Age, Biography and Wiki
James Howard Kunstler was born on 19 October, 1948 in New York City, New York, U.S., is an author. Discover James Howard Kunstler's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 75 years old?
Popular As |
N/A |
Occupation |
Author, social critic, blogger |
Age |
76 years old |
Zodiac Sign |
Libra |
Born |
19 October 1948 |
Birthday |
19 October |
Birthplace |
New York City, U.S. |
Nationality |
United States |
We recommend you to check the complete list of Famous People born on 19 October.
He is a member of famous author with the age 76 years old group.
James Howard Kunstler Height, Weight & Measurements
At 76 years old, James Howard Kunstler height not available right now. We will update James Howard Kunstler's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Who Is James Howard Kunstler's Wife?
His wife is Jennifer Armstrong (1996-2002)
Family |
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Not Available |
Wife |
Jennifer Armstrong (1996-2002) |
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Not Available |
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Not Available |
James Howard Kunstler Net Worth
His net worth has been growing significantly in 2022-2023. So, how much is James Howard Kunstler worth at the age of 76 years old? James Howard Kunstler’s income source is mostly from being a successful author. He is from United States. We have estimated
James Howard Kunstler's net worth
, money, salary, income, and assets.
Net Worth in 2023 |
$1 Million - $5 Million |
Salary in 2023 |
Under Review |
Net Worth in 2022 |
Pending |
Salary in 2022 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
author |
James Howard Kunstler Social Network
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Timeline
In an interview with Doug Casey published on October 13, 2021, Kunstler called the COVID-19 pandemic a "scam", and on October 11 he published the debunked vaccine conspiracy theory that the vaccine would kill people "steadily over the weeks and months" and went on to name hydroxychloroquine and ivermectin as "effective" treatments.
In an interview with American Conservative, Kunstler attacked gay marriage, describing it as "cultural mischief" that would further damage "a struggling institution". He is a subscriber to the conspiracy theory that the 2020 United States presidential election was fraudulent, describing it as a "fraud-inflected election" on his website, and he suggests that the 2021 storming of the United States Capitol was the work of left-wing groups.
A 2020 article at NewGeography.com described one of Kunstler's essays in American Conservative as a "misanthropic, pessimistically aggressive Malthusian screed", and comments that Kunstler's "over the top act" shows him to be "survivalist masquerading as an urban geographer". The article points to Kunstler's growing appeal to conservatives due to the "overlap between libertarian conservatives and environmentalist zealots".
Critiquing The Long Emergency, journalist Chris Hayes claimed in 2010 that while Kunstler makes valid points about the consequences of peak oil, he undermines his credibility with rhetoric and perceived misanthropy. Joseph Romm, a climate change expert and Senior Fellow at the Center for American Progress, stated that accelerating shifts toward renewable energy will maintain suburban lifestyles and that, contrary to Kunstler's arguments, "suburbia won’t be destroyed by peak oil."
In his science fiction novel World Made by Hand (2008), he describes a future dependent on localized production and agriculture, with little reliance on imports. Three "World Made by Hand" sequels have followed: The Witch of Hebron (2010), A History of the Future (2015), and The Harrows of Spring (2016).
In his books that followed, such as Home From Nowhere, The City in Mind, and The Long Emergency (2005), he discussed topics in the context of a coming post-oil America. Kunstler says he wrote The Geography of Nowhere, "Because I believe a lot of people share my feelings about the tragic landscape of highway strips, parking lots, housing tracts, mega-malls, junked cities, and ravaged countryside that makes up the everyday environment where most Americans live and work".
In 2005, conservative writer Bill Kauffman called Kunstler the "scourge of suburbia," and a "slashingly witty Jeremiah." In a 2008 review of Kunstler's weekly audio podcast, the Columbia Journalism Review described the KunstlerCast as offering "some of the smartest, most honest urban commentary around—online or off." The Albany, New York, Times Union reviewed Kunstler's book World Made by Hand, writing that, "James Howard Kunstler is fiddling his way to the apocalypse, one jig at a time." The paper described the book's scenario as "grim", with "an upside or two."
Charles Bensinger, co-founder of Renewable Energy Partners of New Mexico, describes Kunstler's views as "fashionably fear-mongering" and uninformed regarding the potential of renewable energy resources to eliminate the need for fossil fuels. In 2005 David Ehrenfeld, writing for American Scientist, saw Kunstler delivering a "powerful integration of science, technology, economics, finance, international politics and social change" with a "lengthy discussion of the alternatives to cheap oil."
His career peaked with the popularising of the concept of peak oil, for which he was a prominent spokesman, such as in the 2004 documentary The End of Suburbia. His 2005 book The Long Emergency became an oft-cited reference for the predicted imminent collapse of human civilisation. However, oil supplies increased due to fracking, and the collapse did not eventuate.
He describes America as a poorly planned and "tragic landscape of highway strips, parking lots, housing tracts, mega-malls, junked cities, and ravaged countryside that makes up the everyday environment where most Americans live and work." In a 2001 op-ed for Planetizen, he wrote that in the wake of 9/11 the "age of skyscrapers is at an end", that no new megatowers would be built, and that existing tall buildings are destined to be dismantled.
Since the mid-1990s, he has written four non-fiction books about suburban development and diminishing global oil supplies. According to the Columbia Journalism Review, his first work on the subject, The Geography of Nowhere, discussed the effects of "cartoon architecture, junked cities, and a ravaged countryside". The book was described as a jeremiad by The Washington Post. Kunstler is critical of suburbia and urban development trends throughout the United States, and is a proponent of the New Urbanism movement. According to Scott Carlson, reporter for The Chronicle of Higher Education, Kunstler's books on the subject have become "standard reading in architecture and urban planning courses".
Over the course of the first 14 years of his writing career (1979–1993), Kunstler wrote seven novels.
In 1975, he began writing books and lecturing full-time. Kunstler's blog states that he has lectured at Harvard, Yale, Columbia, Dartmouth, Cornell, MIT, RPI, and the University of Virginia, has appeared before professional organizations such as the AIA, the APA, and the National Trust for Historic Preservation.
After college, Kunstler worked as a reporter and feature writer for a number of newspapers, and finally as a staff writer for Rolling Stone. During the 1970s and 1980s, Kunstler worked "a lot of odd jobs, from orderly in the psychiatric wing of the hospital, to digging holes for percolation tests in housing subdivisions".
In 1966, Kunstler graduated from New York City's High School of Music & Art, and attended the State University of New York at Brockport, where he majored in theater.
James Howard Kunstler (born October 19, 1948) is an American author, social critic, public speaker, and blogger. He is best known for his books The Geography of Nowhere (1994), a history of American suburbia and urban development, The Long Emergency (2005), and Too Much Magic (2012). In The Long Emergency he imagines peak oil and oil depletion resulting in the end of industrialized society, forcing Americans to live in smaller-scale, localized, agrarian (or semi-agrarian) communities. In World Made by Hand he branches into a speculative fiction depiction of this future world.