Ivan Vukadinov

He was the subject of books by National Museum of Bulgarian Art in 1978 and by the National Endowment for the Arts in 2015, which characterized his mature style in the following terms: “By incorporating the fourth dimension in his pictures — that of time — the artist transforms spatial dynamics into flat statics through which his works elicit a sense of timelessness, linking him with both Egyptian aesthetics and mediaeval symbolism.” In his painting cycles Matter and Time I and II, for example, Vukadinov used the motifs of the Egyptian mirror and of Coptic or Mayan textiles to express the eternity of spiritual values.

Following his exposure to the teaching of Nenko Balkanski at the National Academy of Arts in Sofia (1961-1964), Vukadinov’s style changed from simple plain-air landscapes and still-lifes to a minimalism of expression, dense coloration and a Figurative Constructivist approach to the composition as he explored the intangible confluent influences of the past on present consciousness and national aesthetics.

Vukadinov trained at the National Academy of Arts in Sofia as a student of Professor Nenko Balkanski (1961-1964) and lives in Sofia, Bulgaria. By 1963 his work was shown in group art exhibitions in Bulgaria, and internationally in Russia, Latvia, France, England, Italy, and Austria. He had solo exhibitions at Rakovski 125 Gallery, in Sofia, now 'Rajko Aleksiev’, and at Margutina Gallery in Rome in 1975. They were followed by joint exhibitions with Olga Belopitova in 1977-8 at the Museum of Fine Arts in Grosseto, the Palazzo Gambacorti in Pisa, and Wittgenstein House in Vienna. He also had two exhibitions at Rakovski 125 Gallery, one in 1980 and an annual exhibition from 2006-14 together with Ivan Kirkov, Ivan Stoilov (Bunkera), Ivan Dimov, Ivan Andonov, Ivan Milev, Ivan Ninov, and Ivan Raney.

Ivan Vukadinov (Bulgarian: Иван Вукадинов; born 19 March 1932) is a Bulgarian painter. Considered “one of the greatest of Bulgarian artists,” he is a featured as one of the 25 artists since the nineteenth century selected for the definitive monograph series published by the National Endowment of the Arts. Vukadinov has resurrected a specific encaustic technique used in ancient Egypt for making Fayyum mummy portraits and is renowned for his clean emblematic shapes and minimalist compositions with contemplative references to Etruscan, Egyptian, Thracian, Greek and Roman art.