Age, Biography and Wiki
Dana Gioia was born on 24 December, 1950 in Hawthorne, California, United States, is an American poet and writer. Discover Dana Gioia's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 73 years old?
Popular As |
N/A |
Occupation |
Writer, critic, poet, businessman |
Age |
73 years old |
Zodiac Sign |
Capricorn |
Born |
24 December 1950 |
Birthday |
24 December |
Birthplace |
Hawthorne, California, U.S. |
Nationality |
United States |
We recommend you to check the complete list of Famous People born on 24 December.
He is a member of famous Writer with the age 73 years old group.
Dana Gioia Height, Weight & Measurements
At 73 years old, Dana Gioia height not available right now. We will update Dana Gioia's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Dana Gioia's Wife?
His wife is Mary Elizabeth Hiecke (m. 1980)
Family |
Parents |
Not Available |
Wife |
Mary Elizabeth Hiecke (m. 1980) |
Sibling |
Not Available |
Children |
Michael Jasper Gioia, Michael Frederick Gioia, Theodore Jasper Gioia |
Dana Gioia Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Dana Gioia worth at the age of 73 years old? Dana Gioia’s income source is mostly from being a successful Writer. He is from United States. We have estimated
Dana Gioia's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Writer |
Dana Gioia Social Network
Timeline
99 Poems: New & Selected (2016) is Gioia's latest book of poetry. It collects his old poems along with several new poems. It was the winner of the 2018 Poets' Prize.
Gioia is the Judge Widney Professor of Poetry and Public Culture at the University of Southern California, where he now teaches, as well as a Senior Fellow at the Trinity Forum. In December 2015 he became the California State Poet Laureate. He currently divides his time between Los Angeles and Sonoma County, California.
In December 2015, Gioia was named Poet Laureate of California. As Poet Laureate, Gioia intends to visit each of the state's 58 counties and give a poetry reading. Gioia has emphasized visiting smaller and mid-sized communities, saying,
Pity the Beautiful (2012) marked Gioia's return to poetry after his term in public office as chairman of the NEA. As with his previous books of poetry, it featured both metrical verse and free verse. "Special Treatments Ward" garnered notice for its description of a pediatric cancer ward. "Haunted", the central poem in the collection, is a long dramatic monologue that is both love story and ghost story.
Gioia stepped down from the NEA in January 2009 to return to poetry.
In 2007, Gioia gave the commencement speech for his alma mater, Stanford University. In May 2014, National Public Radio included Gioia's speech on its list of "The Best Commencement Speeches, Ever", dating back to 1774. In his speech Gioia discussed the low esteem in which American society holds its artists.
With the support of both Congressional Democrats and Republicans, Gioia gained a $20.1 million increase in his agency's budget and for the remainder of his tenure, silenced the perpetual requests from conservatives to defund the agency. "Dana is a superb politician. He knows how to talk to Congress and to the arts community, and to state and federal agencies and to the complex, gigantic, fire-breathing beast called the White House," said David Gelernter of Yale University. Bill Kauffman called Gioia "the best poet in government service since President Tyler sent John Howard Payne, who wrote 'Home! Sweet Home!' to Tunis." In November 2006, Business Week magazine profiled Gioia as "The Man Who Saved the NEA". Five years after Gioia left office, The Washington Post referred to him as one of "two of the NEA's strongest leaders".
In 2006, Gioia created Poetry Out Loud, a national poetry recitation contest for students. Each year, some 375,000 students participate, beginning at the high school classroom level. Classroom winners advance to school-wide recitation competitions, and school champions advance to regional and state competitions, and ultimately to the National Finals in Washington, DC. The winner receives a $20,000 scholarship. In an interview with Poetry Daily, Gioia noted that the competitive aspect of the program inspires both the students and the audience. "We did not predict that aspect of the Poetry Out Loud, but it was apparent from the first time we held a public event. The audience displayed an intensity of attention that is very rare at ordinary poetry readings."
Gioia's most significant musical collaborations have been in opera. Gioia has written three opera libretti. His first opera, Nosferatu, with music by Alva Henderson, was jointly premiered by Rimrock Opera and Opera Idaho in 2004. His second libretto, Tony Caruso's Final Broadcast, with music by Paul Salerni, won the National Opera Association award for best new chamber opera and was premiered in Los Angeles in 2008. Both of these works have been recorded. His latest opera, The Three Feathers, with music by Lori Laitman, was premiered by Virginia Tech and Opera Roanoke in 2014.
His program The Big Read aimed to increase literacy across America. In June 2004, the NEA released a research publication, Reading At Risk: A Survey of Literary Reading in America, that detailed a 20-year decline in literary reading among American adults. As a writer, Gioia found this a dangerous trend for a democracy that relies on an informed, engaged citizenry. In response, Gioia created another national initiative, The Big Read. Based on the "one city, one book" concept, The Big Read brought together partner organizations across the country to encourage entire communities to read the same book. It was launched as a pilot program with ten communities in 2006, and went national in 2007, eventually becoming the largest literary program in the history of the federal government. Millions of dollars in NEA grants have supported Big Read programs with more than 25,000 local organizations, including libraries, museums, newspapers, mayors' offices, and private businesses. It also became a vehicle for international cultural exchange with Big Read programs in Russia, Egypt, and Mexico.
