Herb Jeffries

At age 90-plus, Herb "Flamingo" Jeffries, lived in the Palm Springs area with significant other (and later his fifth wife) Savannah Shippen, who is 45 years his junior, remaining one of the last of the original singing cowboys still alive (along with Monte Hale) until he finally passed away on May 25, 2014, having hit the century mark.

It also was a tribute honoring the great musician's 100th birthday. His five marriages, including one to notorious exotic dancer Tempest Storm, produced five children.

He was awarded a Star on the Hollywood Walk of Fame for Recording at 6672 Hollywood Boulevard in Hollywood, California on September 24, 2004.

In 1999-2000, at age 88, he recorded the CD "The Duke and I", recreating songs he did with Duke.

He was awarded a Golden Palm Star on the Palm Springs Walk of Stars in Palm Springs, California on November 20, 1998.

In the mid-1990s, westerns returned in vogue and Herb recorded a "comeback album" ("The Bronze Buckaroo Rides Again") for Warner Western. During this pleasant career renaissance he has also been asked to lecture at colleges, headline concerts and record CDs.

He directed and produced Mundo depravados (1967), a cult classic nudie mystery comedy starring his then voluptuous, exotic dancing wife, Tempest Storm. Married in 1959, they divorced not long after the movie was released. They had a daughter Patty. Another of Herb's ex-wives, Betty Allensworth, was a one-time Rose Bowl princess.

He also starred in the title film role of Calypso Joe (1957) co-starring Angie Dickinson and later appeared on episodes of "I Dream of Jeannie", "The Virginian" and "Hawaii Five-0". Although he very well could have with his light skin tones, the man dubbed "Mr. Flamingo" never tried to pass himself off as white. He was proud of his heritage and always identified himself as black.

During the 1950s Herb worked constantly in Europe, especially in France, where he owned his own Parisian nightclub for a time.

In the midst of all this, Herb continued to impress as a singer and made hit records of the singles "In My Solitude", "I Got It Bad and That Ain't Good", "When I Write My Song", Duke Ellington's "Jump for Joy" and his signature song "Flamingo", which became a huge hit in 1941. Some of the songs he did miss out on which could have furthered his name, were "Love Letters" and "Native Boy".

A popular movie, Herb went on to sing his own songs (to either his prairie flower and/or horse) in both The Bronze Buckaroo (1939) and Harlem Rides the Range (1939).

Outside the western venue, he starred in the crimer Two-Gun Man from Harlem (1938). As the whip-snapping, pistol-toting, melody-gushing Bronze Buckaroo, Jeffries finally offered a positive alternative to the demeaning stereotypes laid on black actors. Moreover, he refused to appear in "white" films in which he would have been forced to play in servile support.

Inspired by the success of Gene Autry, Herb made his debut as a crooning cowboy with Harlem on the Prairie (1937), which was considered the first black western following the inauguration of the talkies. Dark makeup was applied to his light skin and he almost never took off his white stetson which would have revealed naturally brown hair.

He left the Hines band in 1934 and eventually planted roots in Los Angeles after touring with Blanche Calloway's band. There he found employment as a vocalist and emcee at the popular Club Alabam. And then came Duke Ellington, staying with his outfit for ten years. Herb started his singing career out as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range. The tall, debonair, mustachioed, blue-eyed, light-complexioned man who had a handsome, matinée-styled Latin look, was a suitable specimen for what was called "sepia movies" -- pictures that played only in ghetto and/or segregated theaters and were advertised with an all-black cast.

While there Herb was spotted by Earl 'Fatha' Hines, who hired him in 1931 for a number of appearances and recordings. It was during the band's excursions to the South that Jeffries first encountered blatant segregation.

This velvet-toned jazz baritone and sometime actor was (and perhaps still is) virtually unknown to white audiences. Yet, back in the late 1930s and early 1940s, Herb Jeffries was very big. . . in black-cast films. Today he is respected and remembered as a pioneer who broke down rusted-shut racial doors in Hollywood and ultimately displayed a positive image as a black actor on celluloid.

The Detroit native was born Umberto Alejandro Ballentino on September 24, 1911 (some sources list 1914). His white Irish mother ran a rooming house, and his father, whom he never knew, was of mixed ancestry and bore Sicilian, Ethiopean, French, Italian and Moorish roots. Young Herb grew up in a mixed neighborhood without experiencing severe racism as a child. He showed definitive interest in singing during his formative teenage years and was often found hanging out with the Howard Buntz Orchestra at various Detroit ballrooms. After moving to Chicago, he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Erskine Tate signed the 19-year-old Herb to a contract with his Orchestra at the Savoy Dance Hall in Chicago.