Dumitru Țepeneag

Opposing the Communist regime from the Left, Dumitru Țepeneag has maintained an independent and individualist position — literary critic Eugen Simion has defined him as "a heretic on the left", and his colleague Paul Cernat as "unclassifiable". In a 2003 interview with Ziua newspaper, he described himself as "an old anarchist". Elsewhere, the writer acknowledged that, during the 1960s and early 1970s, he viewed Ceaușescu's leadership as benign, and welcomed the distance the Communist Party took from the Soviet Union (especially in 1968, when Romania did not take part in the Warsaw Pact intervention against the Prague Spring in Czechoslovakia).

Such conflicts also surfaced after the writer returned to Romania — notably, Țepeneag clashed with novelist Augustin Buzura, whom he accused of mismanaging the state-sponsored promotion of Romanian literature abroad. The polemic was alluded to in Buzura's 2003 volume Tentația risipirii, where the author responded to criticism from Țepeneag, as well as to similar opinions expressed by Paul Goma, Gheorghe Grigurcu, and other writers. Commenting on this dispute, literary critic Mircea Iorgulescu argued that Buzura's book had classified Dumitru Țepeneag and his other adversaries as "insignificant authors", and expressed his opinion that such an attitude was incorrect.

After the Romanian Revolution of 1989, he returned to Romania, where he was involved in handing out emergency humanitarian aid from the West. Ever since, he has commuted between Paris and Bucharest, and has played a part in promoting Romanian literature to the foreign public. His diaries from the early 1970s, detailing the years of his dissidence, were published in Romania beginning in 2006. Țepeneag has continued to publish in important Western magazines, and edited the Paris-based periodicals Cahiers de l'Est (later known as Nouveaux cahiers de l'Est), Poésie, and Seine et Danube, with support from the Romanian Cultural Institute.

After moving to Paris, Țepeneag continued writing first in Romanian — works which were usually translated into French by Alain Paruit — and later directly in French. With time, his style evolved to a more classical narrative. Together with Mihnea Berindei, Dumitru Țepeneag founded and coordinated the Committee for the Defense of Human Rights in Romania, which reported on nature of repression under Ceaușescu. A chess aficionado, he also published a book on Alekhine's Defence (La Défense Alekhine, 1983).

As a result, at the same time as other outspoken dissidents — novelist Paul Goma and poet Ileana Mălăncioiu among them —, he was marginalized inside the Writers' Union. Subsequently, placed under surveillance by the Romanian secret police, the Securitate, he was formally indicted in 1975.

During the following years, both at home and abroad, Țepeneag began campaigning against totalitarianism in Romanian society, and especially the lack of freedom in the Romanian literary world. Alongside Ivănceanu and others, he spoke out against official policies during sessions of the Romanian Writers' Union, an official body reuniting literary figures. As Dimisianu noted, Țepeneag's protests were singular in that their tone was not just cultural, but overtly political. According to Țepeneag, a conflict erupted inside the literary establishment after the magazine Amfiteatru allowed him, Ivănceanu and Laurențiu Ulici to publish their grievances as part of a round table session which, although censored by the regime, prompted pro-communist and conformist writers to condemn the Oniric grouping. During trips to the United States and Western Europe, he met with other notable dissidents, and, in 1973, was interviewed by Radio Free Europe's Monica Lovinescu (an interview which denounced communist policies and was clandestinely broadcast inside his native country).

The group was for a while under the protective wing of Romanian poet Miron Radu Paraschivescu, a Communist Party member who was generally seen as anti-dogmatic, and whose personal opinions were veering toward Trotskyism. According to Ţepeneag, Paraschivescu, who was a former Surrealist, aimed at uniting avant-garde trends as a means to revitalize cultural life in Romania. This relationship allowed them to publish their works in his Povestea Vorbei, a supplement of the magazine Ramuri in Craiova. Ţepeneag's work of the time was part of a Romanian intellectual reaction against Realism and Socialist realism, and coincided with the climate of liberalization at the end of Gheorghe Gheorghiu-Dej's period in power and the rise of Nicolae Ceauşescu. In particular, the period was marked by developments at Luceafărul: in 1968, the hardliner Eugen Barbu, who had attacked Ţepeneag and other young authors, was replaced by the liberal Ştefan Bănulescu as editor-in-chief of the magazine. Literary critic Gabriel Dimisianu indicated that, at first, Romanian authorities tended to ignore the Oniric grouping, whom they viewed as "benign" and "a small racket caused by some people on the margin".

Paraschivescu's project was halted late in 1966, when authorities shut down Povestea Vorbei. In reaction, Țepeneag and his fellow group members asked to be assigned their own magazine, as a literary supplement of Luceafărul, but their request was never granted. The "Aesthetic Onirism" group was able to print a few volumes between 1964 and 1972, but disbanded soon after the July Theses of 1971, when Ceaușescu imposed an even more severe system of censorship.

In 1965-1966, Dumitru Ţepeneag and Dimov reached out to a panel of young writers contributing to the Bucharest magazine Luceafărul — Vintilă Ivănceanu, Virgil Mazilescu, and Iulian Neacșu. Together, they established the literary trend called "Aesthetic Onirism", which, initially, also included Sânziana Pop. In time, they were joined by Emil Brumaru, Daniel Turcea, Sorin Titel, Florin Gabrea and Virgil Tănase.

In 1959, he met Leonid Dimov, a writer who shared his literary interests. Both took partial inspiration from Surrealism, but rejected its focus on psychoanalysis and the scientific ideas favored by André Breton. Ţepeneag referred to this contrast by stating that "[w]e did not dream, we generated dreams."

Dimisianu also noted that the Oniric movement was the only cultural movement of the time who had developed in complete separation from official guidelines. In this context, Țepeneag's contribution was compared to those of contemporaries such as Ioan Alexandru, Cezar Baltag, Ana Blandiana, Nicolae Breban, Nicolae Labiş, and Nichita Stănescu. At the time, Dumitru Țepeneag was influenced by various trends in experimental literature, including, alongside Surrealism, the Nouveau roman techniques first theorized during the 1950s.

Dumitru Țepeneag (also known under the pen names Ed Pastenague and Dumitru Tsepeneag; b. February 14, 1937) is a contemporary Romanian novelist, essayist, short story writer and translator, who currently resides in France. He was one of the founding members of the Oniric group, and a theoretician of the Onirist trend in Romanian literature, while becoming noted for his activities as a dissident. In 1975, the Communist regime stripped him of his citizenship. He settled down in Paris, where he was a leading figure of the Romanian exile.