Ihsahn

In 2018, Tveitan released Àmr, his seventh studio album. The title of the album is an old Norse word for "loathsome" or "black" and reflects the introspective nature of the songs. Tveitan added that the word Àmr, could also mean "rust red" and that the concept of a "room without walls" was a prevalent metaphor when working on the album. In comparison to previous albums, Àmr also features a greater use of electronic sounds, including analog synthesizers, that add to the intimate feeling of the music.

In April 2016 Tveitan released his sixth studio album, Arktis, on Candlelight Records. The album was mixed and mastered by Jens Bogren. The album cover features a photograph of Fridtjof Nansen, whose 1896 mission to the North Pole fits with the lyrical atmosphere of the album. They also share their birthday of October 10.

Das Seelenbrechen was released on October 21, 2013. It was recorded in Juke Joint Studio and Tveitan's own Mnemosyne Studio].

In 2012, Tveitan released his fourth studio solo album, Eremita.

In an interview in 2012, Tveitan cited Iron Maiden, King Diamond, Judas Priest, and Pink Floyd as influential artists when he was young. He highlighted the conceptual and narrative aspects that these groups constructed their albums around as being particularly influential. His solo albums also strive to maintain a cohesive thread throughout. Tveitan has described planning the atmosphere and conceptual underpinnings of Arktis and Àmr before beginning the compositional process, and has rejected the idea that albums are mere collections of songs.

2011 was a busy year for Tveitan. Aside from making his solo debut in the US at the annual ProgPower USA metal festival in Atlanta, Georgia, he also performed as a guest on two records, co-produced the album Bilateral with his wife, and continued to work on his fourth solo album. Collaborators once again included Jørgen Munkeby and Devin Townsend, who in a November 2011 interview mentioned that he was "singing a song for Ihsahn's new thing", but added that he could not elaborate any more at that point in time.

Tveitan released his third solo album, After, in January 2010. Lars K. Nordberg and Asgeir Mickelson once again contributed bass and drums, respectively, with Jørgen Munkeby (of Shining) playing saxophone on several tracks as well. Later that year, in October, a Mnemosyne web update confirmed that Ihsahn had already begun writing for a fourth solo album, and was also focusing on upgrading his studio at home.

In March 2009, Tveitan performed some of his solo material live for the first time, in a one-off performance opening for Opeth in Norway. He has since made many festival appearances, playing a mix of solo material and Emperor covers. Fellow Norwegians Leprous have served as his backing band. Grimen, the only album by side project 'Hardingrock' was released the same year.

Tveitan lent his voice in 2007 to an animated character from the Adult Swim cartoon Metalocalypse, Eric von Wiechlinghammer, in the episode "Dethfashion".

In 1995 the cult album Blood Must be Shed, by Zyklon-B was released featuring members of Emperor and Satyricon. Tveitan played synth on the album. In 1998 Tveitan and his wife Heidi Solberg Tveitan—who at the time used the stage name Ihriel—formed the experimental band Peccatum. Tveitan offered his iconic synth sound as well as clean and black vocals to the project. Peccatum would eventually becoming his main project until its termination on March 4, 2006.

In April 2006, Tveitan released his first solo album, The Adversary. He recorded and produced the album by himself, with the exception of drums which were contributed by Asgeir Mickelson, and guest vocals on the track "Homecoming" by Kristoffer Rygg of Ulver. The album showcases his progressive influences as well as heavy metal, black metal and classical music. The Adversary was recorded at Symphonique Studios in Norway and was released on his label Mnemosyne Productions, which he founded in 2003 with Starofash. A video was made for the opening track, "Invocation".

2004 saw the release of Peccatum's third and final studio album, Lost in Reverie, with an EP titled The Moribund People following the year after. On September 30, 2005, Emperor made a surprise return at Scream magazine's 15-year anniversary party at Rockefeller Music Hall in Oslo. The show was kept top secret, only known by a handful of people. The band played three songs. This was to announce the reuniting of the band for a few shows around Europe and America in 2006, namely at Wacken and Inferno Festival.

In 2002, Tveitan was awarded the Notodden kommunes kulturpris (Notodden Municipality's Culture prize). He won the prize because he is considered the best-known inhabitant of Notodden, a great musician, a music teacher, and he arranges a lot of concerts for unknown bands. The fact that his band sold more than 500,000 copies was also a reason for getting the prize.

In 1999 Emperor released IX Equilibrium, Tveitan's third studio album with the group. Two years later, in 2001, Peccatum released their second studio album, Amor Fati. In the same year, Emperor released their fourth and final studio album, Prometheus: The Discipline of Fire & Demise. 'Prometheus' was entirely composed by Tveitan and featured more complex orchestration than previous works; though significantly less synthesizers than before. It was at this time that Emperor mutually decided to dissolve, leaving Tveitan and his bandmates with more time to focus on their various side projects.

Later in 1991 Haugen and Tveitan formed Emperor. Emperor had a much more refined black metal sound which showcased Tveitan's developing keyboard skills, a distinct feature that would appear in many of his later releases. The band at this time received a lot of support and encouragement from black metal pioneer Euronymous, and after several demos, the Emperor EP was released in 1993 to much acclaim.

In 1990 Tveitan joined Haugen's band Xerasia, a death metal band in which he played guitar and keyboards. They eventually changed their name to Embryonic sometime that year. In November, the band released a self-financed four-track demo titled The Land of the Lost Souls. In 1991 they changed their name again to Thou Shalt Suffer. The project was partially funded by a government grant and the group made several releases in 1990 and 1991. Shortly after this, Haugen left the band to focus on other projects. Tveitan later used the name Thou Shalt Suffer to release an album of electronic music that he composed entitled Somnium.

Ihsahn described himself a Satanist in the 1990s. As he explained in 1994, he considered Satanism to be hard to define, as there are different ways of Satanism, and to be more of a category the individual would have to set for themselves. He considered most other adolescents to be "soulless" people, too involved in materialistic things. He said the imprisonment of the other Emperor members had both positive and negative effects; it meant a difficult period for the band, but the imprisonment also gave them publicity and therefore more possibilities to spread their ideas. Ihsahn additionally has said he has seen no reason to be physically destructive and has had no personal connection to the church burning cases that rocked Norway. In a 1994 interview, Ihsahn described a social Darwinist influence on his Satanism, calling himself anti-Christian and saying it is "not for a weak person", while also expressing respect towards European paganism, meditation and stewardship of the environment. He has additionally condemned acts of criminality and other forms of religious intolerance such as the aforementioned arson cases.

Ihsahn (/ɪ ˈ ʃ ɑː n / ; born Vegard Sverre Tveitan, 10 October 1975) is a Norwegian composer, multi-instrumentalist, and vocalist. He is best known for his work with the Norwegian black metal band Emperor. Tveitan is also a founding member of Thou Shalt Suffer, where he played guitar and keyboard in addition to vocal duties, and Peccatum, a project in collaboration with his wife and fellow musician Heidi Solberg Tveitan, also known as Starofash. Since 2006, Tveitan has primarily devoted himself to solo albums and occasional guest appearances.