Darwyn Cooke

Cooke initially pitched the art duties to Tim Sale, but decided to take them up himself after an unsuccessful five-year wait for Sale's availability. Revengeance, however, remained unreleased at the time of Cooke's death in 2016.

On May 13, 2016, Cooke's wife announced on his official blog that he was battling an "aggressive" form of cancer, stating, "It is with tremendous sadness that we announce Darwyn is now receiving palliative care following a bout with aggressive cancer. His brother Dennis and I, along with our families appreciate the outpouring of support we have received. We ask for privacy as we go through this very difficult time." Cooke died the next morning on May 14, 2016.

In January 2015, Image Comics announced a three-part fully creator-owned project by Cooke entitled Revengeance, originally intended to launch June 2015. Compared by Cooke to Mickey Spillane's I, the Jury, the psychological thriller and dark comedy had been tentatively titled Thunder Bay, and was to be set in Toronto in 1986.

In April 2014, Cooke released a Batman Beyond animated short celebrating the 75th anniversary of Batman.

In a 2014 interview, New Frontier co-editor Chiarello named the book as the work he was the most proud of his involvement in, calling it "as pure a comic-reading experience as any comic that's ever been published."

Cooke was the writer/artist of Before Watchmen: Minutemen and the writer of Before Watchmen: Silk Spectre in 2012–2013. After originally being pitched to author the entire Before Watchmen series, Cooke was able to reduce his commitment to only two books, eventually accepting the project after successfully conceptualizing the Minutemen series. Cooke did not view Watchmen as "the Holy Grail" of comics, nor did he feel concerned about original Watchmen author Alan Moore's opinion on the Before Watchmen series, but he did initially turn down the project for two years out of concern that his work would not measure up either to the original book or its reputation within the comics industry.

Cooke married Marsha Stagg in Las Vegas, Nevada in November 2012 and lived in western Florida.

In July 2009, IDW Publishing published Cooke's Richard Stark's Parker: The Hunter, an adaptation of the Donald Westlake novel, The Hunter, the first of four Parker novels Cooke adapted for IDW. The second, The Outfit, was released in October 2010, The Score was released in July 2012, and Slayground was published in December 2013, with Cooke handling the entire art direction and physical design.

In 2008, Cooke collaborated with Jimmy Palmiotti and Justin Gray on an issue of Jonah Hex out of a desire to work with the pair, write a Western story, as well as craft a cliché-breaking tale for Hex set within Canada. Cooke playfully made fun of American conventional wisdom that Canadian weather was always a blizzard, but accepted the premise as a central plot element.

Cooke won thirteen Eisner Awards, eight Harvey Awards, and five Joe Shuster Awards for works produced for DC Comics and IDW Publishing, primarily for DC: The New Frontier and Richard Stark's Parker. In a 2007 interview, Cooke admitted to—while appreciating them—not paying much attention to awards. However, upon winning his first Eisner Award in 2005 for DC: The New Frontier, Cooke did feel gratification for his pursuit of comics as a career and understood that he was genuinely on the right path.

In July 2006, it was announced that Warner Bros. Animation and DC Comics would release a series of direct-to-DVD DC Universe Animated Original Movies based on important DC comic books. Due to the adamance of DC's then-Senior Vice-President of Creative Affairs Gregory Noveck, the second film to be adapted was Cooke's DC: The New Frontier, produced by Bruce Timm.

For 2006's collected Absolute Edition of the series, Cooke proposed including up to 48 additional pages, later negotiated down to 13 in order to hit a 400-page page count. The additional material provided more backstory for The Flash and J'onn J'onnz, as well as the Suicide Squad on Dinosaur Island. Cooke admitted surprise at this deluxe edition being released so soon after the original release due to retailer demand, citing a three-year wait for an Absolute Edition of Alan Moore's The League of Extraordinary Gentlemen.

