Age, Biography and Wiki
Harman Grisewood was born on 8 February, 1906, is an executive. Discover Harman Grisewood's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 91 years old?
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Age |
91 years old |
Zodiac Sign |
Aquarius |
Born |
8 February 1906 |
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8 February |
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Date of death |
8 January 1997 |
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We recommend you to check the complete list of Famous People born on 8 February.
He is a member of famous executive with the age 91 years old group.
Harman Grisewood Height, Weight & Measurements
At 91 years old, Harman Grisewood height not available right now. We will update Harman Grisewood's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Harman Grisewood Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is Harman Grisewood worth at the age of 91 years old? Harman Grisewood’s income source is mostly from being a successful executive. He is from . We have estimated
Harman Grisewood's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
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Not Available |
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Source of Income |
executive |
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Timeline
He won a history scholarship to Worcester College, Oxford and became a leading member of Oxford University Dramatic Society (OUDS), where he befriended Robert Speaight, Sir Gyles Isham, 12th Baronet, Peter Fleming, Rupert Hart-Davis, Baron John Redcliffe-Maud and Christopher Sykes. In his last year he shared rooms with Sir Denys Buckley who became a High Court judge, and to whom Grisewood said he owed a love of English ways. Theodore Komisarjevsky cast him as King Lear in his OUDS production.
Grisewood, in his position as Assistant Director General of the BBC, was portrayed by Nicholas Woodeson in the 2008 TV programme Filth: The Mary Whitehouse Story.
After his retirement Grisewood was at the centre of a major sensation. His autobiography One Thing at a Time (1968) described the conflict over Sir Anthony Eden's attempt to force the BBC to treat the Suez Crisis of 1956 as a national war. Grisewood claimed that this included a plan to take over the BBC completely quoting Eden's press secretary William Clark. Clark later maintained that the plans had never been so drastic but there was a buzz of scandal and the story was debated in the House of Commons.
In 1960 he was awarded the Order of the British Empire (CBE) and also became a Knight of Grace and Devotion (Knight of Magistral Grace) of the Sovereign Military Order of Malta.
In 1952 Grisewood succeeded George Barnes as 'Director of the Spoken Word'. With responsibility of news, religion, talks and education, the job was powerful although as Grisewood commended "the title was absurd". Here he was at the cutting edge of controversy since the most persistent complainants about the BBC policy were educationalists, politicians and clergy. The post was abolished in 1955 in the reorganisation that followed the setting up of a television news division.
He saw the Third Programme as "fundamental to our civilization" as it was then on the great classical repertory of literature and music. Its finest hour was the Festival of Britain in 1951. He was an unrepentant elitist, if elitism means grappling with the not immediately obviously. He believed that difficulty had a value, both in creative and in personal terms and eagerly accepted his role as defender of the highbrow in early post war Britain. The third programme should intensify or refine culture in an age of mass participation. He was aware of the dangers of cultural fragmentation between 'experts' in increasingly specialised academic and professional disciplines.
He was controller of the BBC Third Programme from 1948 to 1952. He is credited with the idea in 1966 for The Money Programme.
Sir George Barnes, the newly appointed head of the new BBC Third Programme, persuaded him to return and within two months he returned as planner. Then from 1948-1952 he was controller of a Third Programme that became aligned so closely with his interests and attitudes as to be almost an extension of himself. Christopher Sykes worked as his assistant controller on the Third Programme.
Grisewood was not especially surprised or disconcerted when, in 1948, there began to be reports of a downturn in the audience with only two Third Programme listeners per 1,000 population. Indeed, he enjoyed the denigration of the programme by the "hunting men and brigadiers."
Later in 1946 he was demoted to 'Director – Talks Division' (or Assistant head) where he was restless: disliking the departmental in-fighting and what he saw as an increasing left-wing bias, he resigned in July 1947.
From 1941–1945 Grisewood was 'Assistant Controller, European Division'. This was major leap from a relatively obscure post in Broadcasting House to become second in command to Sir Ivone Kirkpatrick at Bush House, London. Kirkpatrick, a career diplomat, had been transferred by the Government using its wartime powers, from the Foreign Office to the new post of controller of the European division, responsible to the Director-General. Grisewood was appointed as a balancing influence with broadcasting skills. He was acting controller from 1945–1946.
