Howie Smith

Howie Smith is a full professor at Cleveland State University, has been a frequent performer with the Cleveland Orchestra and soloist with the Cleveland Chamber Symphony since 1982, and has presented numerous concerts and workshops throughout the United States, Canada, South America, Europe and Australia.

He has been a frequent performer with the Cleveland Orchestra and soloist with the Cleveland Chamber Symphony since 1982 and has had virtuoso works written for him by David Baker (Parallel Planes), Leroy Jenkins (Wonder Lust), Edwin London (Pressure Points for Solo Alto Saxophone and Orchestra, Balls for solo alto saxophone, and In the Firmament for soprano saxophone, choir and chamber orchestra), Salvatore Martirano (LON/dons), Mike Nock (Pandora Was No Lady), Elliot Schwartz (Cleveland Doubles for saxophone and clarinet soloists with wind ensemble), and Martin Wesley-Smith (Doublets II for alto saxophone and prepared tapes).

Howie Smith has presented an annual "Concert in Progress" in Cleveland every year since 1980, each one an evening of solo and ensemble performances of original compositions. He was the 1985 winner of the Cleveland Arts Prize for Music, has twice served as co-chair of both the Jazz Fellowships and the Music Overview Panels for the National Endowment for the Arts and has been awarded Ohio Arts Council Artist Fellowships on seven occasions.

He returned to Australia in January/February 1979 as part of a group that came to Sydney and Melbourne with Jamey Aebersold, and again in May of the same year with his quartet (with Steve Erquiaga, Bob Bowman and Ed Soph). That same quartet recorded an album in 1995 called "Second Door on the Left".

Bissett, Andrew (1979). Black Roots White Flowers - A History of Jazz in Australia. Golden Press Pty Ltd .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:#d33}.mw-parser-output .cs1-visible-error{color:#d33}.mw-parser-output .cs1-maint{display:none;color:#3a3;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-85558-680-X. Bruce Johnson (1987) The Oxford Companion To Australian Jazz - Oxford University Press ISBN 0-19-554791-8 Clare, John (1995) Bodgie Dada and the Cult of the Cool. University of NSW Press ISBN 0-86840-103-X. Collins, Diane (2002) Sounds From The Stables: The Story of Sydney's Conservatorium Allen & Unwin, ISBN 1-86508-621-5

In 1976 he returned to the USA and after working as a free-lance musician in San Diego he ultimately took up a position at Cleveland State University where he was Coordinator of Jazz Studies from 1979–2005, served as Interim Chair of the Music Department (1986–87), and served as Chair of the Art Department from 2003-2007.

With Other Artists Kerrie Biddell: Only the Beginning, EMI Australia EMA 314 (1975) William Cavanaugh: Works, Cyborg 81848 (1992) The Cleveland Chamber Symphony: Auricles Apertures Ventricles, New World Records 80477-2 (1995) The Cleveland Chamber Symphony: The Music of Edwin London, Albany Records Troy 595 (2003) The Cleveland Chamber Symphony: The New American Scene, Albany Records Troy 298 (1998) The Cleveland Chamber Symphony: The New American Scene II, Albany Records Troy 303 (1998) The Cleveland Chamber Symphony: Volume 2, Troppe Note/Cambria TNC/Cambria CD-1510 (2005) The Cleveland Chamber Symphony: Volume 5, Troppe Note/Cambria TNC/Cambria CD-1513-14 (2005) The Cleveland Chamber Symphony: Sound Encounters, GM Recordings GM2039CD (1993) The Cleveland Jazz All-Stars: Live at Peabody's Cafe, North Coast Jazz NCJ-1 (1982) Jazz Co/op: Jazz Co/Op, Philips Phonogram 6641 225 (1974) (Re-released 2008 by Votary Records Australia) Jazz Co/op: Live at the Basement, 44 Label 6357 706 (distributed by Philips Phonogram) (1976) The Jazz Unit: Choices, Go-Bop 21459 (1998) Frank Mantooth; A Miracle, Sea Breeze Jazz SB-2094 (1999) Frank Mantooth: Dangerous Precedent, Sea Breeze SB-2046 (1993) Frank Mantooth: Per-se-vere, Optimism OP CD 3229 (1990) Frank Mantooth: Sophisticated Lady, Sea Breeze SB-2074 (1995) Frank Mantooth: Suite Tooth, Optimism OP CD 3217 (1989) Salvatore Martirano: L's G. A., Polydor 245001 (1969) Salvatore Martirano: O, O, O, O, That Shakespeherian Rag, New World Records 80535-2 (1998) Charles McPherson: Charles McPherson with Strings: A Tribute to Charlie Parker, Clarion Jazz #90501 (2005) Midwest Composers: Music for Winds, Opus One CD 154 (1993) Morgan Powell: FoRay FroMorgan, Einstein Records 009 (1995) Morgan Powell: Morgan Powell, New World Records 80499-2 (1996) Morgan Powell: The Morgan Powell Jazz Album, Chicago Lakeside Jazz CLJ-605-2 (1999) Ross Ryan: After the Applause, EMI Australia EMA 313 (1975) Jack Schantz Quartet: Speechless, Azica AJD-2201 (1993) Various Artists: Music of Cleveland Composers, Truemedia Records, D90121 (1993) Helen Welch: One Dream, BigWOW BWP25 (2006) Phil Wilson: Live and Cookin', Outrageous Records #3.K (1977)

