Herschel C. Logan

Famous printers and printmakers throughout history were another focus of Logan's portraiture. He produced over 100 portraits in pen in ink for a book project “Great Names in Printing Through Six Centuries” that was never realized despite having lithographic reproductions prepared and possible page mockups. Fifteen of these were published posthumously in the miniature book Portraits of Some Famous Printers as a keepsake for the 1992 joint meeting of the Roxburghe & Zamorano Clubs.

Logan died on December 8, 1987 in Santa Ana, California.

Logan did not completely abandon woodblock printing, nor its companions linocut and rubber plates. Throughout his career he advocated woodcut as a desirable medium for a straightforward presentation of an idea in his commercial work and designed many woodcut logos, emblems and bookplates. This extended to a woodcut style – he emulated woodcuts in many of his commercial work and later drawings, a technique he developed for advertising purposes, “satisfactory and yet may be produced quickly and with less difficulty”. Logon continued to produce numerous portraits throughout his life, generally in pen and ink. A large collection is found in his “Little Portraits of Famous Americans”, a miniature book from 1973.

Logan's interests were broad and found expression in a number of valuable collections. An early love was the Civil War, sparked when he learned his maternal grandfather had been active in that conflict. By 1967, he had a collection of over 600 antique guns and edged weapons, focused on the Civil War and other items. “My collection included … firearms, uniforms, badges, medical gear, battle rattle, souvenirs – anything that would present a picture of the times through the relics that were left.”

Since his Consolidated Printing days Logan had been fascinated by the art and craft of printing and publishing. In 1940 he built a small-scale working model of Gutenberg's press out of wood for a display as part of the 500th Anniversary of Printing. In 1973 he purchased a Baby Reliance Hand Press and started a new career as a publisher of miniature books. The Log-Anne Press, named after him and his wife, operated out of a studio behind their Santa Ana home. The company published some 50 books.

Logan gained considerable recognition for his body of editioned woodcuts, most of them about Kansas. He was exhibited extensively in the Mid-West, but also at international exhibitions in Los Angeles and at the 1939 New York World's Fair. Logan worked from life, using photographs or sketches he made on location, often finding inspiration in simple structures by the roadside while driving. He would spend several days studying and refining a sketch before proceeding.

Logan abandoned fine art printmaking in general after 1938. Logan himself recalled “...after my friend Seward’s long illness and death [Jan 31, 1939], I simply lost interest in making prints.” “But perhaps more to blame were Herschel’s restless energies which were diverted to other enterprises.” By then he had thoroughly explored his love of the Kansas countryside from farms to towns to landmarks, often revisiting scenes often in different seasons or different times of the day. Logan later reflected “After World War II, abstract art and painting became more popular and took over, and printmaking just kind of fell apart."

In 1939, Logan began hosting “The Consolidated Hour”, a weekly series of radio talks on KSAL in which he talked about Kansas industries. Starting January 2, 1939, he introduced “The Colonel” in advertisements for Consolidated Printing and Stationery. The Colonel was a dapper cartoon gentleman in a long black frock coat and vest, sporting a Kentucky Colonel necktie, a wide-brimmed Stetson hat, a handlebar mustache, and a goatee. He offered short bits of homespun philosophy, “sometimes serious, sometimes merely amusing, but never bitter”. Logan himself describes The Colonel as a bit of Abe Lincoln, Will Rogers, Teddy Roosevelt and other characters he admired. A mainstay of Consolidated advertising, The Colonel appeared weekly in the Salina Journal for nearly 30 years. Logan both drew and wrote copy for the Colonel, becoming so identified with his creation that “The Colonel” became a widely used nickname among colleagues and friends. Indeed, as Logan himself was a Kentucky Colonel since 1934 and sometimes dressed the part, “The Colonel" was very much his alter ego.

In 1938 Logan collaborated on a book entitled “Other Days in Pictures and Verse”. Presenting a nostalgic view of "The Good Old Days" in small town America, it incorporates 12 woodcuts, prose poems by Everett Scrogin, and decorations by C.A. Seward.

Since Logan was young he was interested in guns, whittling rifles and pistols as a boy on the farm. He collected his first antique firearm, a blunderbuss, in 1932. As his collection grew, Logan became an expert in firearms and ammunition, authoring and illustrating a number of books that continue to be standard historical references. He also contributed drawings and articles to the American Rifleman over a period of more than two decades. Logan became a popular lecturer in the Civil War Roundtable circuit as a noted collector and historian.

It was at the Olivet Institute that Logan met fellow artists like Glenn Golton, Louis Grell, and Harry Muir Kurtzworth. A friendship with C.A. Seward, a well-known Kansas printmaker, heightened Logan's interest in woodcuts; it also put Logan in contact with other printmakers such as Lloyd Foltz, Charles Capps, Clarence Hotvedt, and Leo Courtney and painter Birger Sandzen from nearby Lindsborg. It was through these friendships that Logan learned the art of printmaking, and that eventually led to their founding, with others, the Prairie Print Makers society in 1930. There Logan “lent his skill as a craftsman and instinctive aptitude for carving wood blocks that had established his national recognition by the age of twenty-three.”

In the 1930s, Logan wrote to illustrators Herbert Johnson and J.N. “Ding” Darling, hoping to start a collection of cartoon art. He offered some of his work for theirs, and to his surprise, they agreed. He continued to barter his work for the works of others, amassing one of the greatest collections of cartoon and illustrator art from the 19th and 20th century. The cartoons are now in the special collections department at Kansas State University Library. Twelve oil paintings by American magazine illustrators are in the care of the Marianna Kistler Beach Museum of Art.

Logan left Wichita in 1929 to work for the Consolidated Printing and Stationery Company in Salina, becoming its director in 1931. He stayed there until he retired in 1967, and soon after moved to Santa Ana, California. There he met and married his second wife, Anne Lawrence Serven, in 1970. Soon after, Logan started a new career publishing miniature books (see below), and would travel around California drawing and painting trees and landscapes, typically ink or graphite with watercolor.

On June 20, 1924, Logan married his first wife, Susie Titus (1902-1990), in Wichita, Kansas. They had two children, Samuel Herschel Logan and Peggy Joan Logan.

From 1921 to 1938, Logan produced some 140 woodcuts in editions up to 50, but then gave up printmaking as a profession. In the following nearly 50 years, he was an author and illustrator, a collector, a noted authority on firearms, and a publisher of miniature books.

Logan was born on April 19, 1901, in Magnolia, Missouri to Oliver Cary Logan (1877-1944) and Leota Pinkie Bills Logan (1880-1902). After the death of his mother in January 1902 his father took the remaining family, including his grandparents, to live on a farm near Winfield, Kansas. At Winfield High School he became the staff cartoonist for the school newspaper, The Oracle. After graduation in 1920 he studied commercial art at the Chicago Academy of Fine Arts. He also took courses at the Olivet Institute in Chicago and through the Federal School (aka Art Instruction, Incorporated), a correspondence art school in Minneapolis.

When Logan purchased a Smith & Wesson American .44 engraved “Texas Jack, Cottonwood Spring, 1872”, he learned all he could about John B. “Texas Jack” Omohundro, a colorful Old West showman and scout. The result was the book “Buckskin and Satin: The Life of Texas Jack (J.B. Omohundro)”.

An extensive collection of over 1600 prints (published and unpublished), books, paintings, drawing, studies, sketchbooks, original wooden blocks and other artifacts, plus Logan's collection of cartoon and illustrator art, can be found at the Marianna Kistler Beach Museum of Art, Kansas State University. All their holdings have been digitized.