Hideo Noda

According to the Japanese entry of Wikipedia (as of November 28, 2014), the following represent Noda's major works:

Other works appeared in a 2013 exhibition in Japan, including the 1936 Tokyo Botanical Garden sketch.

In 1970, Laning told American Heritage magazine a somewhat different version of events: "Audrey McMahon told me that Hideo Noda, a young Japanese who had been assigned to make sketches for a long wall in the Administration Building at Ellis Island, had disappeared without leaving any word. Hideo, a gentle boy of poetic temperament, had found the resident commissioner of immigration impossible to cope with and in despair had run away. 'The commissioner is difficult,' Mrs. McMahon added, and I thought to myself that if she thought so, he must be a dragon."

In his 1952 memoir, Whittaker Chambers claimed to have recruited Noda, who he said was a communist, in late 1934 as translator for the head of a Tokyo spy cell. Helping him were either J. Peters or Meyer Schapiro. Chambers organized the cell from New York City with the help of John Loomis Sherman, who would head the Tokyo cell, and Maxim Lieber, whose literary agency would provide cover for an "American Feature Writers Syndicate". Sherman and Noda spent an unsuccessful year (1935) in Tokyo, at the end of which the cell closed suddenly and both returned to New York.

A 1940 issue of the Bulletin of the New York Public Library notes under "Limited or Other Special Editions" the following entry: "Mrs. Ruth Noda Hulley – No. 120 of a limited edition of 500 copies of Album Hideo Noda, by Shinseisaku-Ha".

Noda died of a brain tumor on January 12, 1939, in Tokyo. According to The New York Times, he had been "visiting Japan for about a year". According to the Brooklyn Daily News, he died on January 11, 1939, at the Imperial University Hospital, Tokyo. Surviving him were his wife, Ruth Noda, in New York, and his parents in Japan. His wife had just returned to New York, and he was to join her shortly. In his 1952 memoir, Chambers "wondered whether, in Ulrich's words, Noda had 'been shot by them or shot by us'".

Returning to California in 1937, he painted the mural School Life in the Piedmont High School.

Chambers provided perhaps the longest description of Noda by a contemporary. He claims he was a member of the American Communist Party. He says he was a relative of one of Japanese premier, Prince Fumimaro Konoe. "He was extremely intelligent, alert, personable and likable." Noda agreed to go to Japan to work for Sherman, who gave him the underground name "Ned". In 1936, upon Noda's return to New York from the failed Tokyo cell, Chambers gave him his next instructions, namely to go to Southern France (Nice or Antibes) and wait until contacted. At that time, Chambers advised him to get out of the underground: Noda reacted by denouncing Chambers as a "Trotskyist wrecker".

The Brooklyn Daily Eagle noted, "Noda is a mural painter and a real modern, immensely responsive to the daily sorrows and beauties of people in 1935."

In 1934–1935, Noda's work appeared in the Whitney Museum's "Second Biennial Exhibition of Contemporary American Painting" along with Kuniyoshi's. According to an entry, "Hideo Noda participates in Whitney Second Biennial; his painting 'Street Scene' is purchased by the museum." The Brooklyn Daily Eagle noted, "Look for Hideo Noda's 'Street Scene.' Noda is a mural painter and a real modern, immensely responsive to the daily sorrows and beauties of people in 1935."

Noda was involved in a conflict over a mural he designed for Ellis Island in 1934–1935. In 1935, Noda's murals lost out to those of Edward Laning for Ellis Island:

In 1933, Noda became one of several assistants to Rivera on the artist's work for Man at the Crossroads in Rockefeller Center Plaza in New York City. (Other assistants included: Lucienne Bloch, Stephen Pope Dimitroff, Lou Block, Arthur Niendorf, Seymour Fogel, and Antonio Sanchez Flores.)

Photographer Walker Evans knew Noda in New York in 1933. Estelle Hama, wife of painter Art Hama, recalled of 1933-1934 "I met Art in New York at the John Reed Club. They had just formed. He was a protege of the artist Kuniyoshi. I knew Kuniyoshi. Well, everyone knew Yasuo in those days. They were friends Isamu Noguchi, Hideo Noda, and Eitaro Ishigaki."

Other major works include his 1933 Scottsboro Boys (now in the Shinano Desin Museum) and Street Scene (which appeared in the 1934–1935 exhibit at the Whitney).

In 1932, he won a prize from the Chicago Art Institute and exhibited at the Corcoran Gallery of Washington, DC. He was a member of the Mural Painters Guild and the Woodstock Artists Association

Noda soon attended the California School of Fine Arts (CSFA—now San Francisco Art Institute. There he met Arnold Blanch, who taught at the Art Students League in New York. Noda saw Diego Rivera paint The Making of a Fresco Showing the Building of a City, April–June 1931, at the school.

Later in 1931, he was studying mural-tempera painting there under Blanch, Yasuo Kuniyoshi, and George Grosz. He lived for a time at the Woodstock Art Village with fellow students Sakari Suzuki and Jack Chikamichi Yamasaki.

Noda joined the John Reed Club of New York, where Eitaro Ishigaki and "Chuzo Tomatzu" (Chuzo Tamotsu) were founding members. (A fellow student of the Art Students League, member of the John Reed Club, and artist concerned with African-American rights was Esther Shemitz, by 1931 wife of Whittaker Chambers.) In New York, Noda became acquainted with leftist American art historian Meyer Schapiro, a classmate of Chambers at Columbia, and they corresponded between 1934 and 1936.

A number of Japanese-American artists involved themselves in Communism during the 1930s:

Hideo Noda (野田 英夫, Noda Hideo, July 15, 1908 – January 12, 1939), also known as Hideo Benjamin Noda and Benjamin Hideo Noda, was a Japanese-American modernist painter and muralist, member of the Shinseisakuha [ja] movement in Japan, student of Arnold Blanch, and uncle of Japanese printmaker Tetsuya Noda, as well as alleged communist spy recruited by Whittaker Chambers.

Noda was born on July 15, 1908, in Agnew's Village, as the second son of Eitaro Noda, who had emigrated from a small village in the Kumamoto Prefecture of Japan. He returned for some years to his home prefecture in Kumamoto, where he attended junior high school. Returning to California, he graduated from Piedmont High School in Oakland in 1929.