Grisewood married Margaret Clotilde Bailey in 1940, during the Second World War Blitz on London. They spent their wedding night under the kitchen table in Chelsea with the poet and artist David Jones as bombs fell around them. They then spent their honeymoon at Pigotts, Eric Gill's craft community set in the beechwood forest at Speen, Buckinghamshire. During his career at the BBC he lived in London and had one daughter.
Disillusionment set in over Edward VIII's abdication crisis. In September 1936 he was involved in anxious discussions about what would happen if the King decided that he wished to broadcast without the previous knowledge of the government and the Director General. Grisewood felt that the King should be able to broadcast whenever he liked without any consultations and resolved that if he were on duty and received a telephone request from the King he would give him full facilities. The King’s broadcast was transmitted from Windsor Castle with Lord Reith in attendance, a watershed, and Grisewood knew that many of the values he believed in had been defeated permanently.
From 1936 until 1939 he was 'Assistant to the Programme Organiser'. From 1939-41 he was 'Assistant Director Programme Planning'.
In 1933 he joined the BBC staff as an announcer and continued until 1936. He embarked on an arduous self-education plan catching up on T.S. Eliot and Christopher Dawson whose Progress and Religion had great influence on him. Jacques Maritain's neo-Thomistic Art and Scholasticism became the central text for Grisewood and his Catholic friends. Like Eric Gill, who they admired they redefined the autonomy of art, denying the conventional distinction between the sacred and profane. Grisewood wrote "we do not believe the art of Salvator Rosa was religious because he painted so many pious Madonnas and the art of Renoir was not because he painted none." They believed that lowly practices such as plumbing and feeding pigs were not to be despised and that the BBC announcing was part of the scheme of things.
In 1929 a friend from his Oxford days invited him read a chapter of Ivanhoe on The Children's Hour for the BBC at Savoy Hill House. He was paid three guineas so he resigned from Fortnum and Mason and spent the next four years acting in radio plays with the BBC Repertory Company.
He was educated at Ampleforth College and Worcester College, Oxford. He joined the young BBC not long after graduating in 1927.
In 1918, aged 10, he was sent to Ampleforth College, along with his younger brothers. The classroom became his refuge and he befriended Father Bernard McElligot who was a key figure in both the monastery and school for over 25 years, and who remained a friend until his death in 1990.
Harman had two younger brothers, Peter Henry (15 Jun 1907 – 1973) and Gabriel Thomas (23 Mar 1910 – 17 Feb 1986) who was known as Tucks. His younger sister Mary Magdalen Lucy Teresa (11 Dec 1911 – 1950) was known as Missie. When he was young the family moved to the Prebendal in Thame, Oxfordshire, a rambling 13th century house, much of it in ruins, which had its own chapel and resident Catholic priest – Father Randolph Traill. In his autobiography, One Thing at a Time (1968), he described an outing with his brother, nanny, nursemaid and pram, when they were stoned by villagers as they approached the Anglican church. The nursery was the centre of the children's world, whilst adults and children were 'on equal terms' in the chapel. A devout Roman Catholic, he bemoaned the demise of the Tridentine Latin Mass in 1970 but remained loyal to the Church as he explained in Why Am I Still a Catholic, published in 1980.
Harman Joseph Gerard Grisewood, CBE (8 February 1906 – 8 January 1997) was an English radio actor, radio and television executive, novelist and non-fiction writer. He acted as literary executor to the poet David Jones, a lifelong friend.
Harman Grisewood was born at Wormleybury Manor in Hertfordshire to Lieutenant Colonel Harman Joseph Mary Grisewood and Lucille Genevieve Cardozo. His mother was the youngest daughter (3 August 1881) of Henry O'Connell Cardozo, C.I.E. and had been brought up in India. His father was born on 20 Oct 1879 at Gatwick House, Billericay, Essex, educated at Beaumont, Downside School, and Christ Church, Oxford; and served in the Royal Buckinghamshire Yeomanry, the Fourth Hussars and 11th Bn Royal Sussex Regiment. He served as Aide-de-camp to George Curzon, 1st Marquess Curzon of Kedleston in South Africa in the Boer war. In 1909 he became Privy Chamberlain of Sword and Cape to Pope Pius X an honour which is known now as a Gentlemen of His Holiness. He was a handsome, unreliable, sociable wanderer who Harman described as 'one of Baudelaire's true travellers'.