcia to provide strong three-part harmonies on live favorites. He easily fit into the band's sound and added his own contributions, such as in Go to Heaven (1980) which featured two of Mydland's songs, "Far From Me" and "Easy to Love You," the latter written with frequent Weir collaborator John Perry Barlow. On the next album, In the Dark (1987), Mydland co-wrote "Hell in a Bucket" with Weir and Barlow; he also penned the train song "Tons of Steel."

After joining the Grateful Dead, Mydland played in Bob Weir's Bobby and the Midnites during 1980 and 1981.

He also did numerous solo projects and performances, as well as duo performances with Bob Weir numerous times throughout the 1980s, with Weir on acoustic guitar and Mydland on grand piano.

Growing up in Concord, California, Mydland took up music while in elementary school. After graduation, he played with a number of bands and recorded one album with Silver before joining Bobby and the Midnites with Bob Weir and jazz veterans Billy Cobham and Alphonso Johnson. This led to an invitation to join the Dead in 1979, replacing Keith Godchaux who had decided to leave. Mydland quickly became an important member in the Dead, using a variety of keyboards including Hammond organ and various synthesizers and singing regularly. He wrote several songs on the band's studio albums released while he was a member.

Mydland joined the Grateful Dead in April 1979, replacing Keith and Donna Godchaux, who had decided to start their own band. After two weeks of rehearsals, he played his first concert with the band at the Spartan Stadium, San Jose, on April 22.

Mydland played trumpet in the school's marching band, but was dismissed for having long hair. He graduated from Liberty High School, Brentwood, California, in 1971.

Mydland began playing rock'n'roll with friends in high school, and was influenced by organists such as Lee Michaels, Ray Manzarek and Steppenwolf's Goldy McJohn. He became a fan of the Grateful Dead in the late 1960s, though was less impressed by their 1970s material.

Brent Mydland (October 21, 1952 – July 26, 1990) was an American keyboardist, vocalist, and songwriter. He was a member of The Grateful Dead from 1979 to 1990, a longer tenure than any other keyboardist in the band.