Fawn Rogers

In 2018, site specific installation, "Repairs in the Sky" in Uyuni, Bolivia.

In 2018, Rogers's work was featured in a group exhibition titled "The Mecca California" at the Lodge in Los Angeles, California.

In 2018 Rogers's work was featured in a group exhibition titled "Fun on the Floor" at Soft.Core Gallery in Los Angeles, California.

In 2018, Rogers's work "The Thrill and the Sorrow" was featured through the Chimento Contemporary Gallery in the Seattle Art Fair.

In 2018, Rogers's work was featured in a group exhibition at Fullerton College titled "Luz: Exploring Light" in partnership with Alicia Houtrouw from the Getty Research Institute.

Rogers' first solo gallery exhibition, "Violent Garden", opened on September 9, 2017 at The Lodge Gallery in Los Angeles.

Rogers video work, "I LOVE YOU AND THAT MAKES ME GOD" was featured in a group show at Young Projects Gallery in West Hollywood, California entitled "Vulnerability: The Space Between" from October 5 to December 29, 2017.

"Violent Garden", The Lodge Gallery, Los Angeles, California, 2017

In 2016, Rogers debuted "SUBJECT" at MOAH (Museum of Art and History) in Lancaster, California.

"SUBJECT", Museum of Art and History, Lancaster, California, 2016

In January 2015 two of Rogers' original works from the "Visible Light" series titled "V135459-V1211495AB" went on display at the American Airlines Admirals Club collection, located inside the Miami Airport. In February four more works from the series were added to the Embraer Executive Jets private showroom.

In May 2015 Rogers debuted "Court" at NADA (New Art Dealers Alliance) Art Fair and at Select Art Fair in New York City during Frieze Art Week.

"Hero", a live stream video installation from July 31 through August 6, 2015 featured a live rat in a glass tank chewing on a pile of $20 bills, with a coalescence of digital imagery in the background. The work questioned how America creates heroes, and drew on Jackson as the force behind the Native American Removal Act and his extreme wealth accrued through slavery.

"Court" is a series of 54 original acrylic and graphite paintings featuring images of art collectors chosen at random from ARTnews "Top 200" list. Each collector is presented as a playing card. "Court" debuted as both standard decks of playing cards and oversized playing cards at NADA Art Fair and Select Art Fair during the 2015 Frieze Art Week in New York City. ARTNet declared that "Court" was a "really cool, interactive thing to do". Artist Michael Zelehoski commented to VICE Magazine's Creators Project, "It's refreshing to see an immersive environment in the context of an art fair". Huffington Post reported that collector Martin C. Liu described "Court" as "very clever... better than I've seen at the fair.

"The "Visible Light" series are images created by natural projection of electromagnetic light through purified water using a 4-foot vertical prism, then photographed with a high-powered lens. Each image represents a few millimeters of light taken from the original photographs, then enlarged up to 25 feet onto various archival substrates. Rogers created site specific works from the series for the Alexandria Care Center, which houses Medicare patients, in order to provide a more uplifting and beneficial environment for the elderly patients and to "inspire awareness and volunteer action on behalf of the elderly and terminally ill demographic who have little to no voice...help to promote a more egalitarian understanding of what art is really for early. In 2015, works from "Visible Light" were added to the Embraer Executive Jets private showroom and at the Admiralty Lounge Miami Airport.

"COURT", Select Art Fair, New York, New York 2015

In 2014 Rogers presented a text version of "I Love You And That Makes Me God" on a 50-story LED light installation in Times Square using the facade of the American Eagle Building. KCET reported the words lit up Time Square, "taking this very intimate statement and giving a powerful public presence."

"Visible Light" and "I Love You And That Makes Me God", HATCH, Los Angeles, California, 2014

In 2013 her artwork was selected by Dawit Yohannes of the World Bank for an ongoing corporate exhibition in Juba, South Sudan.

"Untitled" Siite-Specific Installation, Dawit Yohannes/World Bank, Juba, South Sudan, 2013

Rogers was commissioned for eleven original works from her "Secret Nirvanas" and "Assassination and the Exchange Rate" for First Capitol Consulting, Inc., Los Angeles in February, 2012. In 2014 Rogers' works from "Visible Light" and paintings from "I Love You And That Makes Me God," were on view at HATCH, while a version of "I Love You And That Makes Me God," was displayed as a 50-story LED public installation on the American Eagle building in Time Square, New York.

In 2002 Rogers was co-curator of a group exhibition titled, "The Good, the Bad and the Ugly." Seven of her paintings were featured along with works by Joseph Bueys, Roger Herman, Robert Longo, and Chris Newman; the exhibition was held at Miauhaus Studio 12 in Los Angeles. Following "The Good, The Bad and The Ugly," Rogers exhibited her installation "I Like the Dark, It's Friendly" in Los Angeles.

Rogers' non-traditional exhibition, "Jewels, Gods, and Dust," was a three-story site-specific installation displayed in Pune, India in 1993. Other works also include, "Kokoro" in Tokyo in 1995, and "Earth to Hand" in Marche, Italy, in 1999.