Age, Biography and Wiki
Christine Davis was born on 24 January, 1962 in Canadian, is a Canadian artist from Vancouver. Discover Christine Davis's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 62 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
62 years old |
| Zodiac Sign |
Aquarius |
| Born |
24 January 1962 |
| Birthday |
24 January |
| Birthplace |
Vancouver |
| Nationality |
Canada |
We recommend you to check the complete list of Famous People born on 24 January.
She is a member of famous with the age 62 years old group.
Christine Davis Height, Weight & Measurements
At 62 years old, Christine Davis height not available right now. We will update Christine Davis's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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| Height |
Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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| Parents |
Not Available |
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Not Available |
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Not Available |
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Not Available |
Christine Davis Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Christine Davis worth at the age of 62 years old? Christine Davis’s income source is mostly from being a successful . She is from Canada. We have estimated
Christine Davis's net worth
, money, salary, income, and assets.
| Net Worth in 2023 |
$1 Million - $5 Million |
| Salary in 2023 |
Under Review |
| Net Worth in 2022 |
Pending |
| Salary in 2022 |
Under Review |
| House |
Not Available |
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Not Available |
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Christine Davis Social Network
Timeline
Davis' installations seem to propose that meanings from disparate historical and pedagogical contexts overlap and are released slowly over long periods of time. At its core, as film scholar Olivier Asselin has noted, "Davis' work establishes a link between artistic abstraction and scientific abstraction— between formal abstraction and conceptual abstraction. [F]orm is chaotic; it is one of those complex phenomena, like climate change and liquid turbulence, which are determinate, but non-linear, and, as a result, remain largely unpredictable. As such, it prompts an epistemological reflection on the complexity of the sensible and the limits of the concept… from this perspective, her work is archaeological."
Exhibiting since 1987 public venues include; Frankfurter Kunstverein, The Power Plant (Toronto), Musée d'Art Contemporain de Montréal, Musée de beaux arts de Montreal, Art Gallery of Ontario, Vancouver Art Gallery, Kunsthalle Munich, Haus am Waldsee (Berlin), Kunsthalle Bielefeld, Seoul Museum of Art, New Museum (New York), Presentation House (Vancouver), Canadian Museum of Contemporary Photography (Ottawa), National Gallery of Canada (Ottawa), Art Gallery of Winnipeg, Indianapolis Museum of Art, Tang Teaching Museum (New York), Carnegie Mellon University, Art Metropole (Toronto), Le Confort Moderne (Poitiers), Victoria and Albert Museum, and Exit Art (New York). Her work is held in numerous collections including the National Gallery of Canada, Le Mused'Art Contemporain de Montréal, Collection Helga de Alvear and the Yvon Lambert Collection Avignon. Publications on her work include monographs published by CREDAC (Paris), MACM (Montreal), AGO (Toronto) and Presentation House (Vancouver).
Christine Davis (born January 24, 1962) is a Canadian artist from Vancouver. She currently lives and works in New York. She grew up in Prince George, Ann Arbor, Lusaka and Toronto. After graduating from York University (Toronto) she attended the Collège international de philosophie in Paris. She has served on the board of directors of The Power Plant (Toronto) and YYZ Artists' Outlet (Toronto). As a founding editor of the interdisciplinary journal Public: Art/Culture/Ideas her editorial work intersects with the research driving her practice. Moving fluidly between film, photography, drawing, sculpture and video her work often incorporates archival material to arrive at a prismatic view of the present and address core issues of our time.
