Carol Bove

Using a wide range of materials, including steel, concrete, books, driftwood, peacock feathers, seashells, and foam, Bove’s diverse practice encompasses sculpture, installation, and drawing. Her oeuvre plays with questions of materiality, re-presenting and updating historical strategies of display. As the art historian Johanna Burton notes, "Bove brings things together not to nudge associative impulses into free play driven by the unconscious, but rather to conjure a kind of affective tangle that disrupts any singular, historical narrative."

Work by the artist is represented in permanent collections worldwide, including the Whitney Museum of American Art, New York; Fonds Régional d’Art Contemporain (FRAC) Nord-Pas de Calais, Dunkerque, France; Colección Jumex, Mexico City; the Institute of Contemporary Art, Boston; the Solomon R. Guggenheim Museum, New York; The Museum of Modern Art, New York; the Princeton University Art Museum, New Jersey; the Wadsworth Atheneum Museum of Art, Hartford, Connecticut; and the Yale University Art Gallery, New Haven, Connecticut.

Bove is perhaps best known for her large-scale sculptures, which she has described as "big, heavy, but fragile." Her sculptures are often displayed outside or in public spaces. For example, the steel and petrified wood sculpture Lingam was installed in City Hall Park in New York as part of the 2016 summer group exhibition, The Language of Things, while Bove’s 2013 show, Caterpillar, featured seven large-scale sculptures specifically created for the High Line at the Rail Yards in New York.

In 2016, after working from a studio in Red Hook, Brooklyn for many years, Bove moved her practice to a former brick factory near the Brooklyn waterfront.

Since she started exhibiting in the late 1990s, Bove’s work has been the subject of several solo exhibitions, including The Museum of Modern Art, New York; The Common Guild, Glasgow (both 2013); Palais de Tokyo, Paris (2010); Horticultural Society of New York (2009); Blanton Museum of Art, Austin, Texas (2006); Kunsthalle Zürich; Institute of Contemporary Art Boston (both 2004); and the Kunstverein Hamburg (2003). In 2017, Bove represented Switzerland at the 57th Venice Biennale. Other major group exhibitions include Documenta 13, Kassel, Germany (2012); the 54th Venice Biennale (2011); and the Whitney Biennial, Whitney Museum of American Art, New York (2008).

Carol Bove (born 1971) is an American artist based in New York City. She lives and works in Brooklyn.

Born in 1971 in Geneva to American parents, Bove (pronounced bo-VAY) was raised in Berkeley, California, moved to New York in the 1990s, and graduated from New York University in 2000. She was an artist-in-residence at Yale University Art Gallery in 2010, where she pursued research on the history of architecture on the Yale campus and the effect of changing tastes in painting conservation on the Gallery's collection.

Earlier works by Bove range in form and medium from ink drawings of nude women taken from vintage Playboy magazines to sculptures composed of curated bookshelves featuring volumes from the 1960s and 70s. In past exhibitions, Bove has also included the work of other artists in her installations. In a 2007 show at Maccarone, she presented work by the artist Bruce Conner, Berkeley book dealer Philip Smith, and painter Wilfred Lang. Similarly, Bove designed her 2014 installation, Setting for A. Pomodoro, which features a baroque assemblage of driftwood, peacock feathers, pedestals, and bases, as a setting for a sculpture by the Italian Modernist Arnaldo Pomodoro. Every time the installation has been exhibited, it has featured a different Pomodoro sculpture.