In 2004, Gioia launched Operation Homecoming: Writing the Wartime Experience, which collected writings from U.S. troops and their families about their wartime experiences in Afghanistan, Iraq, and stateside. Between 2004 and 2009, Operation Homecoming conducted more than 60 writing workshops for troops, their families, and veterans at military installations across the country and in war zones. Many of the writings were collected in the anthology Operation Homecoming. The anthology was named one of the "Best of 2006" non-fiction by The Washington Post. There is an archive of writings housed at the Library of Congress. A documentary based on Operation Homecoming, produced by the Documentary Group, was nominated for a 2006 Academy Award.
His program "Shakespeare in American Communities" gave grants to more than 40 American theatre companies to tour small and medium-sized communities. Since the launch of the program in 2003, the tours have visited thousands of communities in all 50 states and more than 4,000 schools, were seen by millions of students, and provided work for hundreds of actors, directors, and crew.
In 2002, Gioia was nominated as NEA Chairman by President George W. Bush. Gioia served as chairman from 2003 to 2009, and worked to bring new visibility to the agency through a series of national initiatives that stressed broad democratic reach and artistic excellence. He believed that neither the arts nor art education should be divisive or partisan issues and made a point to reach out to NEA critics in the United States Congress in an effort to find common ground. As a practical matter, Gioia expanded the agency's reach to put at least one NEA grant in every congressional district. Gioia's reasoning for this initiative was to guarantee that the NEA was serving Americans in all parts of the country and to acquaint every member of Congress with at least one arts organization in their district.
Interrogations at Noon (2001), Gioia's third collection, was the winner of the 2002 American Book Award. It includes both translation and many original poems in which contemplative and occasionally wistful notes predominate, as in the concluding stanza of "Summer Storm": "And memory insists on pining / For places it never went, / As if life would be happier / Just by being different." His poem "Words" explores the power and limits of language to understand the world. Many of the other poems examine the lives of poets, painters, and composers.
In 1992, Gioia resigned from his position as a vice president at General Foods to pursue a full-time career as a poet.
Gioia has written several collections of criticisms. In his landmark 1991 essay "Can Poetry Matter?" Gioia objects to how marginalized poetry has become in America. He believes that university English departments appropriated the field from the public:
The Gods of Winter (1991), his second collection contains "Planting a Sequoia" about the tragic loss of his infant son, as well as the long dramatic monologues, "Counting the Children", in which an accountant has a disturbing interaction with a grotesque doll collection, and "The Homecoming", in which a murderer explains his motivations for returning home to commit one more murder. Simultaneously published in Britain, it was chosen as the main selection of the U.K. Poetry Book Society.
As a result, Daily Horoscope (1986), his first collection, was one of the most anticipated and widely discussed poetry volumes of its time. Its contents range widely in form, length and theme. Among its more notable—and widely reprinted—pieces are "California Hills in August", "In Cheever Country", and "The Sunday News".
It was as a poet that Gioia first began to attract widespread attention in the early 1980s, with frequent appearances in The Hudson Review, Poetry, and The New Yorker. In the same period, he published a number of essays and book reviews. Both his poetry and his prose helped to establish him as one of the leading figures in the New Formalist movement, which emphasized a return to traditional poetic techniques such as rhyme, meter, and fixed form, and to narrative and non-autobiographical subject matter.
On February 23, 1980, he and Mary Elizabeth Hiecke (born May 26, 1953) were married. They had three sons, Michael Jasper Gioia (who died in infancy); Michael Frederick "Mike" Gioia; and Theodore Jasper "Ted" Gioia. His poem "Planting a Sequoia" is based on his experience of losing his infant son.
After business school, Gioia joined General Foods in 1977, where he eventually became vice president of marketing. He was on the team that invented Jell-O Jigglers and is credited with helping reverse a long-running sales decline for Jello.
Gioia was the first person in his family to go to college and earned a Bachelor of Arts from Stanford University in 1973, a master's degree from Harvard University in 1975, and a Master of Business Administration from Stanford Business School in 1977. As both a graduate and undergraduate, Gioia was editor of Stanford's literary journal the Sequoia Magazine.
Michael Dana Gioia (/ˈ dʒ ɔɪ . ə / ; born December 24, 1950) is an American poet and writer. He spent the first fifteen years of his career writing at night while working for General Foods Corporation. After his 1991 essay "Can Poetry Matter?" in The Atlantic generated international attention, Gioia quit business to pursue writing full-time. He served as the chairman of the National Endowment for the Arts (NEA) between 2003 and 2009. Gioia has published five books of poetry and three volumes of literary criticism as well as opera libretti, song cycles, translations, and over two dozen literary anthologies.