Fredrikson Stallard

"David Gill is visionary,’ says Fredrikson ‘They have supported our dreams and ambition from the first day we started to work together – not by tying our hands as slaves to commercialism, but by opening our eyes to the immense possibilities and other dimensions achievable in the progression of our work."

Fredrikson Stallard's first monograph (written in part by design scholar and curator Glenn Adamson) surveying their entire career and, presenting it as a case study of 21st century design, is being published by Skira Editore in 2019

Described in an interview with Wallpaper Magazine as "Kings of avant-garde design," they are perhaps best known for their vermilion-red sofas, titled Species, which were sculpted from polyurethane, glass fibre and polyester and created for their 10th Anniversary "Momentum" exhibition. The pieces were first displayed at the studio's headquarters in Holborn, London in 2015. Species is in the permanent collection of the San Francisco Museum of Modern Art.

Since 2015, their Prologue sculpture, consisting of 8,000 Swarovski crystals, has been installed annually, on The British Fashion Awards red carpet. Commissioned by Swarovski, Fredrikson Stallard designed the trophy for the British Independent Film Awards BIFA.

Since 2012, their studio has been based in Holborn, London, in an 18th-century warehouse.

Their process often begins with the creation of tiny models. Created in 2011, their Crush series included a glass table with a polished metal sheet inside it and a mirror with a hollow pocket on one side. The form of their King Bonk armchairs and footstools were generated by tying upholstery foam with string before using a chainsaw to carve the final shape from polystyrene. Made from fiberglass, the chairs were available in four paint colours, which were created by Bentley.

As a global patron of design for Swarovski, Nadja Swarovski first commissioned Fredrikson Stallard in 2007 to participate in Crystal Palace, at the Salone de Mobile in Milan. The kinetic chandelier they presented, Pandora, featured 1,190 crystals on servo-controlled wires, which moved up and down to repeatedly create and then destroy the form of a traditional chandelier.

In 2006, their work was exhibited at the Design Museum and works were acquired by the French National Art Collection.

David Gill Gallery has represented Fredrikson Stallard since 2006.

Table #1 (2001) and Pyrenees (2007)were acquired by the Victoria and Albert Museum in 2011 In 2005, Patrik Fredrikson and Ian Stallard officially launched their joint practice, ”Fredrikson Stallard” at the Williamsburg gallery Citizen Citizen in New York.

Ian Stallard was born in Essex, England. Patrik Fredrikson was born in Malmo, Sweden. The two met at Central St. Martins in 1995. Stallard specialised in ceramics, ” and Fredrikson in furniture. They began to exhibit their work separately at small art fairs in the UK, before they started their collaboration.

Patrik Fredrikson (born 16 August 1968 in Malmo, Sweden) and Ian Stallard (born 6 October 1973 in Essex, United Kingdom), are two artists who work together as the collaborative art and design studio Fredrikson Stallard. Their furniture and sculptures are recognised as examples of the British avant garde.