Geddy Lee

In 2020, Lee provided guest vocals to an all-star Canadian rendition of the late Bill Withers song "Lean on Me" during the TV special Stronger Together, Tous Ensemble, a Canadian benefit performance simulcast by every major television network in Canada as a benefit for Food Banks Canada during the COVID-19 pandemic.

Lee has described himself as a Jewish atheist, explaining to an interviewer, "I consider myself a Jew as a race, but not so much as a religion. I'm not down with religion at all. I’m a Jewish atheist, if that's possible."

In 2018, Lee published Geddy Lee's Big Beautiful Book of Bass, which highlights his collection of over 250 basses along with interviews with some of leading bass players and bass technicians.

In 2017, Lee performed with Yes during the band's Rock and Roll Hall of Fame induction, playing bass for the song "Roundabout."

Lee began playing music in school when he was 10 or 11, and got his first acoustic guitar at 14. In school, he first played drums, trumpet and clarinet. However, learning to play instruments in school wasn't satisfying to Lee, and he took basic piano lessons on his own. His interest increased dramatically after listening to some of the popular rock groups at the time. His early influences included Jack Bruce of Cream, John Entwistle of The Who, Jeff Beck, and Procol Harum. "I was mainly interested in early British progressive rock," said Lee. "That's how I learned to play bass, emulating Jack Bruce and people like that." Bruce's style of music was also noticed by Lee, who liked that "his sound was distinctive – it wasn't boring." Lee has also been influenced by Paul McCartney, Chris Squire, and James Jamerson.

In 2013, Lee made a brief cameo appearance as himself in the How I Met Your Mother season eight episode "P.S. I Love You".

For Rush's 2010 tour, Lee used two Orange AD200 bass heads together with two OBC410 4x10 bass cabinets.

The Snakes & Arrows Tour prominently featured three Henhouse brand rotisserie chicken ovens on stage complete with an attendant in a chef's hat and apron to "tend" the chickens during shows. For the 2010–2011 Time Machine Tour, Lee's side of the stage featured a steampunk-inspired combination Time Machine and Sausage Maker, with an attendant occasionally throwing material into its feed hopper during the show. During the 2012–2013 Clockwork Angels Tour, Lee used a different steampunk device called a "Geddison" as a backdrop. This was composed of a giant old-style phonograph horn, an oversized model brain in a jar, a set of brass horns, and a working popcorn popper. The 2015 R40 tour combined several of these elements together, with the exception of the chicken ovens used on the Snakes and Arrows tour.

Lee appeared in Broken Social Scene's music video for their 2006 single "Fire Eye'd Boy", judging the band while they perform various musical tasks, and in 2006, Lee joined Lifeson's supergroup, the Big Dirty Band, to provide songs accompanying Trailer Park Boys: The Movie.

Lee's (and his bandmates') use of MIDI controllers to trigger sampled instruments and audio events is visible throughout the R30: 30th Anniversary World Tour concert DVD (2005).

My Favourite Headache, Lee's first and to date only solo album, was released on November 14, 2000 while Rush was on a hiatus following the deaths of Peart's wife and daughter. Musicians associated with the project include sometime Rush contributor Ben Mink, Soundgarden and Pearl Jam drummer Matt Cameron, and others.

Another version of "O Canada", with a rock arrangement, was recorded by Lee and Lifeson for the soundtrack of the 1999 film South Park: Bigger, Longer, and Uncut.

Lee also plays bass on Canadian rock band I Mother Earth's track "Good for Sule", which is featured on the group's 1999 album Blue Green Orange.

In 1998, Fender released the Geddy Lee Jazz Bass, available in Black and 3-Color Sunburst (as of 2009). This signature model is a recreation of Lee's favourite bass, a 1972 Fender Jazz that he bought in a pawn shop in Kalamazoo, Michigan in 1978. In 2015, Fender released a revised USA model of his signature bass.

An award-winning musician, Lee's style, technique, and skill on the bass guitar have inspired many rock musicians such as Cliff Burton of Metallica, Steve Harris of Iron Maiden, John Myung of Dream Theater, Les Claypool of Primus, and Tim Commerford of Rage Against the Machine and Audioslave. Along with his Rush bandmates – guitarist Alex Lifeson and drummer Neil Peart – Lee was made an Officer of the Order of Canada on May 9, 1996. The trio was the first rock band to be so honoured, as a group. In 2013, the group was inducted into the Rock and Roll Hall of Fame after 14 years of eligibility; they were nominated overwhelmingly in the Hall's first selection via fan ballot. Lee is ranked 13th by Hit Parader on their list of the 100 Greatest Heavy Metal Vocalists of All Time.