In November 2006, Cooke and writer Jeph Loeb produced a Batman/The Spirit intercompany crossover. This was followed in December by an ongoing Spirit series written and drawn by Cooke. At the time, Cooke considered The Spirit "the most exciting and horrifying offer I'd been made in my career," and later described himself as "incredibly reluctant to step into [Spirit creator Will] Eisner's shoes," despite it "paining him" when he was younger that he might never professionally draw the character. Cooke also expressed regret that he—while having met Will Eisner in the past—never got to consult with Eisner specifically for The Spirit; Eisner had died in 2005. Along with adding new characters such as Ginger Coffee and Hussein Hussein, Cooke revised Ellen Dolan and Ebony White, in particular discarding White's exaggerated blackface-inspired appearance and dialect. In June 2007, Cooke and J. Bone won a Joe Shuster Award for "Outstanding Canadian Comic Book Artists" for their work on Batman/The Spirit, and Cooke won "Outstanding Canadian Comic Book Cartoonist" for his work on The Spirit. Despite intending a second year of the series, Cooke announced at the 2007 San Diego Comic-Con that his run on The Spirit would conclude after one year, after artist J. Bone had to step down, and an editorial reshuffle at DC moved editors Scott Dunbier and Kristy Quinn from the book, believing that resulting quality would not be up to his standards.

Darwyn Cooke also wrote the first six-issue story arc of the Superman monthly series Superman Confidential, which debuted on November 1, 2006 and featured stories set in Superman's early career. As Cooke developed the plot with artist Tim Sale, he realized he had no creative hook for a Superman story until discovering that, surprisingly, none had been told regarding the character's early fear and uncertainty at the limits of his invulnerability. In June 2007, Cooke was awarded the Joe Shuster Award for "Outstanding Canadian Comic Book Writer" for Superman Confidential. Feeling more comfortable with human characters like Catwoman and Batman, Cooke nonetheless had pitched one other unrealized Superman graphic novel around 2002 in collaboration with artist and future Justice League: The New Frontier director David Bullock.

Cooke's next project was 2004's DC: The New Frontier, a six-issue miniseries which bridged the gap between the end of the golden and the start of the silver age of comic books in the DC Universe. Cooke began brainstorming The New Frontier after completing Batman: Ego and being steered by Mark Chiarello to do a Justice League story. Preferring not to write a story tied to modern continuity or with short-term consequences, Cooke quickly realized he had little interest in writing about the Justice League unless the focus was on "who they were before they became the Justice League."

In 2004, Cooke also contributed to DC's artist-centric anthology project Solo. His issue (#5, Aug. 2005) featured several different stories in different styles with a framing sequence featuring Slam Bradley, and was originally intended by Cooke to be his final mainstream comic before other palatable DC projects pulled him back. In 2006, Solo #5 won an Eisner Award for "Best Single Issue."

In 2001, Cooke and writer Ed Brubaker revamped the Catwoman character. They started with a four-issue serial "Trail of the Catwoman" in Detective Comics #759–762 in which private detective Slam Bradley attempts to investigate the death of Selina Kyle (a.k.a. Catwoman). According to Cooke, he and Brubaker bonded over the re-introduction of Bradley, who first appeared in 1937's Detective Comics #1 and pre-dated the super-hero era of comics. The story led into a new Catwoman title in late 2001 by Brubaker and Cooke, in which the character's costume, supporting cast, and modus operandi were all redesigned and redeveloped. Cooke would stay on the series until issue #4. In 2002, he would write and draw the Selina's Big Score prequel which detailed what had happened to the character directly before her new series. Cooke regarded Selina's Big Score as the "single thing I did that I liked the most." While developing DC: The New Frontier, Cooke also drew a short Catwoman back-up story within 2002's Just Imagine Stan Lee with Chris Bachalo creating Catwoman. An untold story concept Cooke held onto involved the return and revenge of Catwoman's betrayed ex-lover Stark in a similar manner to the lead character of the film Point Blank.

