Age, Biography and Wiki

Davi Napoleon was born on 1946, is a historian. Discover Davi Napoleon's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 77 years old?

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Born 1946
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We recommend you to check the complete list of Famous People born on 1946. She is a member of famous historian with the age years old group.

Davi Napoleon Height, Weight & Measurements

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Davi Napoleon Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Davi Napoleon worth at the age of years old? Davi Napoleon’s income source is mostly from being a successful historian. She is from . We have estimated Davi Napoleon's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
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Source of Income historian

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Timeline

1980

She wrote a column about theater education called Schoolbiz for four years for TheaterWeek magazine and has been a contributing editor for Theater Crafts, which became Theatre Crafts International, then Entertainment Design, then Live Design. She has also written for American Theatre, American Film, InTheatre, Playbill, ScriptWriter News, Stages and assorted general interest magazines. These include children's magazines, teen magazines Seventeen and others, and a range of general magazines, such as New York magazine, McCall's, and Weight Watchers. She was a stringer for the Detroit Free Press and for the Ann Arbor News in the 1980s. She was the theater reviewer for the Ann Arbor News. From 1986 to 1988 and wrote a theater column for The Faster Times, which was an online newspaper published by Sam Apple. She has written many articles for publications issued by the University of Michigan, and occasionally for publications from other universities that include Michigan State University and Albion College. She has written for local publications in Ann Arbor, including the Ann Arbor Observer.

1977

In the summer of 1977, Napoleon honed her critical skills at the Eugene O'Neill Theater Center's National Critics Institute in Waterford, CT, which she attended on a National Endowment for the Arts grant.

1974

Napoleon has written several plays, including Four's Company, produced at the Greenwich Mews Theatre in New York City in 1974. She was awarded two University of Michigan Hopwood Awards in 1965 and 1966 for plays she wrote as an undergraduate. She later served as a judge for this creative writing contest. She has participated in and led panels on playwriting.

1960

Napoleon has written extensively about the history and issues surrounding the not-for-profit theater in America. Her book about Robert Kalfin and the Chelsea Theater Center is an in-depth history of the life of a theater in the 1960s and 1970s. Chelsea on the Edge: The Adventures of an American Theater (1991) describes on- and off-stage dramas, detailing internal conflicts when a theater that was the darling of critics and audiences was forced to downsize because of changes in funding to the arts. Hal Prince wrote the foreword to the book that found a readership among working artists both because it is one of the first complex studies of regional theater and because of its dramatic structure and narrative.

1946

Davi Napoleon, also known as Davida Skurnick and Davida Napoleon (born 1946), is an American theater historian and critic as well as a freelance feature writer. She is a regular contributor to Live Design, a monthly magazine about entertainment design and designers. She is an expert on the not-for-profit theater in America and author of Chelsea on the Edge: The Adventures of an American Theater. This book is a major study of the economic changes in the American not-for-profit theater and the impact of these on the art produced. She has written on social and political issues as well.