Age, Biography and Wiki
Isabella Russell-Ides was born on 24 January, 1948 in Texas. Discover Isabella Russell-Ides's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 75 years old?
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76 years old |
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Aquarius |
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24 January 1948 |
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24 January |
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United States |
We recommend you to check the complete list of Famous People born on 24 January.
She is a member of famous with the age 76 years old group.
Isabella Russell-Ides Height, Weight & Measurements
At 76 years old, Isabella Russell-Ides height not available right now. We will update Isabella Russell-Ides's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Isabella Russell-Ides Net Worth
Her net worth has been growing significantly in 2022-2023. So, how much is Isabella Russell-Ides worth at the age of 76 years old? Isabella Russell-Ides’s income source is mostly from being a successful . She is from United States. We have estimated
Isabella Russell-Ides's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
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Under Review |
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Pending |
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Under Review |
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Isabella Russell-Ides Social Network
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Timeline
Her debut novel, White Monkey Chronicles: The Complete Trilogy, winner of The Jemma Prize for Speculative Fiction, Finalist International Book Award Visionary Fiction. Published under the pen name Isabella Ides, (March 2018, Lowell Street Press), the novel features an undocumented baby god, protected by a super hero monkey, aka Lord Hanuman, disguised as a plush toy, a rogue order of nuns in Humboldt County, and an inquisition by the Cardinals of the One True Church. This deeply feminist and philosophical mash up of genres is ultimately a divine comedy. Many elements of the author's Catholic childhood meander through this chronicle. Based on her award-winning play The Early Education of Conrad Eppler. Radio journalist Barbara J. Austin writes: "It's like Douglas Adams, Kurt Vonnegut, J.K. Rowling and Gloria Steinem got drunk one night and decided to write a book!" Critic Alexandra Bonifield gives the novel five stars. "Scintillating, sweeping, and sophisticated, this miraculous tale careens in kaleidoscopic, galaxy-spinning turns."
In 2013 WingSpan Theatre produced her newest work Lydie Marland in the Afterlife to critical applause. The lights come up on the heroine returning to consciousness shortly after her death, looking worse for wear and tear, an octogenarian in a turban and thrift-shop overcoat. Lydie was vagabond for decades after the economic downfall and death of her oil-baron husband, the former Governor of Oklahoma, EW Marland. See also EW Marland and "The Ends of the Earth".
This cosmic, fantasy adventure was produced by Echo Theatre in 2012. The Early Education of Conrad Eppler was a winner of Echo Theatre's national SHOUT OUT for new works from women playwrights. Clips from the original production can be found on YouTube.
Russell-Ides is also a published poet, having written Getting Dangerously Close To Myself (Slough Press). She recorded readings of several poems for the Austin Poets Audio Anthology Project, Vol. II, titled Naked Children, produced by media poet Hedwig Gorski's Perfection Productions in the 1980s. An innovative performance poet, Isabella Russell-Ides was notable presence in the "Third Coast Renaissance" in Austin, Texas.
Isabella Russell-Ides (born January 24, 1948) is an American poet, playwright, and novelist. She is the author of two novels of speculative fiction: White Monkey Chronicles and The Godma's Daughters, several award-winning plays, and one book of poetry: Getting Dangerously Close To Myself. Her first play, a country western musical, Nashville Road, premiered in Austin, Texas at Center Stage on Sixth Street (co-written with Rod Russell-Ides). She was a notable voice in the Austin performance poetry scene in the 1980s. Her two-woman show, Jo & Louisa (May Alcott), won a 2019 DFW Critics Forum Award for Outstanding New Play. Coco & Gigi, her existential and feminist take on Waiting for Godot, won the 2008 DFW Critics Forum Award for Outstanding New Play and Outstanding Ensemble. She has also received critical acclaim for her works, Leonard's Car ("Outstanding New Play", 2009 Nora's Playhouse, NYC), Fortune Cookie Smash (2007 Best of Fest, Frontera). She is noted for the poetic and heightened language of her texts.