In 1999, he designed and animated the opening sequence for Batman Beyond. In contrast to most cartoon openings—which adapt music to a finalized group of shots—Batman Beyond's visuals were specifically cut to suit the music, after Cooke's successful pitch of the concept to Bruce Timm. Surprisingly, Cooke employed his personal Macintosh computer in his spare bedroom and Adobe After Effects for most of the animation, as opposed to Warner Bros.' resources. According to Cooke, the Batman Beyond team created a strong show in light of what he considered "kind of a disheartening mandate from the network," which wanted a show about the Batman of the future. He believed the WB Network ultimately disliked the show's level of violence and prematurely ended the show once it could be syndicated. Cooke then worked as a director for Sony Animation's Men in Black: The Series for a year.

Cooke placed a significant focus on Green Lantern Hal Jordan, intending to illustrate "why the character was cool" in light of the character's dramatic changes in the 1994 "Emerald Twilight" story arc, which he regarded as a wholly out-of-place gimmick for Jordan to merely boost sales. To be accurate regarding Jordan's role as a United States Air Force pilot, Cooke spoke with two fighter pilots as well as fellow comic writer & artist Mike Allred, who had previously been stationed in Germany while serving in the Air Force.

In the early 1990s, Cooke decided to return to comics, but found little interest for his work at the major publishers. Eventually, he was hired by Warner Bros. Animation after replying to an ad for storyboard artists in The Comics Journal placed by animator Bruce Timm, with Cooke shocked that there were positions available. His successful pitch included 14 pages that eventually would be published in 2000 as Batman: Ego.

In the late 1990s, DC Comics art director Mark Chiarello discovered Cooke's years-old proposal for a Batman story while throwing out old pitches, and hired Cooke for what became the 2000 graphic novel Batman: Ego, marking Cooke's permanent move from animation to comics at 37 years old. Described by Cooke as "What if Batman and Bruce Wayne were able to sit down and talk about what it is they do?", the internal dialogue of Batman: Ego between Bruce Wayne and Batman was inspired by the 1981 film My Dinner with Andre.

In 1985, Cooke left his family on his own for the first time in order to show his samples at DC Comics' New York City offices. The trip resulted in his first published comic book work as a professional artist in a five-page crime story in DC Comics' New Talent Showcase #19, which was coincidentally edited by "Night of the Stalker" artist Sal Amendola. Economic pressure, however, made Cooke leave comics, as he was only paid $35 per page and produced one page a week. Deciding that comics was not an economically feasible job, Cooke worked in Canada as a magazine art director, graphic and product designer for the next 15 years. He eventually established his own design studio.

Darwyn Cooke (November 16, 1962 – May 14, 2016) was a Canadian comics artist, writer, cartoonist, and animator who worked on the comic books Catwoman, DC: The New Frontier, The Spirit and Richard Stark's Parker: The Hunter. His work has been honoured with numerous Eisner, Harvey, and Joe Shuster Awards.

Darwyn Cooke was born in Toronto on November 16, 1962. Cooke's father was a construction worker and later ran a union. Darwyn and his brother Dennis grew up in Etobicoke.

While clarifying that he did not approve of John F. Kennedy's personal flaws, Cooke cited Kennedy's 1960 "New Frontier" speech—which both inspired the title and concluded the book—as "the first time [the promise of modern America] was ever properly articulated."

The story, set in the 1950s, featured dozens of super-heroes and drew inspiration from the period's comic books and movies as well as Tom Wolfe's non-fiction account of the start of the U.S. space program The Right Stuff and the novels of James Ellroy due to Ellroy's skill in weaving fictional characters into real history. The major DC characters are introduced in The New Frontier in the same order that DC originally published them, even down to the correct month and year in the story's timeline. For the book's visual style, Cooke was inspired by 1950s advertising along with the works of Marvel Comics' Jack Kirby and Hanna-Barbera's Alex Toth.