Music industry writer Christopher Buttner, who interviewed Lee in 1996, described him as a prodigy and "role model" for what every musician wants to be, noting his proficiency on stage. Buttner cited Lee's ability to vary time signatures, play multiple keyboards, use bass pedal controllers and control sequencers, all while singing lead vocals into as many as three microphones. Buttner adds that few musicians of any instrument "can juggle half of what Geddy can do without literally falling on their ass." As a result, notes Mulhern, Lee's instrumentation was the "pulse" of the group and created a "one-man rhythm section", which complemented guitarist Alex Lifeson and percussionist Neil Peart. Bass instructor Allan Slutsky, or "Dr Licks", credits Lee's "biting, high-end bass lines and creative synthesizer work" for helping the group become "one of the most innovative" of all the groups that play arena rock. By 1989, Guitar Player magazine had already designated Lee the "Best Rock Bass" player from their reader's poll for the previous five years.

Beginning in 1996, Lee stopped using traditional bass amplifiers on stage, opting to have the bass guitar signals input directly to the touring front-of-house console, to improve control and balance of sound reinforcement. Faced with the dilemma of what to do with the empty space left behind by the lack of large amplifier cabinets, Lee chose to decorate his side of the stage with unusual items.

For the 1996–1997 Test for Echo Tour, Lee's side sported a fully stocked old-fashioned household refrigerator. For the 2002 Vapor Trails tour, Lee lined his side of the stage with three coin-operated Maytag dryers. Other large appliances appeared later in the same space. For visual effect they were "miked" by the sound crew, just as a real amplifier would be. Rush's crew loaded the dryers with specially-designed Rush-themed T-shirts, different from the shirts on sale to the general public. At the close of each show, Lee and Lifeson tossed these T-shirts into the audience. The dryers can be seen while watching the Rush in Rio DVD, the R40 DVD, and the R30: 30th Anniversary World Tour DVD. For the band's R30 tour, one of the three dryers was replaced with a rotating shelf-style vending machine. It too was fully stocked and operational during shows. For the R40 tour, there were four dryers, as opposed to the usual three dryers.

Beginning with the 1993 album Counterparts, Rush reduced most keyboard- and synthesizer-derived sounds in their compositions. This reached a peak on the 2002 album Vapor Trails, Rush's first since 1975's Caress of Steel to not feature any keyboards or synthesizers. On the 2007 album Snakes & Arrows, Lee sparingly adds a Mellotron and bass pedals. However, it does not mark a return to a keyboard-heavy sound for the band. Much like Vapor Trails, the music is primarily recorded with multiple layers of guitars, bass, drums and percussion.

After Rush had become a widely recognized rock group, Lee told the story about his mother's early life to the group's drummer and lyricist, Neil Peart, who then wrote the lyrics to "Red Sector A", inspired by her ordeal. The song, for which Lee wrote the music, was released on the band's 1984 album Grace Under Pressure. The lyrics include the following verse:

In 1982, Lee produced the first (and only) album from Toronto new wave band Boys Brigade. On the 1985 album We Are the World, by humanitarian consortium USA for Africa, Lee recorded guest vocals for the song "Tears Are Not Enough". Lee sang "O Canada", the Canadian national anthem, at Baltimore's Camden Yards for the 1993 Major League Baseball All-Star Game.

The bulk of Lee's work in music has been with Rush (see Rush discography). However, Lee has also contributed to a body of work outside of his involvement with the band through guest appearances and album production. In 1981, Lee was the featured guest for the hit song "Take Off" and its included comedic commentary with Bob and Doug McKenzie (played by Rick Moranis and Dave Thomas, respectively) for the McKenzie Brothers' comedy album Great White North. While Rush has had great success selling albums, "Take Off" is the highest charting single on the Billboard Hot 100 of Lee's career.

By the 1980s, Rush had become one of the "biggest rock bands on the planet", selling out arena seats when touring. Lee was known for his dynamic stage movements. According to music critic Tom Mulhern, writing in 1980, "it's dazzling to see so much sheer energy expended without a nervous breakdown." By 1996, with their Test for Echo Tour, they began performing without an opening act, their shows lasting nearly three hours.

Along with his bandmates, Lee was a guest musician on the Max Webster song "Battle Scar", from the 1980 album Universal Juveniles.

