Denise Schmandt-Besserat

At the 180th Commencement of Kenyon College she received an honorary degree.

Her book, How Writing Came About, was listed by American Scientist as one of the 100 books that shaped science in the 20th century.

In her most recent book, When Writing Met Art (2007), Schmandt-Besserat investigated the impact of literacy on visual art. She showed that, before writing, art of the ancient Near East mostly consisted of repetitive motifs. But, after writing, conventions of the Mesopotamian script, such as the semantic use of form, size, order and placement of signs on a tablet was applied to images resulting in complex visual narratives. She also shows how, reciprocally, art played a crucial role in the evolution of writing from a mere accounting system to literature when funerary and votive inscriptions started to be featured on art monuments.

She retired in 2004 as Professor of Art and Middle Eastern Studies at the University of Texas at Austin.

Correspondences between (plain) tokens and numerical impressions suggest that tokens were used as numerical counters in the 4th millennium BC; although Schmandt-Besserat is often credited as discovering these correspondences, they were initially noticed and published by French archaeologists Pierre Amiet and Maurice Lambert and other scholars. In the decades since these publications, the idea has become widely accepted. As noted by the Assyriologist Robert K. Englund in 1998, "a general consensus of opinion in the field tends to support" the argument that the plain tokens were "the precursors of the impressed proto-cuneiform signs used for numerical and metrological notations in the earliest texts to represent numbers and measures of products of a redistributive archaic economy"

She and her family moved to Austin, Texas in 1971, where she began teaching Art History.

Deciding to resume her studies, she entered the École du Louvre. She graduated in 1965, after which the family moved to Cambridge, Massachusetts, where her husband had been offered employment. She applied for a fellowship at Harvard University's Peabody Museum of Archaeology and Ethnology, to study the origins of the use of clay as a writing material in the Middle East. Her first published findings was The Earliest Precursor of Writing in a 1978 issue of Scientific American magazine.

Denise Besserat was born into a family of lawyers and winemakers. Her early education was at the hands of tutors. Her family evacuated to southern France during World War II, after which she attended a Catholic boarding school at Reims. The school's nuns directed her to a prospective career as a language interpreter, for which she spent periods in Ireland and Germany in language studies. She met her future husband, Jurgen Schmandt (a philosopher and expert in science policy), in Bonn in 1954; they were married in 1956. They lived in Paris, where three sons (Alexander, Christophe, Phillip) were added to the family.

Denise Schmandt-Besserat (born August 10, 1933 in Ay, Marne, France) is a French-American archaeologist and retired professor of art and archaeology of the ancient Near East. She spent much of her professional career as a professor at the University of Texas. She is best known for her work on the history and invention of writing. While her research is highly cited, it has been controversial among scholars. The controversies, as detailed below, concern the interpretation of early tokens, particularly the complex ones; however, the idea that writing emerged out of the counting, cataloging, management, and transactions of agricultural produce has been largely accepted.