Gelsey Kirkland

Kirkland choreographed (with Chernov and ABT artistic director Kevin McKenzie) a new production of Tchaikovsky's The Sleeping Beauty, in which, after a more than 20 years absence from the stage, she danced the role of "Carabosse, the Wicked Fairy". In 2010, Kirkland and Chernov established the Gelsey Kirkland Academy of Classical Ballet (GKACB), where they serve as co-Artistic Directors. The Gelsey Kirkland Academy of Classical Ballet is now accompanied by the Gelsey Kirkland Ballet company. The ballet company presents classical ballets in New York City.

Kirkland currently lives in New York, with her second husband, dancer, choreographer, and teacher Michael Chernov, who was also with ABT. In 2006, she was awarded the Dance Magazine Award.

She and her husband eventually collaborated again on a children's book titled The Little Ballerina and Her Dancing Horse in 1993, about a little girl who loves ballet and may not be able to keep dancing if she keeps riding her horse Sugar.

Her second autobiography, published in 1990, titled The Shape of Love, dealt with her move to England to dance with the Royal Ballet, her attempts to get a fresh start with her first husband, and her return to American Ballet Theatre with a clean slate and a renewed outlook on life.

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In 1986, Kirkland, along with her then husband Greg Lawrence, published Dancing on My Grave, a memoir chronicling her artistic transformation from George Balanchine's "baby ballerina" to one of the more acclaimed ballerinas in her generation. The book described in detail her struggles with her domestic family problems, sibling rivalry, anorexia, bulimia, plastic surgeries, drug addiction, her quest for artistic perfection, and her complicated love affairs with Mikhail Baryshnikov and numerous other men, most of whom she encountered in the ballet world. Dancing on My Grave was dedicated to Joseph Duell, a dancer with the New York City Ballet who committed suicide in 1986, in hopes "that the cry for help might yet be heard".

Kirkland was featured on the May 1, 1978, cover of Time.

She is perhaps most famous to the general public for dancing the role of Clara Stahlbaum in Baryshnikov's 1977 televised production of The Nutcracker. She left the American Ballet Theatre in 1984.

Gelsey Kirkland (born December 29, 1952) is an American ballerina. Kirkland joined the New York City Ballet in 1968 at age 15, at the invitation of George Balanchine. She was promoted to soloist in 1969, and principal in 1972. She went on to create leading roles in many of the great twentieth century ballets by Balanchine, Jerome Robbins, and Antony Tudor, including Balanchine's revival of The Firebird, Robbins' Goldberg Variations, and Tudor's The Leaves are Fading. Balanchine re-choreographed his version of Stravinsky's The Firebird specifically for her. She left the New York City Ballet to join the American Ballet Theatre in 1974.

Kirkland was born December 29, 1952, in Bethlehem, Pennsylvania. Her father, Jack Kirkland, was a playwright who penned the Broadway adaptations of Tobacco Road and Tortilla Flat. Her mother Nancy Hoardley, was an actress. Her older sister, Johnna, also studied at the School of American Ballet and danced with the New York City Ballet, but was fired from the company for allegedly using drugs. She went on to dance with the Los Angeles Ballet, which she helped to co-found. Johnna retired after she broke her foot and the company stopped paying the dancers. She now makes and sells artisan place and floor mats.