He is also a longtime baseball fan. His favourite team while growing up was the Detroit Tigers, and he later became a fan of the Toronto Blue Jays after they were established. In the 1980s, Lee began reading the works of Bill James, particularly The Bill James Baseball Abstracts, which led to an interest in sabermetrics and participation in a fantasy baseball keeper league. He collects baseball memorabilia, once donating part of his collection to the Negro Leagues Baseball Museum, and threw the ceremonial first pitch to inaugurate the 2013 Toronto Blue Jays season. Lee sang the Canadian national anthem before the 1993 MLB All-Star Game. In 2016, Lee planned to produce an independent film about baseball in Italy.

Lee married Nancy Young in 1976. They have a son, Julian, and a daughter, Kyla. He is an avid watch and wine collector, with a collection of 5,000 bottles. He takes annual trips to France, where he indulges in cheese and wine. In 2011, a charitable foundation he supports, Grapes for Humanity, created the Geddy Lee Scholarship for students of winemaking at Niagara College.

Short of money, they began opening concerts at venues such as Toronto's Victory Burlesque Theatre for the glam rock band New York Dolls. By 1972, Rush began performing full-length concerts, consisting mostly of original songs, in cities including Toronto and Detroit. As they gained more recognition, they began performing as an opening act for groups such as Aerosmith, Kiss, and Blue Öyster Cult.

Like Cream, Rush followed the model of a "power trio", with Lee both playing bass and singing. Lee's vocals produced a distinctive, "countertenor" falsetto, and resonant sound. Lee possessed a three-octave vocal range, from baritone through tenor, alto, and mezzo-soprano pitch ranges, although it has significantly decreased with age. Lee's playing style is widely regarded for his use of high treble and very hard playing of the strings, and for utilizing the bass as a lead instrument, often contrapuntal to Lifeson's guitar. In the 1970s and early 1980s, Lee mostly used a Rickenbacker 4001 bass, with a very noticeable grit in his tone. During the band's "synth era" in the mid-1980s, Lee used Steinberger and later Wal basses, with the latter having more of a "jazzy" tone, according to Lee. From 1993's Counterparts onward, Lee began using the Fender Jazz Bass almost exclusively, returning to his trademark high treble sound. Lee had first used the Jazz Bass during the recording of Moving Pictures, on songs such as "Tom Sawyer."

In the early 1970s, Lee's main instrument was a 1960's Fender Precision Bass, that he later had sanded down into a teardrop shape and refinished. He switched a modified Rickenbacker 4001 in the mid-1970s, to emulate the tone of Yes bassist Chris Squire. He had also used Steinberger and Wal basses throughout the 1980s.

Beginning in 1969, Rush began playing professionally in coffeehouses, high school dances and at various outdoor recreational events. By 1971, they were now playing mostly original songs in small clubs and bars, including Toronto's Gasworks and Abbey Road Pub. Lee describes the group during these early years as being "weekend warriors", holding down jobs during the weekdays and playing music on weekends: "We longed to break out of the boring surrounding of the suburbs and the endless similarities . . . the shopping plazas and all that stuff. . . the music was a vehicle for us to speak out." He claims that in the beginning they were simply "a straightforward rock band."

Geddy Lee Weinrib, OC (born Gary Lee Weinrib; July 29, 1953), known professionally as Geddy Lee, is a Canadian musician, singer, and songwriter. He is best known as the lead vocalist, bassist, and keyboardist for the Canadian rock group Rush. Lee joined what would become Rush in September 1968, at the request of his childhood friend Alex Lifeson, replacing original bassist and frontman Jeff Jones. Lee's first (and, so far, only) solo effort, My Favourite Headache, was released in 2000.

Lee was born on July 29, 1953 in Willowdale, (North York) Toronto, Ontario, to Morris (1920-1965) and Mary Weinrib (née Manya Rubenstein). His parents were Jewish Holocaust survivors from Poland who had survived the ghetto in their hometown Starachowice, followed by their imprisonments at Auschwitz and later Dachau and Bergen-Belsen concentration camps, during the Holocaust and World War II. They were about 13 years old when they were initially imprisoned at Auschwitz. "It was kind of surreal pre-teen shit," says Lee, describing how his father bribed guards to bring his mother shoes. After a period, his mother was transferred to Bergen-Belsen and his father to Dachau. When the war ended four years later and the Allies liberated the camps, Morris set out in search of Mary and found her at a displaced persons camp. They married there and eventually emigrated to Canada.