From 1974 to 1976 he was a member of the Australian jazz group "Jazz Co-op", which included Roger Frampton (piano and saxes), Phil Treloar (drums) and Jack Thorncraft (bass). There was a very healthy jazz scene in Sydney during the 1970s and the Jazz Co-op were in demand, doing a number of performances at The Basement (Sydney's premier jazz club at that time), the Conservatorium of Music, the Musician's Club, Sydney Town Hall, and a number of the "Music Is An Open Sky" festivals that were presented by jazz producer Horst Liepolt.

In 1973, under a Fulbright grant, he set up the first tertiary level jazz studies program in Australia at the New South Wales State Conservatorium (now named the Sydney Conservatorium of Music). He remained as Director of Jazz Studies through 1976, and was a member of the Australian group Jazz Co/op from 1974 through 1976.

In 1973 Howie Smith received a Fulbright grant (through the Australian-American Educational Foundation) to set up the first jazz studies program on a tertiary level in Australia at the New South Wales State Conservatorium, and he remained as Director of Jazz Studies through to 1976. Thirty four years since its establishment, Jazz Studies continues to be a most popular course at the Sydney Conservatorium.

He was an instructor for the University of Illinois Division Of Music Extension from 1970 to 1973 teaching a course titled Jazz and Youth Music, designed primarily for public school teachers who were interested in initiating and/or expanding the use of jazz in the classroom. He was also an instructor at Northern Illinois University in 1971 teaching saxophone, improvisation and jazz composition-arranging.

Here he joined the University of Illinois Jazz Band, one of the most highly respected big bands in the USA at that time, touring eastern and western Europe with that band in 1968 as well as performing at the 1969 Newport Jazz Festival. As a freelance musician Smith composed and produced commercial jingles for radio and television between 1966 and 1972, and in the late 1960s and early 1970s toured with Elvis Presley, Glen Campbell, Bob Crosby, Warren Covington and Les Elgart, among others.

Howie Smith (born February 25, 1943), is a saxophonist, composer, jazz musician and educator

Howie Smith was born in Pottsville, Pennsylvania in 1943. He was an instructor for the University of Illinois Division of Music Extension from 1970 to 1973 and also taught at Northern Illinois University in 1971.

Born in Pottsville, Pennsylvania in 1943; Howie Smith graduated from Reading Senior High School in 1961. Early studies with his first music teacher, J. Carl Borelli, included clarinet and saxophone pieces from the classical and jazz repertoire. At Mr. Borelli's urging Smith auditioned for and was offered a scholarship to attend Ithaca College as a clarinet major, and at age 22 he received a Bachelor of Science degree with a major in Music Education from Ithaca College, then going on to the University of Illinois where he received his master's degree in 1968 (also in Music Education).