Grasshopper

Grasshopper was also active in Harmony Rockets, a sprawling Mercury Rev side-project responsible for Willy Wonka theme covers and Paralyzed Mind of the Archangel Void, a full-length LP which contrasted ambient drones alongside full-on noise. "...Paralyzed Mind is nocturnal trance music that never gets monotonous, a stunning feat for a piece this long.... In 2015 we'll be talking about this mercurial, revolutionary CD in the awed tones reserved for The Velvet Underground & Nico, Revolver, A Love Supreme, or Bitches Brew," claimed Alternative Press in 1996.

Making a full recovery, the guitar solo on the track 'Little Rhymes' was played with his arm in a sling. 2005's The Secret Migration was performed under less dramatic circumstances. Preparations for 2008's Snowflake Midnight album included a period of withdrawal from the guitar, as the band explored new directions with the introduction of software-based instrumentation.

On the 2005 Secret Migration tour, he provided additional harmonica, clarinet and electric piano during guitar-less moments. For the creation of Snowflake Midnight, the band bought Macbooks and experimented with various software packages. "I was very interested in the Native Instruments programs Absynth and FM8 after seeing some demos about them at an electronic music conference I attended in Miami," Grasshopper explained to Cokemachineglow.

In 2001, Grasshopper was injured in a mugging attack which affected the recording of that year's All Is Dream album:

"I started out playing clarinet and, I think when I was younger, a lot of my influences were horn players - like Miles Davis, John Coltrane, or John Gillmore, who played with Sun Ra," Grasshopper explained in 2001. "Then as I started playing more and more guitar, as a kid I liked [laughs] The Allman Brothers and Neil Young's guitar playing. Then I got into, obviously, Sterling Morrison of The Velvet Underground, and Tom Verlaine and Richard Lloyd - I love that stuff. I like Robert Quine, who played with Richard Hell, and Lou Reed. I've also got some jazz and punk rock influences, but Tom Verlaine and Richard Lloyd [are the big ones]."

The reliability of the story is unknown, though the claim to have met in a reform camp was repeated to the NME in 1998.

With Mercury Rev in disintegration and Donahue suffering a breakdown, Grasshopper retreated to a Jesuit Retreat House monastery in Spain. "I was there for six months. Then I left. I mean, you get up at six AM, you make your bed...it was the complete opposite of everything I had been doing for the past six years," he recalled in 1998. Ten years later, he remembered being "pretty scrambled up inside and it just helped me to reflect and to bring some brakes on certain things in my life that were spinning out of control ... For anybody who wants to go there, it's highly recommended. Just step out of reality for a second, empty yourself out, all the baggage."

Reconvening and moving to the Catskill Mountains in these in-between years, the band attempted to record what they deemed likely to be their last chance. The resultant record, Deserter's Songs (1998), was a critical and commercial triumph, leading to an extensive and lengthy tour. With each of the band members in emotionally difficult waters, Grasshopper's contribution on the record drew from the heartfelt death of his uncle. His guitar style, particularly onstage, had evolved from the squalls of the early '90s and was now strongly influenced by the pentatonic blues, albeit retaining an avant-garde edge.

He and Donahue both used Fender Hotrod DeVille 4x10 combo amplifiers since 1998's Deserter's Songs tour, but switched to comparable Peavey models to tour Snowflake Midnight in 2008. A Boss GT6 was added to the already-extensive array of assorted pedals in 2005.

His record The Orbit Of Eternal Grace, recorded around 1996 with a loose group dubbed The Golden Crickets, features Grasshopper's vocals, electric, acoustic and bass guitars as well as a Micromoog, Casio PT-30, ENL Synkey, Vox Continental, Mellotron, tape loops, turntables, guitar synth, tone generator, 'rex', alto and tenor saxophones and 'Scotch 201 (1.5mil acetate)' - a type of analogue tape.

The year 1995, however, saw the departure of Rev singer Baker and a radical change in direction for the band, which drew on Broadway, jazz and doo-wop influences helped along by Grasshopper's clarinet. The album See You on the Other Side, and resulting tour, saw the band virtually ignored.

The Tettix Wave Accumulator is basically a huge bank of oscillators, high and low pass filters, and wave shape manipulators. It can use any sound source to manipulate sounds. It also can then sample the manipulated sound and then store the sound on discs. It is still a very wonderful instrument. In 1994, when it was developed, we threw together a bunch of existing technology that hadn't been used together in quite that way before. Now of course, you can achieve many of these sounds with computer programs like Reaktor. The Tettix Wave Accumulator is now housed in the basement of a bar. We were trying to develop a smaller version, but the funds have recently dried up. You could say that Tettix Inc. has been acquired by the Carlyle Group.

Mackowiak's early years have been colored by a 1991 interview given to music publication Melody Maker, which claimed that he met Rev singer Jonathan Donahue in Camp Sunshine, a reform camp for juvenile delinquents, at the age of ten.

Chaos also manifested itself outside the studio: a legendary, oft-repeated story holds that either Donahue or singer David Baker tried to gouge the guitarist's eye out with a spoon. The band's first UK interview, with the now-defunct Melody Maker in 1991, contained this memorable exchange, reported by Chris Roberts:

Mercury Rev properly began in 1989, with Grasshopper moving to electric guitar and the band playing along to footage of TV wildlife documentaries. The band's first two albums, Yerself Is Steam (1991) and Boces (1993) were intricate yet deafening soundscapes dominated by the feedback-strewn, heavily effects-processed guitars of Grasshopper and Donahue. The spirit of experimentation was manifested by the band's use of the Tettix Wave Accumulator, a homemade tone generator of Grasshopper's invention. Boces, remembered by the band as a particularly troubled record, was recorded under the influence of the drug rohypnol. When asked by Melody Maker in 1993 what he liked most about the album, Grasshopper replied: "that it's done."

While studying at Buffalo around 1986/87, Mackowiak began to play bass guitar with avant garde group Shady Crady, an embryonic Mercury Rev incarnation which also featured Donahue, a member of The Flaming Lips until 1991. These formative years brought him into close contact with other members of the Flaming Lips/Mercury Rev sphere, such as producer Dave Fridmann and early Rev singer David Baker, also a media student.

Grasshopper undertook a BA in the renowned Media Studies program at the State University of New York at Buffalo (1984–1988) where he studied with avant-garde filmmakers Tony Conrad and Paul Sharits as well as Viennese action artist Peter Weibel. He later received a master's degree in the same subject at New School University, 1990-1993.

Other activities in the late 1980s included working in the video department of a legal transcription company, as a percussionist for the local Buffalo band Sunny in Chernobyl and as a medical research subject: "I did this thing at a medical school where I got paid to take various drugs they were developing. You're in this controlled environment for 3 days and they give you all these drugs then suddenly stop then watch you suffer," he said.

Grasshopper (born Sean Thomas Mackowiak, May 25 1967) is an American musician with the band Mercury Rev. He has also appeared with Rev side-project Harmony Rockets, his own band Grasshopper and the Golden Crickets, and as a guest musician on numerous other recordings.