Dan Gordon (animator)

Dan Gordon continued to work for Hanna-Barbera until his death in 1970.

Gordon passed away on August 13, 1970, one month after his 68th birthday. Some sources state his last known location was in Fulton County, Georgia, but the legitimacy of this information is unknown.

In 1949 came Funny Films, a talking-animal anthology title that tried to convince the reader that its stories were the filmed exploits of famous Hollywood cartoon characters.

Wife, Margaret Hannon, died at the age of 39 in 1946 from brain cancer. Dan and Margaret had three sons. Son, Kevin, died in a house fire in Malibu, in 1965. Son, Michael, died in 1965 in car accident in Los Angeles. Son, Donal, died in 1994 from cancer in Seattle. Dan Gordon died of liver disease while in a nursing home in Atlanta, GA in 1970. Dan had five grandchildren from son Donal and wife, Frances. This information is cited by his granddaughter.

Gordon's final major character from this era is Cookie O’Toole, the teenage star of Cookie comics. Cookie began his run in 1945 when he and his whole gang (best friend/hipster Jotterbook, heartthrob Angelus, sharp-dressed rival Zoot, and their egghead pal, “The Brain”) appeared fully formed in a one-shot issue of Topsy-Turvy Comics. By the next year, Cookie had his own title, and began a run that lasted nine years and 55 issues.

Gordon was part of a group of animation pros led by Jim Davis (of Fox and the Crow fame) that supplied original talking-animal comic book stories to ACG and DC Comics. Gordon's work began appearing in Giggle Comics in 1944, and by Giggle #9, he introduced the long-running character Superkatt who was a jab at the “long-underwear” genre of superhero comics. The title character does not have any superpowers at all but is a normal (talking) house cat that dresses in a diaper, a baby's bonnet, and a big blue bow to fight minor neighborhood injustices.

When Paramount seized control of the Fleischer studio in Miami, Gordon was one of four directors put in charge of production. Gordon only stayed for a couple of years at the newly dubbed Famous Studios, but the few Popeye shorts he directed are remarkable for their manic intensity. The Hungry Goat, released in 1943, stands out as an attempt to bring a new, screwball character to the screen, heavily influenced by contemporary WB shorts. The fast-paced, hyper-kinetic, and over-caffeinated mayhem of those Popeye cartoons leads right into the comic book stories he crafted for The American Comics Group (ACG). Gordon was fired from Famous Studios in late 1943 or early 1944, presumably due to alcohol-related problems.

In the late 1940s, talking animals and teen humor were two of the most popular categories in the ever-growing world of comic books. In his comic books, he wrote under the pen name "Dang".

Bill Hanna and Joe Barbera had been creating the classic Tom and Jerry cartoons at MGM since 1940, but by 1957 the studio’s animation division was shut down. In a bid to stay alive in the new TV era, Hanna and Barbera struck out on a mission to make a weekly animated television series for a fraction of their old Tom and Jerry budgets.

Gordon jumped on board to help out at Hanna-Barbera, and (with partner Charles Shows) was soon writing and drawing storyboards for most of the episodes of those earliest, foundational H-B cartoon classics: Huckleberry Hound, Yogi Bear, Pixie & Dixie, Quick Draw McGraw, and Augie Doggie. Emboldened by their early success in Saturday morning, Hanna and Barbera set their sights on producing a prime-time domestic comedy with a prehistoric twist. Gordon had some experience with cartoon cavemen, having worked on the “Stone Age” series of animated shorts for Fleischer Studios back in 1940. Although many talented people had a part in creating what would become The Flintstones, Bill Hanna points to Gordon. “Now you may not get the same response from anybody else, Bill Hanna recalls,” but to me, Dan Gordon is responsible for The Flintstones. He came up with the basic concept of doing it with cavemen in skins.” And Joe Barbara recounts in his autobiography that,” the first two Flintstones were the work of Dan Gordon and myself; I controlled the content, and Dan did the storyboards.”

Gordon and Barbera headed out west to MGM in 1937, but Gordon returned back to the East shortly thereafter to help re-write the troubled Gulliver’s Travels animated feature film at Fleischer Studios. Gordon’s rewrites could not save much of Gulliver, but Gordon was instrumental in the success of the Fleischer Studios’ next hit: the 1941 Superman theatrical animated shorts.

Dan Gordon began his animation career as a story man at New York's Van Beuren Studios, and by 1936 he was receiving a director's credit there. After Van Bueren closed its animation department in 1936, Gordon and many of his colleagues went to work for Paul Terry’s Terrytoons. It was here that Gordon worked with Joe Barbera (another Van Bueren alumni) on Pink Elephants, a cartoon that Barbara described as one of "... the first cartoons I had a hand in actually creating from the beginning.”

Daniel Campbell Gordon (July 13, 1902 – August 13, 1970) was an American storyboard artist and film director, best known for his work at Famous Studios and Hanna-Barbera Productions. Gordon was one of Famous' first directors. He wrote and directed several Popeye the Sailor and Superman cartoons. Later, at Hanna-Barbera, Gordon worked on several cartoons featuring Yogi Bear, Huckleberry Hound, and others. His younger brother, George Gordon, also worked for Hanna-Barbera.