Greta Garbo

In 2006 "Premiere Magazine" ranked her performance as Ninotchka in Ninotchka (1939) as #25 on its 100 Greatest Performances of All Time list.

Pictured on a 37¢ USA commemorative postage stamp issued 23 September 2005, five days after her 100th birthday. On the same day, Sweden issued a 10kr stamp with the same design. The likeness on the stamps was based on a photograph taken during the filming of As You Desire Me (1932).

Letters and correspondence between she and poet/socialite/notorious lesbian Mercedes de Acosta were unsealed on April 15, 2000, exactly ten years after Garbo's death (per De Acosta's instructions). The letters revealed no love affair between the two, as had been rumored.

In October of 1997 she was ranked #38 in "Empire" (UK) magazine's "The Top 100 Movie Stars of All Time" list.

She even penned her biography in 1990.

Biography in: "The Scribner Encyclopedia of American Lives". Volume Two, 1986-1990, pages 316-319. New York: Charles Scribner's Sons, 1999.

Is portrayed by Kristina Wayborn in The Silent Lovers (1980)

Although it was believed that she lived as an invalid in her post-Hollywood career, this is incorrect. She was a real jet setter, traveling with international tycoons and socialites. In the 1970s she traveled less and grew more and more eccentric, although she still took daily walks through Central Park with close friends and walkers. In the late 1980s failing health decreased her mobility. In her final year it was her family that cared for her, including taking her to dialysis treatments. She died with them by her side.

According to her friend, producer William Frye, he offered Garbo $1 million to star as the Mother Superior in his film The Trouble with Angels (1966). When she declined, he cast Rosalind Russell in the part--at a much lower salary.

In 1954 Greta was given a special Oscar for past unforgettable performances.

In the mid-'50s she bought a seven-room apartment in New York City (450 East 52nd St.) and lived there until she died.

She was originally chosen for the lead roles in The Paradine Case (1947), My Cousin Rachel (1952) and "The Wicked Dutchess". She turned down these roles, with the exception of "The Wicked Dutchess", which was never shot due to financial problems.

It wasn't until two years later she made what was to be her last film, Two-Faced Woman (1941), another comedy. But the film drew controversy and was condemned by the Catholic Church and other groups and was a box office failure, which left Garbo shaken. After World War II Greta, by her own admission, felt that the world had changed perhaps forever and she retired, never again to face the camera. She would work for the rest of her life to perpetuate the Garbo mystique. Her films, she felt, had their proper place in history and would gain in value. She abandoned Hollywood and moved to New York City. She would jet-set with some of the world's best-known personalities such as Aristotle Onassis and others. She spent time gardening and raising flowers and vegetables.

She later made a comeback when she starred in Ninotchka (1939), which showcased her comedic side.

Her career suffered a setback the following year in Conquest (1937), which was a box office disaster.

She earned an Oscar nomination for her role in the romantic drama Camille (1936), again playing the title character.

However, it was in MGM's Anna Karenina (1935) that she gave what some consider the performance of her life. She was absolutely breathtaking in the role as a woman torn between two lovers and her son.

In late 1934, after Queen Christina (1933) and The Painted Veil (1934), which were both huge hits in Europe (making twice their budget in the UK alone) but underwhelming US successes, she signed a contract with MGM saying that she would only make films under David O. Selznick and Irving Thalberg. Her next two films, Anna Karenina (1935) and Camille (1936), were notable hits at the US box office, and produced by Selznick and Thalberg respectively. In 1937 her contract had to be revised, as Selznick left the studio in 1935 and Thalberg had died. She made only three films after "Camille".

Shortly afterwards, she starred in the historical drama Queen Christina (1933) playing the title character to great acclaim.

The next year she was cast in what turned out to be yet another hit, Grand Hotel (1932).

In Italy, her first films (like Mata Hari (1931) and Grand Hotel (1932)) were dubbed by Francesca Braggiotti. Because Braggiotti had been living in the United States for many years and had a slight American accent, the Italian public didn't really accept her voice so the very Italian Tina Lattanzi was chosen as Garbo's official Italian voice instead (she even re-dubbed Mata Hari (1931)). For her last two films Ninotchka (1939) and Two-Faced Woman (1941), she was dubbed by Andreina Pagnani. When some of Garbo films were re-released in Italy in the 1960's, they were re-dubbed once more. This is how stage actress Anna Proclemer lent her voice to the divine Garbo.

Later that year she filmed Romance (1930), which was somewhat of a letdown, but she bounced back in 1931, landing another lead role in Mata Hari (1931), which turned out to be a major hit. Greta continued to give intense performances in whatever was handed her.

Left John Gilbert standing at the altar in 1927 when she got cold feet about marrying him.

After a few more films, including The Temptress (1926), Love (1927) and A Woman of Affairs (1928), Greta starred in Anna Christie (1930) (her first "talkie"), which not only gave her a powerful screen presence but also garnered her an Academy Award nomination as Best Actress (she didn't win).

Following The Joyless Street (1925) both Greta and Stiller were offered contracts with MGM, and her first film for the studio was the American-made Torrent (1926), a silent film in which she didn't have to speak a word of English.

Finally famed Swedish director Mauritz Stiller pulled her from the drama school for the lead role in The Saga of Gösta Berling (1924). At 18 Greta was on a roll.

Petschler, a comedy director, saw the film and gave her a small part in his Luffar-Petter (1922). Encouraged by her own performance, she applied for and won a scholarship to a Swedish drama school.

While there she appeared in at least one film, En lyckoriddare (1921). Both were small parts, but it was a start.

Greta Garbo was born Greta Lovisa Gustafsson on September 18, 1905, in Stockholm, Sweden, to Anna Lovisa (Johansdotter), who worked at a jam factory, and Karl Alfred Gustafsson, a laborer. She was fourteen when her father died, which left the family destitute. Greta was forced to leave school and go to work in a department store. The store used her as a model in its newspaper ads. She had no film aspirations until she appeared in short advertising film at that same department store while she was still a teenager. Erik A.