Ernie Hudson

Has been a Reserve Deputy Sheriff in the San Bernardino County (California) Sheriff's office for 14 years (as of 2003)

He was on the shortlist for the role of The Master in Doctor Who (1996), until Eric Roberts won the role. His only association with the Doctor Who franchise is a major guest role in Torchwood: Miracle Day: The Middle Men (2011).

Admits that two of his heroes growing up were Muhammad Ali and Bruce Lee. He later went on to star with the late Brandon Lee in The Crow (1994).

Auditioned to reprise his Winston Zeddemore role from Ghostbusters (1984) for the animated series adaptation The Real Ghostbusters (1986) but was declined in favor of Arsenio Hall.

A series of starring and guest roles followed on such television shows as Fantasy Island (1977), The Incredible Hulk (1977), Little House On the Prairie (1974), Diff'rent Strokes (1978), Taxi (1978), One Day at a Time (1975), Gimme a Break! (1981), The A-Team (1983) and Webster (1983), as well as costarring roles in the TV movies White Mama (1980) with Bette Davis, Roots: The Next Generations (1979), Women of San Quentin (1983), California Girls (1985), Mad Bull (1977) and Love on the Run (1985).

As a child growing up in Benton Harbor, Michigan, Ernie Hudson wrote short stories, poems and songs, always thinking that his words might one day come to life on stage. After a short stint in the Marine Corps, he moved to Detroit where he became the resident playwright at Concept East, the oldest black theatre in the country. In addition, he enrolled at Wayne State University to further develop his writing and acting skills and found time to establish the Actors' Emsemble Theatre, where he and other talented young black writers directed and appeared in their own works. After graduating with a B. A. from Wayne State, he was rewarded a full scholarship to the M. F. A. program at the prestigious Yale School of Drama. While performing with the school's repertory company, he was asked to appear in the Los Angeles production of Lonne Elder III's musical "Daddy Goodness," which led to his meeting Gordon Parks, who gave Hudson the costarring role in his first feature film, Leadbelly (1976). Unfortunately, all that followed "Leadbelly" was a year of "bit parts and some harsh lessons about Hollywood," which led Hudson to enroll in another academic doctorate program at the University of Minnesota. He did not complete the program. Through his experience, he learned another vital lesson: "There are those who spend their lives studying it and those who spend their lives doing it. " Hudson definitely wanted to be in the second group. Keeping in mind this self-revelation, Hudson accepted the starring role of Jack Jefferson in the Minneapolis Theatre In The Round's production of "The Great White Hope," a role that he put "everything he had into," including shaving his head.