Harry Dean Stanton

As of 2014, had appeared in three films that were nominated for the Best Picture Oscar: How the West Was Won (1962), The Godfather: Part II (1974) and The Green Mile (1999). Of those, only The Godfather: Part II (1974) won in the category.

In an interview with Marc Maron on his WTF Podcast in 2013, Stanton mentioned that he was offered the lead in an unnamed series as a private investigator for director John Carpenter, but turned it down as he didn't want so much work (it wasn't said when this was that the offer or series took place, and it doesn't seem like the series ever got made).

Was tied up and pistol-whipped at his home in L.A. after a robbery. The thieves then took off in the actor's car, but were soon apprehended after the car was traced by a tracking device. Stanton suffered only minor injuries. [January 1996]

" in her 1990s hit "I Want That Man", she was talking about him.

Critic Roger Ebert so admires him that he created the "Stanton-Walsh Rule," which states that "no movie featuring either Harry Dean Stanton or M. Emmet Walsh in a supporting role can be altogether bad." Ebert later admitted that Dream a Little Dream (1989), in which Stanton appeared, was a "clear violation" of this rule.

Member of the 'Official Competition' jury at the 45th Venice International Film Festival in 1988.

Stanton was now heavily in demand, and his unique look got him cast as everything from a suburban father in the mainstream Pretty in Pink (1986) to a soft-hearted, but ill-fated, private investigator in Wild at Heart (1990) and a crazy yet cunning scientist in Escape from New York (1981). Apart from his film performances, he was also an accomplished musician, and "The Harry Dean Stanton Band" and their unique spin on mariachi music played together for well over a decade. They toured internationally. He became a cult figure of cinema and music and when Debbie Harry sang the lyric, "I want to dance with Harry Dean. . .

It was around this time that Stanton came to the attention of director Wim Wenders, who cast him in his finest role yet as Travis in the moving Paris, Texas (1984).

Next indie director Alex Cox gave Stanton a role that brought him to the forefront, in the quirky cult film Repo Man (1984).

Was in a relationship with Rebecca De Mornay from 1981 to 1983.

Had a small role as a jail guard in the 1978 Cheech Marin and Tommy Chong film Up In Smoke (1978), but his scenes were cut.

Prior to 1971, he was credited in films and on TV as Dean Stanton so as to avoid any confusion with character actor Harry Stanton, both of whom would appear together in a 1969 episode of Petticoat Junction (1963). Harry Dean Stanton later co-starred in The Green Mile (1999), which has a character named Dean Stanton.

His star continued to rise and he received better roles in which he could showcase his laid-back style, such as in Cool Hand Luke (1967), Kelly's Heroes (1970), Dillinger (1973), The Godfather: Part II (1974), and in Alien (1979).

He has appeared in five films that have been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically" significant: How the West Was Won (1962), Cool Hand Luke (1967), Two-Lane Blacktop (1971), The Godfather: Part II (1974) and Alien (1979).

His first role on screen was in the tepid movie Tomahawk Trail (1957), but he was quickly noticed and appeared regularly in minor roles as cowboys and soldiers through the late 1950s and early 1960s.

Stanton was born in West Irvine, Kentucky, to Ersel (Moberly), a cook, and Sheridan Harry Stanton, a barber and tobacco farmer. He lived in Lexington, Kentucky and graduated from Lafayette Senior High School with the class of 1944. Drafted into the Navy, he served as a cook in the U. S. Navy during World War II, and was on board an LST during the Battle of Okinawa. He then returned to the University of Kentucky to appear in a production of "Pygmalion", before heading out to California and honing his craft at the prestigious Pasadena Playhouse. Stanton then toured around the United States with a male choir, worked in children's theater, and then headed back to California.