Jan Shinebourne

Born in Canje, a plantation village within Berbice, Guyana, Shinebourne was educated at Berbice High School and started a BA degree at the University of Guyana but did not complete it there. In 1970, she married John Shinebourne and moved to London where she completed her degree and a Postgraduate Certificate in Education, then taught in several London colleges, then did an MA in English at the University of London and became involved in civil rights politics. In 2006, she moved from London to Sussex where she now lives.

Her first novel, Timepiece, was a first step in this direction, in exploring this theme. She started working on it when she was 19 and left Rose Hall estate to work in the capital, Georgetown,.She says it was a difficult experience for her. She worked in a bank and at month end would return to Rose Hall to give her parents a financial contribution to help pay for the school fees of her younger siblings, something she was proud of doing, that made her feel good about herself, that she was becoming a responsible adult, but she found Georgetown a difficult place because there, you were judged by your class status which was tied up with race. In Timepiece, she writes about a young woman, Sandra Yansen, who has grown up in a rural village where she felt rooted in her rural community which she loves. When she leaves school, she moves to the capital Georgetown. In Georgetown, she feels uprooted and adrift because she has no friends and family there. She does not like the cynicism in people she meets. They have no sense of community, they are not strongly connected to each other like the people in her village, their relationships are casual and shallow. She cannot root herself in Georgetown. She meets a young man she likes who tells her that Georgetown is dominated by class, his father has suffered because of it. They try but fail to make a strong connection to each other and when he visits her village, he realises they are not compatible. It is a period when people are beginning to emigrate, to escape the political, social and economic instability that is a consequence of the political upheavals the country has been through, which are only hinted at in the novel. All the young people she has met in Georgetown are emigrating but the end of the novel indicates she has no plans to leave, it ends with her strong sense of the unchanging strengths of the rural community she is from. Timepiece is influenced by the politics of the independence struggle and the struggles of the People's Progressive Party, led by an Indian, Cheddi Jagan, who wanted to end British colonial rule and liberate the workers of the sugar estate. His party became split by two racial factions and the country descended into a racial war that destabilised it politically, economically and socially, leading people to escape the country, and so began the exodus that would escalate in the 1970s, and the movement of Guyanese towards North America.

While living there, Shinebourne did her postgraduate literary studies at the University of London and obtained her Bachelor of Arts in English. Moreover, she then began lecturing at colleges and universities and also became the co-editor of Southhall Review. She began writing in the mid-1960s, and in 1974 was a prize-winner in the National History and Arts Council Literary Competition. While living in England she developed a friendship with writer and publisher John La Rose, who introduced her to many people that would have an influence of her career. After living in London for 40 years, she made the move to Sussex, which is where she currently lives. Her works have been praised by Anne Jordan and Chris Searle for her literary value and political engagement.

In her second novel, The Last English Plantation, Shinebourne sets her story in 1956 when the political fractures of the 1960s began to show. This time, she chooses a much younger female protagonist, a 12-year-old, June Lehall, as she prepares to venture out of her rural community to go to an urban secondary school. Like Sandra Yansen in Timepiece, she also experiences the culture shock of confronting the intense race and class conflicts that colonialism bred in the country. We see June enter school and getting swept up in the race and class conflicts between her classmates. She has to learn to fight her own battles and struggles to survive. In Timepiece, Sandra does not go through anything like this in Georgetown where these conflicts exist more under the surface.

Jan Lowe Shinebourne (born 1947), also published as Janice Shinebourne, is a Guyanese novelist who now lives in England. In a unique position to be able to provide an insight into multicultural Caribbean culture, Shinebourne's is a rare and distinctive voice : She grew up on a colonial sugar plantation and was deeply affected by the dramatic changes her country went through in its transition from a colony to independence. She wrote her early novels to record this experience.

In her first four books, Shinebourne has written about the place where she was born and spent her childhood – Rose Hall sugar estate in Berbice, Guyana. She was born there on 23 June 1947, the second of five children of her parents, Charles and Marion Lowe, when Guyana was not yet independent and still very much a British colony under the rule of the British government. She describes her early experiences at Rose Hall as extremely colonial. The estate was run along strict colonial lines whereby people were assigned their social status in terms of a pyramid structure of race and class. At the top were the minority white expatriates who ran the estate, they lived in exclusive quarters with all the facilities of running water, electricity, and modern conveniences in their luxurious homes, while at the bottom of the pyramid were the majority, i.e., the other races, including Africans and Indians who lived in squalid conditions, in inadequate housing without running water, electricity, and the amenities of modern life enjoyed by the expats. Shinebourne's own family were not estate workers, her father ran a grocery but growing up on the estate, she witnessed first-hand the injustices and suffering of the workers which led her to write about the effects of colonialism in Guyana which she describes as a central theme in her early writing, especially her first three novels, Timepiece, The Last English Plantation, and Chinese Women. These novels portray colonial British Guiana as a formative influence.