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Graham Waterhouse was born on 2 November, 1962 in London, United Kingdom, is a Composer of chamber music,Cellist. Discover Graham Waterhouse's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 62 years old?

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Occupation Composer of chamber music,Cellist
Age 62 years old
Zodiac Sign Scorpio
Born 2 November 1962
Birthday 2 November
Birthplace London, England
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 2 November. He is a member of famous with the age 62 years old group.

Graham Waterhouse Height, Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Graham Waterhouse Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Graham Waterhouse worth at the age of 62 years old? Graham Waterhouse’s income source is mostly from being a successful . He is from United Kingdom. We have estimated Graham Waterhouse's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
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Timeline

2016

He has performed as the soloist of his Cello Concerto in Mexico City (1995), Nizhny Novgorod, Weimar, Baden-Baden, St. Martin, Idstein (version for chamber orchestra, 2005), Cambridge (2008), and on 8 July 2016 once more in Nizhny Nowgorod, with the Academic Symphony Orchestra conducted by Alexander Skulsky.

2013

The compositions reflect the individual capacity and character of players and instruments from piccolo to contrabassoon, even unusual ones such as the heckelphone or didgeridoo. He scored Chieftain's Salute for Great Highland Bagpipe and string orchestra, Hale Bopp, inspired by comet Hale–Bopp, for string orchestra with boy soprano. He also wrote several compositions for cello and speaking voice, based on literature as diverse as limerick (Vezza), ballad (Der Handschuh) and drama (Das Hexen-Einmaleins), which he plays and recites himself. He has lectured on contemporary music at the yearly Komponisten-Colloquium of the University of Oldenburg, initiated by Violeta Dinescu. Several of his pieces have been composed for the competition Jugend musiziert and performed at the prize winners' concerts.

2012

Waterhouse's 50th birthday was celebrated with concerts dedicated to his works in London, Munich and Frankfurt, featuring performances of chamber music by members of the Munich Philharmonic. Peter Grahame Woolf wrote about the Graham Waterhouse Portrait Concert at Highgate School on 9 October 2012, focussing on the string quartet Prophetiae Sibyllarum and Rhapsodie Macabre. A review in the Süddeutsche Zeitung of the concert at the Gasteig on 4 November 2012 was titled "Hochexpressiv" (Highly expressive) and covered additionally Praeludium, Bassoon Quintet and Piccolo Quintet. Reinhard Palmer wrote in the magazine Neue Musikzeitung about the concert in Munich, under the title "Beliebter Außenseiter" (Popular outsider), comparing the quintets to concertos, noting the influence of Karol Szymanowski and Witold Lutoslawski and the qualities of musical story-telling. The broadcaster Hessischer Rundfunk aired an interview on his birthday.

2011

As a composer and a performer, he is mostly dedicated to chamber music, and has co-founded several chamber ensembles, including the Vuillaume-Cello-Ensemble playing instruments built by Jean-Baptiste Vuillaume. He established in 1998 a regular chamber music concert series at Gasteig Munich, programming contemporary works alongside classical repertory. Players for his chamber music concerts have included members of the Munich Philharmonic, such as bassoonist Lyndon Watts. Waterhouse has collaborated with the composers Jens Josef (flute) and Rudi Spring (piano). They appeared together in a trio concert at the Gasteig, performing Martinů's trio, the premiere of the flute version of Gestural Variations, and a Christmas carol by each composer, In dulci jubilo set by Waterhouse. The song Im Gebirg (The Mountain) on a poem of Hans Krieger for mezzo-soprano, alto flute, cello and piano, was premiered at the Gasteig in 2010 by Martina Koppelstetter, Jens Josef, the composer and Christopher White. In a concert The Proud Bassoon in Wigmore Hall, celebrating his father on 16 April 2011, he performed as a cellist, and two works he had written in memory of his father, Epitaphium and Bright Angel, received their premiere in the UK. In a concert concluding the Gasteig's Liszt Festival to honour the 200th birthday of Franz Liszt, his chamber music scored for piano solo up to piano and string quartet appeared in the context of pieces in similar settings by Liszt. In 2011, he composed a Christmas cantata on a text by Krieger. In 2013 his piano trio Bells of Beyond was premiered at the Gasteig with Yury Revich and Valentina Babor. Incantations, a Concerto da camera for piano and ensemble, was premiered and recorded in Birmingham on 26 March 2015 at the CBSO Centre with Huw Watkins, piano, and the Birmingham Contemporary Music Group, conducted by Richard Baker.

2001

In 2001, Waterhouse was the composer in residence of Solisten der Kammerphilharmonie Berlin, in 2006 artiste en residence in Albertville, France, and in 2008 Musician By-Fellow at Churchill College, University of Cambridge.

He has worked with Ensemble Modern and participated in the concert tour 2001 of the Ensemble Modern Orchestra under Pierre Boulez. He has also performed with the ensembles musikFabrik and Kammerensemble Neue Musik Berlin, among others.

His music has been recorded, notably on Portrait (2001) with works for piano, clarinet and cello, and Portrait 2 (2004) with music for string orchestra, played by the English Chamber Orchestra, and for wind ensemble, played by Endymion.

1998

Since 1998, Waterhouse has organised a concert series at the Gasteig in Munich, often playing with members of the Munich Philharmonic. His works have been performed internationally and were recorded. He has been awarded prizes for several of his compositions, and has been composer in residence at institutions in several European countries.

1996

He has received commissions by the International Double Reed Society (IDRS), the Orchestre de Chambre de Lausanne, Munich Biennale, Schleswig-Holstein Musik Festival, Orquesta Sinfónica Nacional del Estado de Mexico, the Kaske Stiftung and the Park Lane Group (London), among others. His compositions have earned prizes at competitions of Münchener Tonkünstlerverband (1996) and of Via Nova in Weimar (2000). His string quartet Chinese Whispers was awarded the "BCMS Composition Prize" of the Birmingham Chamber Music Society in 2011.

The first publisher of his works was the Friedrich Hofmeister Musikverlag, beginning with Aztec Ceremonies and Three Pieces for Solo Cello in 1996. His music appeared also with Zimmermann and Robert Lienau in Frankfurt, Heinrichshofen in Wilhelmshaven. His set of pedagogical pieces for cello, Thomas Tunes, was published in 2017 by Breitkopf & Haertel.

1992

Graham Waterhouse was born in London, the son of the noted bassoonist and musicologist William Waterhouse. Graham attended Highgate School and studied music at the University of Cambridge (composition with Hugh Wood and Robin Holloway), and in Germany at the Folkwang Hochschule (cello with Young-Chang Cho) and Hochschule für Musik Köln (cello, with Maria Kliegel, conducting and piano). He has lived in Munich since 1992.

1962

Graham Waterhouse (born 2 November 1962) is an English composer and cellist. For his own instrument, he composed a cello concerto and Three Pieces for Solo Cello. He has written string quartets and compositions which juxtapose a quartet with a solo instrument, including Piccolo Quintet, Bassoon Quintet and Rhapsodie Macabre. He has set poetry for speaking voice and cello, such as Der Handschuh, and has composed song cycles. His compositions reflect the individual capacity and character of players and instruments, from piccolo to contrabassoon.