Age, Biography and Wiki

Herman Bailey was born on 28 November, 1931 in Chicago, Illinois, is an illustrator. Discover Herman Bailey's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 50 years old?

Popular As Herman Bailey
Occupation N/A
Age 50 years old
Zodiac Sign Sagittarius
Born 28 November 1931
Birthday 28 November
Birthplace Chicago, Illinois
Date of death (1981-04-27)
Died Place N/A
Nationality United States

We recommend you to check the complete list of Famous People born on 28 November. He is a member of famous illustrator with the age 50 years old group.

Herman Bailey Height, Weight & Measurements

At 50 years old, Herman Bailey height not available right now. We will update Herman Bailey's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Herman Bailey Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Herman Bailey worth at the age of 50 years old? Herman Bailey’s income source is mostly from being a successful illustrator. He is from United States. We have estimated Herman Bailey's net worth , money, salary, income, and assets.

Net Worth in 2023 $1 Million - $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income illustrator

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Timeline

1981

While living in Atlanta his studio space was located at the Institute of the Black World's second building. He lived at Paschal's Motor Lodge Hotel, where if he was unable to make rent he would trade artwork with one of the Paschal brothers in exchange. Bailey spoke with slurred speech, which was due to his heavy use of drugs and alcohol. Bailey was described as taking pills then drinking, spending his money on "a full pint of scotch" or vodka. Herman "Kofi" Bailey died in 1981 in Atlanta, Georgia.

1967

Bailey was influenced by artists such as Goya, Rico Lebrun, Jacob Lawrence and Charles White. He described himself in 1967 as a "representational" artist "rather than "abstract" because his work is committed to the masses who, he feels, "want to see art that deals with man, art which tries to express the varying moods of man; and man is my principal concern.""

In 1967 Bailey was artist-in-residence at Spelman College which held an exhibition about Bailey's work that was created while he was living in Ghana in 1962–1966.

1966

His artwork often reflected influences of Pan-Africanism. Portraits of Kwame Nkrumah often appeared, with Nkrumah, then President of Ghana, depicted as a heroic figure in front of a black star. While living in Ghana he served as an art teacher and the artist-in-residence to Nkrumah until the leader was deposed in 1966. Bailey also covered other areas of the African-American experience such as Black Power, anticolonialism, and African-American civil rights.

1960

James Early cites Kofi's work as a major influence, describing the illustrations by Bailey as "among the great, energizing artistic expressions created in the crucible of social justice activism and organizing that was Atlanta in the 1960s." Artist and art historian Floyd Coleman described Bailey as a rule breaker: "Although he didn't follow the rules he was committed to the struggle of African Americans and set a standard in his work that many of us tried to emulate." Carmen Riddle described Bailey as "a genius, a pure genius at his art."

1931

Herman "Kofi" Bailey (also known as Kofi X) (1931–1981) was an African-American artist. He was best known for his conté and charcoal drawings reflecting of the African-American experience.