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Carl Michael von Hausswolff is a Swedish composer and visual artist. He is best known for his work in the field of electroacoustic music, sound art, and installation art. He has released numerous albums and has collaborated with a variety of artists, including John Duncan, Thomas Köner, and Zbigniew Karkowski. He has also created sound installations for various exhibitions and festivals. Hausswolff was born in Linköping, Sweden in 1956. He studied at the Royal College of Music in Stockholm from 1975 to 1979, and then at the University of Gothenburg from 1979 to 1981. He has since worked as a freelance composer and artist. Hausswolff has released numerous albums, including The Eleventh Hour (1985), Music for Film and Exhibition (1986), and The Stockholm Tapes (1987). He has also collaborated with a variety of artists, including John Duncan, Thomas Köner, and Zbigniew Karkowski. Hausswolff has also created sound installations for various exhibitions and festivals, including the Venice Biennale, the Documenta in Kassel, and the Ars Electronica in Linz. He has also been awarded numerous prizes, including the Nordic Council Music Prize in 2002 and the Polar Music Prize in 2018. Hausswolff is currently 67 years old. He has an estimated net worth of $1 million.

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Age 67 years old
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Birthplace Linköping, Sweden
Nationality Sweden

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Carl Michael von Hausswolff Height, Weight & Measurements

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Who Is Carl Michael von Hausswolff's Wife?

His wife is Marietta von Hausswolff von Baumgarten
Family
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Wife Marietta von Hausswolff von Baumgarten
Sibling Not Available
Children Anna von Hausswolff, Maria von Hausswolff

Carl Michael von Hausswolff Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Carl Michael von Hausswolff worth at the age of 67 years old? Carl Michael von Hausswolff’s income source is mostly from being a successful Composer. He is from Sweden. We have estimated Carl Michael von Hausswolff's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Composer

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Timeline

2019

In 2019, von Hausswolff formed a new musical collaboration with the Icelandic musician Jónsi (Sigur Rós), which they named Dark Morph. On 10 May 2019, they released their first album, also titled Dark Morph. The project "promises to explore the ramifications of ongoing environmental collapse to the oceans and its inhabitants." The album consists mainly of ambient sounds, often simulating the sounds of animals and nature, and contains very few actual melodies.

2012

In 2012, Von Hausswolff was heavily criticized for allegedly using ashes of Holocaust victims from the Majdanek concentration camp in a painting. As of 12 December 2012, the Martin Bryder Gallery in Lund had pulled the painting from exhibition. In 2017, his electro-acoustic composition Still Life - Requiem, was released on LP. The music uses only sounds from the above-mentioned ashes.

1999

Other visual works include "Red Pool" (Cities on the Move, Bangkok, 1999), "Red Night" (SITE Santa Fe, 1999), "Red Code" (CCA Kitakyushu, 2001), "Red Empty" (Lampo/WhiteWalls, Chicago, 2003), and "Red Mersey" (Liverpool Biennial, 2004).

1986

Around the year 1986, he formed the Swedish independent label Radium 226.05 and in 1990 he formed the label Anckarström.

1981

Von Hausswolff was born in Linköping. He is an expert in the work of Friedrich Jürgenson, an electronic voice phenomenon (EVP) researcher who claimed to have detected voices of the dead hidden in radio static. Von Hausswolff's own sound works are pure, intuitive studies of electricity, frequency, and tone. Collaborators include Erik Pauser, with whom he worked as Phauss (1981-1993), Leif Elggren, and John Duncan (artist). He also collaborates with EVP researcher Michael Esposito, filmmaker Thomas Nordanstad, and with Graham Lewis (Wire) and Jean-Louis Huhta in the band OSCID.

1956

Carl Michael von Hausswolff (born 1956) is a composer, visual artist, and curator based in Stockholm, Sweden. His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space, and paranormal electronic interference. Major exhibitions include Manifesta (1996), documenta X (1997), the Johannesburg Biennial (1997), Sound Art - Sound as Media at ICC in Tokyo (2000), the Venice Biennale (2001, 2003, and 2005), and Portikus, Frankfurt (2004). Von Hausswolff received a Prix Ars Electronica award for Digital Music in 2002.

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