Dušanka Sifnios

She died on 14 October 2016, one day before her 83rd birthday, in Brussels, after four months of illness.

She published an autobiography Beleške slavne balerine in 2013 (Notes of a famous ballerina) even though she stated in an interview that she doesn’t think of her as a ballerina but as a “woman who dances”.

In the early 2000s she co-choreographed several ballets in Belgrade, including the revival of The Miraculous Mandarin in 2001 in the National Theatre and Liederabend by Gustav Mahler in 2002 in Madlenianum Opera and Theatre.

She received an award for life achievement, the highest accolade of the “Association of the ballet artists of Serbia” in 1998 and was a recipient of the “Special recognition for artistic contribution to the national culture of Serbia“, colloquially styled national pension in 2007.

Sifnios was a freelance dancer from 1970, but she continued to work with the Ballet of the 20th Century as a guest artist. She retired at the age of 47.

In Rome in 1960 she was noticed by Maurice Béjart and became a member of his dance troop Ballet of the 20th Century and his muse. Especially for her, Béjart choreographed Maurice Ravel’s Boléro, which is today considered a masterpiece of the modern ballet. It premiered on 10 January 1961, featuring Sifnios dancing on the tabletop, first stepping to the tune's simplicity, surrounded by seated men, who, in turn, slowly participate in the dance, adding complexity to the building in the orchestration, culminating in a climactic union of the dancers atop the table. Sifnios became world-famous. After her, the role was later performed by Maya Plisetskaya, Sylvie Guillem, Grazia Galante, Angèle Albrecht and, in the male version, by Jorge Donn.

As a principal dancer of the company, she toured Europe (France, Germany, Poland, Italy, Spain, Great Britain, Belgium), Africa (Tunisia), Asia (Israel, Lebanon) and Latin America (Mexico, Argentina, Cuba), performing the roles in Les quatre fils Aymon by Fernand Schirren (1961), Matiére by Alban Berg (1962), The Wedding (1962) and The Firebird (1964) by Stravinsky, Symphony No. 9 by Beethoven (1964), L’art de la barre by Johann Sebastian Bach (1965), Cantates by Anton Webern (1966) and Abraxas by Werner Egk.

In 1958 she moved to Paris and became a member of Milorad Mišković ‘s dance company and then Léonide Massine’s Ballet Europeo in Rome in 1959.

Her two most successful roles in this period, however, were Giselle, by Adolphe Adam, and The Girl in The Miraculous Mandarin, by Béla Bartók. Mandarin was choreographed by Parlić in 1957, while Giselle was revived in Belgrade by Lavrovsky and marked a turning point in Sifnios’ career. She performed it 177 times in The National Theatre and went on an extensive touring of Europe: Venice, Edinburgh. Vienna, Wiesbaden, Florence, Rome, Zurich, Berlin and Paris, with Giselle becoming a great success in Bolshoy Theatre in Moscow.

Dušanka Sifnios (Serbian Cyrillic: Душанка Сифниос; 15 October 1933 – 14 October 2016), also known as Duška Sifnios, was a Serbian ballerina and choreographer, considered one of the most distinguished and internationally most successful Serbian ballerinas. The pinnacle of her career was in the 1960s, achieved through her work with Maurice Béjart when she was one of the most popular ballerinas in the world.

She was born on 15 October 1933 in Skoplje, Kingdom of Yugoslavia (now Skopje, in Republic of North Macedonia). She became member of the National Theatre in Belgrade in 1951, and in 1953 graduated from the ballet gymnasium in the class of Nina Kirsanova. Later, she was also tutored by great choreographers Leonid Lavrovsky, Asaf Messerer and Victor Gsovsky.