Age, Biography and Wiki

D. Dominick Lombardi is an American artist, sculptor, and filmmaker. He is best known for his large-scale sculptures and installations, which often incorporate found objects and materials. He has exhibited his work in galleries and museums around the world, including the Museum of Modern Art in New York, the Whitney Museum of American Art, and the Centre Pompidou in Paris. Lombardi was born in 1954 in New York City. He received his BFA from the School of Visual Arts in New York in 1976 and his MFA from the University of California, Los Angeles in 1979. Lombardi has been the recipient of numerous awards, including a Guggenheim Fellowship in 1988, a National Endowment for the Arts Fellowship in 1989, and a Pollock-Krasner Foundation Grant in 1990. As of 2021, D. Dominick Lombardi's net worth is estimated to be roughly $1 million.

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Age 69 years old
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Birthplace New York, New York, United States
Nationality United States

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D. Dominick Lombardi Height, Weight & Measurements

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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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D. Dominick Lombardi Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is D. Dominick Lombardi worth at the age of 69 years old? D. Dominick Lombardi’s income source is mostly from being a successful . He is from United States. We have estimated D. Dominick Lombardi's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Timeline

2019

In addition to his art, Lombardi has had articles been published in The New York Times, ARTslant, Art in Asia (S. Korea), Public Art and Ecology (China), Art Experience NYC, Sculpture, Sculpture Review, d’ART (U.S. Editor), Art Papers, Art Lies, ARTnews, & magazine, Art New England and culturecatch.com among others. His reviews and feature articles for The New York Times appeared between 1998 and 2005. Also, Lombardi has curated a variety of exhibitions in museums and galleries across the U. S. including Monkey Spoon and Anonymous among others.

1998

Lombardi is known for the Post Apocalyptic Tattoo series which spanned the decade between 1998 and 2008 which culminated in two one-man shows. The first exhibition in 2008, was held at Blue Star Contemporary Art Center in San Antonio, TX, titled “The Post Apocalyptic Tattoo: A Ten Year Survey”. The second exhibition was held at the Housatonic Museum of Art in Bridgeport, CT, opened in September 2009.

1988

Lombardi taught Life Drawing, Painting, and Beginning Drawing as an Adjunct Art Professor at Westchester Community College from 1988-2015. His additional affiliations in the field included: Board Chair, Castle Gallery, College of New Rochelle, NY, 1996–98, where he initiated the first Westchester Biennial in 1998, a position he left later that year when he began writing for The New York Times; Member of the International Association of Art Critics, 2001–2007; and Art Advisor for Pfizer at Doral Arrowwood Educational Center, Purchase, NY, 1997–1998.

1977

Lombardi has been exhibiting since 1977 in various venues, for example the Stamford Museum in 1997, the Stamford Branch Gallery in 2000, the Blue Star Contemporary Art Center in 2008, at Florida Atlantic University in 2009, and at Artlexis in Brooklyn in 2009. Lombardi's art has been reviewed in various publications.

1954

D. Dominick Lombardi (Bronx, New York 1954) is a visual artist, writer and art critic; the U.S. editor of dArt international magazine; as well as a curator. He was an art critic for The New York Times from 1998 to 2005.

D. Dominick Lombardi was born into the family of an Italian-American carpenter in the Bronx, NY in 1954. He worked in the family carpentry shop as a teenager. He is a regular contributor for Huffington Post and a curator for Galerie Protégé, Lichtundfire and Walter Wickiser Gallery in New York City. He was a curator and a curatorial advisor for the Lab Gallery (2004-2006), producing over 60 exhibitions in three years with a cycle of 10 day exhibitions.