David Watkin (cinematographer)

David Watkin led a relatively quiet life in his adopted home town of Brighton, East Sussex, when he wasn't working on a "picture". He was highly regarded as a cultured and intellectual man, with an outrageously irreverent sense of humour, and a great love of classical music and literature. He had a personal library of mostly First Edition 18th Century literature.

David Watkin died, aged 82, at his home in Sussex Mews, Brighton on 19 February 2008, having been diagnosed with prostate cancer just six months previously.

His autobiographies, Why Is There Only One Word for Thesaurus?, first published in 1998 and the second volume, Was Clara Schumann a Fag Hag?, published in 2008, by Scrutineer Publishing, were both designed by his good friend the artist and designer Rachael Adams.

He also has a rather famous habit of sleeping on-set in between lighting setups, because "it's the only thing you can do on-set which doesn't make you more tired". This habit was humorously referenced in Night Falls on Manhattan (1996), which he shot, where he has a brief cameo towards the beginning as a sleeping judge. In the case of the film of Marat/Sade (1967), problems with a tight shooting schedule and restricted set space were innovatively resolved through the use of one single lighting set-up for the entirety of the film – a translucent wall lit by twenty-six 10 kW lamps as the sole source of light.

In 1985, Watkin won the Academy Award for Best Cinematography for his work on Out of Africa. He received lifetime achievement awards in 2004 from the British Society of Cinematographers and the cinematographic-centric Camerimage Film Festival in Łódź, Poland.

In Chariots of Fire, he "helped create one of the most memorable images of 1980s cinema: the opening sequence in which a huddle of young male athletes pounds along the water's edge on a beach" to the film's theme music by Vangelis.

It was on a commercial shoot that he met Richard Lester, who hired him for his feature film, The Knack …and How to Get It (1965) which won the Palme d'Or at Cannes. The two men subsequently worked together on Help! (1965), How I Won the War (1967), The Bed-Sitting Room (1969), The Three Musketeers (1973), The Four Musketeers (1974), Robin and Marian (1976) and Cuba (1979).

Before working in feature films "as a fully fledged cinematographer", he shot the title sequence of the James Bond film, Goldfinger (1964) for Robert Brownjohn.

After a brief period in the Army during World War II, Watkin started work at the Southern Railway Film Unit in 1948 as a camera assistant. After the unit was absorbed into British Transport Films in 1950, he eventually climbed the ranks up to director of photography at BTF before going off to work freelance in commercials around 1960.

David Watkin BSC (23 March 1925 – 19 February 2008) was an English cinematographer, an innovator who was among the first directors of photography to experiment heavily with the usage of bounce light as a soft light source. He worked with such film directors as Richard Lester, Peter Brook, Tony Richardson, Mike Nichols, Ken Russell, Franco Zeffirelli, Sidney Lumet and Sydney Pollack.