Dormeshia Sumbry-Edwards

Sumbry-Edwards also appeared on Broadway in the Tony Award-winning Bring In Da’Noise, Bring In Da’Funk as the only female tap dancer, initially appearing dressed as a man. She has toured extensively in the United States and abroad.

After her experience hearing responses to her role in Bring In Da’Noise, Bring In Da’Funk alongside male dancers, Sumbry-Edwards decided to think about new ways of teaching techniques of rhythm-tap for women, culminating in a Harlem Tap Studio course for Women in Heels described as "countering the downward-driving, piston-driven attack of traditional (male) rhythm-tapping styles with steps that were structured along more circuitous paths of attack."

Sumbry-Edwards won a Bessie in 2012 for Outstanding Performer in Jason Samuels Smith's work "Chasing The Bird" performed at The Joyce Theater. She also was the recipient of a dance fellowship in 1994 as well as the prestigious Princess Grace Statue Award in 2017.

Sumbry-Edwards began tap dancing at the age of 3 under the instruction of Paul and Arlene Kennedy at Universal Dance Theatre. At 8, she performed at the Tip Tap Festival in Rome. At 12, she made her Broadway debut Black and Blue, alongside Gregory Hines, Jimmy Slyde, Buster Brown and Savion Glover. In 1989, the New York Times described her as part of a young generation who "have the certain something." After graduating from high school, Sumbry-Edwards joined Lynn Dally's Jazz Tap Ensemble as a soloist.

Dormeshia Sumbry-Edwards (born January 16, 1976 in Englewood, California) is an American tap dancer, choreographer, and instructor who has been called "the mastress of her generation." In 1998, she married fellow dancer Omar Edwards and opened a studio with him in Harlem; they have three children.