Carl Hancock Rux

Rux is the recipient of numerous awards including the Doris Duke Award for New Works, the Doris Duke Charitable Fund, the New York Foundation for the Arts Prize, the Bessie Award, the Alpert Award in the Arts; a 2019 Global Change Maker award by WeMakeChange.Org.

Carl Hancock Rux (/ˈrʌks/) is an American poet, playwright, novelist, essayist, recording artist, journalist, curator and conceptual installation artist working in text, dance, ritualized performance, audio, video, and photography. Described in the NY Times as "a breathlessly inventive multimedia artist" focused on "art, race, memory and power",[1] Rux is the author of several books including the Village Voice Literary Prize-winning collection of poetry, Pagan Operetta, the novel, Asphalt, and the OBIE Award-winning play,Talk and five albums. He appears as a frequent collaborating artist, most notably on Gerald Clayton's album Life Forum[2] (Grammy nomination for Best Jazz Instrumental Album[3]) and as co-author of the staged incarnation of Steel Hammer by Julia Wolfe, the 2010 Pulitzer Prize-nominated work, created with Anne Bogart.[4] Rux is the author/performer of the Lincoln Center commissioned experimental short poetic film The Baptism, a tribute to civil rights activists John Lewis and C. T. Vivian, directed by Carrie Mae Weems (an official selection in the 2022 Segal Center Film Festival on Theater and Performance).

Rux was first featured as a recording artist, on Reg E. Gaines CD Sweeper Don't Clean My Streets (Polygram). As a musician, his work is known to encompass an eclectic mixture of blues, rock, vintage R&B, classical music, futuristic pop, soul, poetry, folk, psychedelic music and jazz. His debut CD, Cornbread, Cognac & Collard Green Revolution (unreleased) was produced by Nona Hendryx and Mark Batson, featuring musicians Craig Harris, Ronnie Drayton and Lonnie Plaxico. Discovered by Sony 550 President, Polly Anthony, Rux released his debut CD Rux Revue recorded and produced in Los Angeles by the Dust Brothers, Tom Rothrock, and Rob Schnapf. Rux recorded a follow up album, Apothecary Rx, (selected by French writer Phillippe Robert for his 2008 publication "Great Black Music": an exhaustive tribute of 110 American albums by African American artists. His fourth studio CD, Good Bread Alley, was released by Thirsty Ear Records, and his fifth "Homeostasis" (CD Baby) released in May 2013. Rux has written and performed (or contributed music) to a proportionate number of dance companies including the Alvin Ailey American Dance Theater; Bill T. Jones/Arnie Zane Dance Company; Jane Comfort & Co. and Ronald K. Brown's "Evidence" among others.

Rux studied acting at the Hagen Institute (under Uta Hagen); the Luleå National Theatre School (Luleå, Sweden) and at the National Theater of Ghana (Accra). Rux has appeared in several theater projects, most notably originating the title role in the folk opera production of The Temptation of St. Anthony, based on the Gustave Flaubert novel, directed by Robert Wilson with book, libretto and music by Bernice Johnson Reagon and costumes by Geoffrey Holder. The production debuted as part of the Ruhr Triennale festival in Duisburg, Germany with subsequent performances at the Greek Theater in Siracusa, Italy; the Festival di Peralada in Peralada, Spain; the Palacio de Festivales de Cantabria in Santander, Spain; Sadler's Wells in London, Great Britain; the Teatro Piccinni in Bari, Italy; the Het Muziektheater in Amsterdam, Netherlands; the Teatro Arriaga in Bilbao and the Teatro Espanol in Madrid, Spain. The opera made its American premiere at the Brooklyn Academy of Music / BAM Next Wave Festival in October 2004 and official "world premiere" at the Paris Opera, becoming the first all-African-American opera to perform on its stage since the inauguration of the Académie Nationale de Musique - Théâtre de l'Opéra. Combining both his dramatic training and dance movement into his performance, Rux's performance was described by the American press as having "phenomenal charisma and supreme physical expressiveness...(achieving) a near-iconic power, equally evoking El Greco's saints in extremis and images of civil rights protesters besieged by fire hoses." Rux has also appeared in several plays and performance works for theater, as well as in his own work.

He is one of several poets (including Paul Beatty, Tracie Morris, Dael Orlandersmith, Willie Perdomo, Kevin Powell, Maggie Estep, Reg E. Gaines, Edwin Torres, and Saul Williams) to emerge from the Nuyorican Poets Cafe, most of whom were included in the poetry anthology Aloud, Voices From the Nuyorican Poets Cafe, winner of the 1994 American Book Award. His first book of poetry, Pagan Operetta, received the Village Voice Literary prize and was featured on the weekly's cover story: "Eight Writers on the Verge of (Impacting) the Literary Landscape". Rux is the author of the novel Asphalt and the author of several plays. His first play, Song of Sad Young Men (written in response to his older brother's death from AIDS), was directed by Trazana Beverly and starred actor Isaiah Washington. The play received eleven AUDELCO nominations. His most notable play is the OBIE Award-winning Talk, first produced at the Joseph Papp Public Theater in 2002. Directed by Marion McClinton and starring actor Anthony Mackie, the play won seven OBIE awards.

Rux is Co-Artistic Director and a board member of Mabou Mines, an award-winning New York City-based experimental mixed media art and social service company founded in 1970 by David Warrilow, Lee Breuer, Ruth Maleczech, JoAnne Akalaitis, and Philip Glass; a board member of 122 Community Center "122 CC" (formerly known as Performance Space 122) and Associate Artistic Director/Curator in Residence of Harlem Stage/The Gate House, formerly known only as Aaron Davis Hall (winner of the Association of Performing Arts Presenters William Dawson Award for Programming Excellence and Sustained Achievement in Programming). Rux is also the Multidisciplinary Editor at The Massachusetts Review (recipient of the 2021 Whiting Literary Magazine Prize for Journalism). Mr. Rux is the inaugural curator/director of Lincoln Center, Park Avenue Armory and Harlem Stage's annual Juneteenth Celebration, I Dream a Dream That Dreams Back at Me.

Rux's great uncle, Rev. Marcellus Carlyle Rux (January 8, 1882 - January 5, 1948) was a graduate of Virginia Union University, and principal of The Keysville Mission Industrial School (later changed to The Bluestone Harmony Academic and Industrial School), a private school founded in 1898 by several African-American Baptist churches in Keysville, Virginia at a time when education for African-Americans was scarce to non-existent. For about 50 years the school had the largest enrollment of any black boarding school in the east and sent a large number of graduates on to college. For the first five years, Marcellus Carlyle Rux was a teacher in the institution. Such was the record he made that he was promoted to the principalship in 1917. Under his administration, the school reached its highest enrollment and had its greatest period of prosperity. The post-Civil war school was one of the first of its kind in the nation and was permanently closed in 1950. The school's still existent structure once featured a girl's and boy's dormitory and President's dwelling and is eligible for listing on the National Register of Historic Places. Marcellus Carlyle Rux is listed in History of the American Negro and his Institutions.