Enrique Mario Francini

The following year he joined Astor Piazzolla’s Octeto Buenos Aires with the bandoneons of Piazzolla and Roberto Pansera (later replaced by Leopoldo Federico), the violin of Hugo Baralis, the cello of José Bragato, the double bass of Aldo Nicolini (later replaced by Juan Vasallo), the electric guitar of Horacio Malvicino and the piano of Atilio Stampone. The Octeto would pioneer nuevo tango and put Piazzolla on a collision course with the tango establishment.

He died of a heart attack on 27 August 1978 in the middle of a performance of Nostagias in Caño 14.

The Francini-Pontier orchestra was reformed in 1973 and toured Japan with the singer Alba Solís and musicians including Omar Murtgh, Néstor Marconi and Omar Valente. In 1977 the orchestra went on another tour there, this time staging a show with more than 20 musicians and tango dancers. On his return, Francini organised a symphony orchestra which staged the show Tangos por el mundo in the Teatro Alvear in Avenida Corrientes.

In 1963 he joined the pianist Orlando Trípodi, together with Armando Pontier, Domingo Federico, Alberto Podestá and Raúl Berón in La Orquesta de las Estrellas, directed by Miguel Caló and later in 1970 he formed a sextet, with the bandoneonist Néstor Marconi in charge of arrangements, which appeared at Caño 14 in Buenos Aires, on television and recorded an album.

He was an actor, known for La sombra de Safo (1957).

After this he set up a duo with Hector Stamponi, whilst at the same time establishing his own orchestra with the pianist Juan Jose Paz, the bandoneonist Julio Ahumada and the singer Alberto Podestá . Lasting less than one year, the orchestra made various recordings starting with La trilla by Eduardo Arolas, and Petit Salón with music by Vicente Demarco and lyrics by Silvio Marinucci, on 3 November 1955 for the recording company RCA Records. Outstanding within Francini’s repertoire were Tema otoñal and his solos in Inspiración and Sensiblero.

In 1954 he took part in a homage to Juan Carlos Cobián in a quintet comprising the tango musicians Aníbal Troilo on bandoneon, Roberto Grela on guitar, Kicho Díaz on double bass and Horacio Salgán on piano.

Later he joined the orchestra of Miguel Caló which included musicians such as Osmar Maderna, Domingo Federico, Carlos Lazzari and Armando Pontier. In 1945 Francini and Pontier formed the Orquesta Francini-Pontier which played together successfully for the next ten years and made 120 records, 34 of which were instrumentals, starting with the recording of the tango Margot made on 29 January 1946. Inspired by Aníbal Troilo, the orchestra evolved instrumentally with tangos such as Arrabal, La beba, Lo que vendrá, Pa'que se acuerden de mí, Para lucirse, Pichuco, Tigre viejo and A Zárate. During these ten years the singers that accompanied the orchestra alternated between Alberto Podestá, Raúl Berón, Roberto Rufino, Julio Sosa, Pablo Moreno, Roberto Florio, Héctor Montes and Luis Correa.

Born in the city of San Fernando in the province of Buenos Aires, Argentina and 20 km north the city of Buenos Aires, Francini spent his childhood and adolescence in the city of Campana on the Paraná River. Here he studied the violin with the German violinist Juan Ehlert and in 1933, when Carlos Gardel gave a concert in Campana, Francini and his friend Héctor Stamponi, the same age as him, presented Gardel with a tango which the friends, had composed together.

Enrique Mario Francini was born on January 14, 1916 in San Fernando, Buenos Aires, Argentina.