Age, Biography and Wiki
Giorgio Pacchioni was born on 16 July, 1947, is a composer. Discover Giorgio Pacchioni's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 76 years old?
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77 years old |
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Cancer |
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16 July 1947 |
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16 July |
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We recommend you to check the complete list of Famous People born on 16 July.
He is a member of famous composer with the age 77 years old group.
Giorgio Pacchioni Height, Weight & Measurements
At 77 years old, Giorgio Pacchioni height not available right now. We will update Giorgio Pacchioni's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Giorgio Pacchioni Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Giorgio Pacchioni worth at the age of 77 years old? Giorgio Pacchioni’s income source is mostly from being a successful composer. He is from . We have estimated
Giorgio Pacchioni's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
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Under Review |
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Pending |
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Under Review |
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composer |
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Timeline
He has held the chair of recorder at the Conservatorio G.B. Martini in Bologna (Italy) from 1977 to 2006, when he retired and moved to Ubatuba (Brazil). Pacchioni is a musicologist specializing in the revival of Baroque composition in the modern era, and has gained a following over the Internet for his Neo-Baroque compositions and fugues.
Giorgio Pacchioni (born July 16, 1947) is an Italian performer, professor, and composer.
28 Preludi per Flauto Dolce solo in forma di progressione musicale 8 Preludi (Studi) in forma di progressione melodica dalle «Sonate a Flauto solo» di Paolo Benedetto Bellinzani (Venezia 1720) per Flauto Dolce Contralto 9 Preludi (Studi) in forma di progressione melodica dai «XII Solos» di Francesco Mancini (London 1724) per Flauto Dolce Contralto Baroquefantasy n. 1 (1996) per Clarinetto e Pianoforte Baroquefantasy n. 2 (1996) per Viola e Pianoforte Duo didattici in forma di progressione musicale estrapolati da diversi autori e atti a superare velocemente e con sicurezza le difficoltà della letteratura musicale Rinascimentale e Barocca. Vol. I: per 2 Flauti Dolci S[A]-T (Violino e Violoncello) Duo didattici in forma di progressione musicale estrapolati da diversi autori e atti a superare velocemente e con sicurezza le difficoltà della letteratura musicale Rinascimentale e Barocca. Vol. II: per 2 Flauti Dolci S-A (Violino e Viola) Il Canone alla cartella e alla mente senza Tenor. Studio sistematico dell’imitazione canonica attraverso i documenti di L. Zacconi, O. Tigrini e G. B. Martini Il Canone alla cartella e alla mente sopra un Tenor. Studio sistematico dell’imitazione canonica da 3 a 8 voci sopra un canto fermo attraverso i documenti di L. Zacconi, F. Soriano e R. Rodio Manuale di Diminuzione elaborato dalle opere di A. Corelli e G. Ph. Telemann per Flauto Dolce Contralto (Violino, Flauto Traverso, Viola da Gamba) Manuale di Diminuzione elaborato dalle opere di Jacob Van Eyck per Flauto Dolce (Violino, Flauto Traverso, Viola da Gamba) Passi strumentali in forma di progressione melodica da «Il Dolcimelo» di Aurelio Virgiliano (ca.1600) per Violino o Flauto Dolce in Sol Passi strumentali in forma di progressione melodica da «Selva de’ varii Passaggi» di Francesco Rognoni (Milano 1620) per Violino o Flauto Dolce in Do e in Sol Selva di Vari Precetti. La pratica musicale tra i secoli XVI e XVIII nelle fonti dell’epoca Varie Partite sopra Bassi ostinati per 1, 2, 3 Flauti Dolci e Basso Continuo con una raccolta di Bassi ostinati dei secoli XVII e XVIII
He actively collaborated with the musical association “Antiqua” to the transcription of Girolamo Dalla Casa's Secondo libro de Madrigali a cinque voci con i passaggi (Venice 1590): in fact, he recomposed the whole Tenore partbook, which is missing from the only extant copy of the original print. The CD based on this opus, performed by "Il terzo suono" conducted by G.P.Fagotto, has won the “Speciale raccomandazione della giuria del premio discografico internazionale A.Vivaldi”.