Christopher Morris

"Fashion for me is about beauty and fantasy, all the complete opposites of my career, which dealt with the ugliness of war and the blind nationalism of politics. The real difficulty in Fashion is that it’s the complete opposite of journalistic work, which is based on interpretation of reality, with fashion it becomes an interpretation of fantasy."

On February 29, 2016, Morris was involved in an altercation with a United States Secret Service agent while photographing a Black Lives Matter protest at a campaign rally at Radford University in Virginia. Morris cursed at the Secret Service agent moments prior to the physical confrontation. The agent grabbing the photographer's neck with both hands and threw him into a table and onto the ground. While lying on the ground, Morris kicked at the agent. Morris grabbed at the agent's neck which Morris stated was to demonstrate the choke hold he had just experienced. The Secret Service launched an investigation into the incident, a spokesman said, and would "provide further details as warranted once additional facts surrounding the situation are known."

In 2016, he introduced a new way to film the United States presidential candidates’ rallies using a high-speed camera, his short movies being played back in slow-motion.

In 2015, Laetitia Casta opened her doors for him in Lumio about the Paris Match editorial The independent ("L'indépendante"). This French language weekly news magazine quoted the name of the photographer directly in the title of an associated article, attracting the attention of readers who wished to know more about him.

In August 2015, on the shooting of the movie En Moi, Morris photographed the instant where the Dutch model Lara Stone is become actress for her first leading role of the woman. He captured on film the moment where the French actress Laetitia Casta is become film director for the first time. He was the witness of the metamorphosis of the Japanese actor Akaji Maro in his role of the man of service into the butoh-dancer in the Palais Garnier where the French Danseur Étoile Jérémie Bélingard interpreted the lover of the woman in front of the camera of the French film cinematographer Benoît Delhomme.

In 2013, in France, he documented the presidency of François Hollande for Le Monde. For Elle, he provided coverage of the political campaign race to conquer the Paris city hall for the first time between two women: Nathalie Kosciusko-Morizet and Anne Hidalgo who both campaigned to become Mayor of Paris.

For Time LightBox, in 2013, Morris directed, edited and produced the short film Conclave about people waiting, in St. Peter's Square, for the announcement of the new Pope.

In 2013, Dior-clad Marta Dyks was his model during the Haute Couture shows in Paris for L'Officiel, issue #973 of March.

In 2012, Morris continued his series about the American society with his second book Americans.

At the Tampa Bay Times Forum, he attended the 2012 Republican National Convention in Tampa for a shooting featuring Heidi Harrington Johnson in the editorial Beyond the conventions ("Au-delà des conventions") of the French magazine L'Officiel Paris, issue #970, published in November.

In 2011, he documented the Libyan Civil War and, in 2012, the Plan Colombia.

In 2011, Monastery Girl featuring Ilaria Pozzi in Italy was a personal project.

In 2010, he photographed Carmen Jalving and Isabella Rossellini for Amica.

In 2008, his book My America is noticed by the editor in chief of the Italian fashion magazine Amica who hired him for a Ralph Lauren shooting in New York.

In 2008, Morris photographed the American rock band The Killers: Mark Stoermer, Brandon Flowers, Ronnie Vannucci, Jr., and Dave Keuning near Las Vegas.

In 2007, for The New York Times, Morris directed the short film The Gentle Shepherd about the pastor Terry Fox at the Wild West World theme park in Wichita.

In 2006, Morris published his photographic monograph, My America, a personal journey through portraits and landscapes into a Republican America. This book of photographies was produced while on assignment for Time covering U.S. president George W. Bush and those close to him.

In 2001, he provided coverage of the terrorism in Yemen and the 2003 invasion of Iraq.

In 2000, the second Chechen War was the turning point of his career of "war shooter":

In 2000, in United States, as member of the White House pool, he covered the presidencies of George W. Bush and Barack Obama for Time.

In 1995, he captured movement in a photograph of a Chechen fighter running outside of the demolished presidential palace during the battle of Grozny of the first Chechen War: "At that moment that's the most dangerous place on earth. I'm not sitting there saying, 'Oh, I'm going to shoot slow shutter speeds and I'm going to zoom it!'" Morris said. "You're just shooting."

In May 1992, he has been named the recipient of the 1991 Robert Capa Gold Medal for his coverage of "Slaughter in Vukovar".

On March 4, 1991, near the front of the Persian Gulf War, his photograph of a U.S. Marine holding the American flag above his shoulders made the front cover of Life.

In 1989 - 1990, he documented the United States invasion of Panama. CBS News and RAI broadcast his short movie. He won one of his first prizes World Press Photo awards for "Casualties of Just Cause, Panama."

Morris, who was commissioned by Black Star in 1988 to document the Soviet–Afghan War, photographed 24 years later for Time/VII the parents of the POW Bowe Bergdahl, captured in 2009 during the War in Afghanistan.

In 1983, during the civil conflict in the Philippines in Manila, Morris started covering world news as documentary conflict photographer for Newsweek.

Christopher Morris (born 1958) is an American photojournalist best known for his documentary conflict photographs, being a White House photographer, a fashion photographer, and a film director.

Morris was born in 1958 in California. In 1980, he earned a photography bachelor of science degree from the Art Institute of Fort Lauderdale. He was appointed runner by Black Star director Howard Chapnick. In 1981, during six months, he documented the underground world of the New York City Subway in a photo essay published 33 years later in Time.