César Manrique

In september 2019, one hundred years after his birth, Manrique was awarded the Medal of Honor of the University of La Laguna, where he briefly studied architecture at the start of his career.

Their collaboration for the international automobile company increased Manrique's fame beyond the country's borders. Manrique maintained a close friendship with Walter Maurer until César Manrique's death in 1992 and was involved in a constant artistic exchange.

Manrique died in a car accident at Tahíche, Teguise, very near the Fundación, his Lanzarote home, in 1992. He was aged 73.

In addition to his artistic engagement in the Canary Islands and on the Spanish peninsula, Manrique also became internationally renowned. In 1990, he created one of the much respected BMW Art Cars with the German designer and paint artist Walter Maurer.

The César Manrique foundation was set up in 1982 by César Manrique and a group of friends but wasn't officially opened until 1992 after Manrique died. The foundation, based at Manrique's home, following his move to a townhouse in the North of the Island, is a private, non-profit organisation set-up to allow tourists access to Manrique's home. The foundation is also an art-gallery featuring art created by Manrique himself as well as Art that he acquired during his life. The gallery includes original sketches by Pablo Picasso and Joan Miró. The money the foundation takes from ticket sales goes toward raising awareness about the art of Lanzarote, as well as being used to fund the foundation's "artistic, cultural and environmental activities".

Manrique published a book on the topic in 1974 called Architecture Unpublished, collaborating with the renowned Spanish architect Fernando Higueras.

Manrique returned to Lanzarote in 1966. Upon his return, he intended to start an artist's colony on the island. Pepín Ramírez, a childhood friend of Manrique as well as the president of the island helped Manrique realize this idea. César Manrique went on to reflect the unique landscape and colour palet of Lanzarote in his art and the architecture on the island. Beside continuing his personal art career, Manrique gained a lot of attention with his commitment to protect Lanzarote from what he regarded as pernicious tourist developments. Manrique was not against tourism on the island. On the contrary, he thought (high-quality) tourism should be the economic engine of the island.

Manrique's home itself is built within a 3,000 m lot, on the site of the Lanzarote eruptions in the 18th century, and was created upon Manrique's return from New York City in 1966. The rooms on the first floor, including the artist studios, were created with the intention of keeping with Lanzarote traditions, yet making them more modern with open spaces and large windows. The "ground floor", more appropriately titled the "basement", contains five areas situated within volcanic bubbles, the rooms bored into volcanic basalt. There is a central cave which houses a recreational area, including a swimming pool, a barbecue and a small dance floor.

His legacy on the island includes the art, culture and tourism centre at Jameos del Agua (1963–87); his Volcano House, Taro de Tahiche (1968); the restaurant at the restored Castillo de San José at Arrecife (1976); the visitors center at the Timanfaya National Park (1971); his Palm Grove House at Haria (1986); the Mirador del Rio (1973), and the Jardin de Cactus at Guatiza. He had a major influence on the planning regulations on Lanzarote following his recognition of its potential for tourism and lobbied successfully to encourage the sustainable development of the industry. One aspect of this is the ban of high-rise hotels on the island, which do not fit the aesthetic harmony that should cover the entire island, according to Manrique. Those high buildings that were built before the ban are generally keeping with the use of traditional colors in their exterior decoration. Homeowners are encouraged to protect this visual unity by keeping the exterior of the houses white (with specific colors for the woodwork).

He moved to Madrid in 1945 and received a scholarship for the Art School of San Fernando, where he graduated as a teacher of art and painting. Between 1964 and 1966 he lived in New York City, where a grant from Nelson Rockefeller allowed him to rent his own studio. He painted many works in New York, which were exhibited in the prestigious "Catherine Viviano" gallery.

César Manrique Cabrera (Spanish pronunciation: [ˈθesaɾ manˈrike] or [ˈsesaɾ manˈrike]) (24 April 1919 – 25 September 1992) was a Spanish artist, sculptor, architect and nature activist from Lanzarote.