Ed Young (illustrator)

Young's original art for his books has been the subject of exhibits such as "Journey Without End" at the National Center for Children's Illustrated Literature in Abiline, Texas (2011–2012). He has participated in many group shows such as the Michaelson Gallery's Children’s Illustration Celebration.

Young won the 1990 Caldecott Medal for illustrating Lon Po Po, his version of a Red-Riding Hood story from China. The annual award from the American Library Association recognizes the previous year's "most distinguished American picture book for children". He has also been a runner-up twice (two Honor Books), for The Emperor and the Kite and Seven Blind Mice. For his lifetime contribution as a children's illustrator, he was U.S. nominee in both 1992 and 2000 for the biennial, international Hans Christian Andersen Award, the highest international recognition available to creators of children's books. In 2016, Young was honored with the Lifetime Achievement Award (Contemporary) from the Society of Illustrators.

In 1964, Young met the renowned t'ai chi master, Cheng Man-ch'ing. He became one of Cheng's top disciples in America, and was one of his two principal translators. Besides being a master of t'ai chi and Chinese medicine, Cheng was a highly respected master of Chinese painting, poetry and calligraphy. Being Chinese and an artist, Young was able to appreciate and absorb much of what Cheng had to say in those fields. Young is now a respected t'ai chi master in his own right, and has been teaching t'ai chi students for over three decades. He also enjoys swimming and says that his favorite sound is the sound of waves lapping the shore.

Young's first book, The Mean Mouse and Other Mean Stories, was published by Harper & Row in 1962. He expected it to be his first and last book, but it won an American Institute of Graphic Arts award and launched a career that has resulted in almost one hundred books for children. Most of his books are visual masterpieces using colors and images to convey hidden symbolism. His meticulously rendered works have utilized pencil, pastel, cut paper, collage, ink, photographs, and found materials.

In 1951, Young came to the U.S. to study architecture. Instead, he grew more interested in art, and soon switched his major. Young's first job was with a New York advertising agency where he spent his lunch breaks sketching animals at Central Park Zoo. During that time, he received a letter from his father which said, "A successful life and a happy life is one measured by how much you have accomplished for others and not one measured by how much you have done for yourself." According to Young, "I understood then that to realize my potential as an artist was subservient to my worth as a human being. To be truly successful, I needed to find a place where my work would also inspire others to fuller and happier lives. I wished to share with everyone my father's words about success – work can, in fact, be the rooftop from which we launch ourselves to higher places." In search of something more expansive, expressive, and timeless, Young discovered all this, and more, in children's books.

Ed Tse-chun Young (Chinese: 杨志成; pinyin: Yáng Zhìchéng; born November 28, 1931) is a Chinese-born American illustrator and writer of children's picture books. He won one Caldecott Medal for the year's best American picture book and for his lifetime contribution as a children's illustrator he was twice the U.S. nominee for the Hans Christian Andersen Award.

Ed Young was born on November 28, 1931 in Tianjin, China. When he was three years old, he and his family moved to Shanghai. His mother would ring a bell at mealtimes, and he would slide down the banister with his brothers and sisters. "I have never lost the child in me. My father would spin endless tales of his own to entertain our imaginations on summer nights lying on the flat roof of our house. I have never forgotten the images I saw in my mind." From an early age, Ed loved to create stories and draw pictures and thought he could "disappear" into his own world, brought to life through his illustrations.